Film Print Anamorphic | 715 Titles
Hanna (2011)
Directed by | Joe Wright | Cinematography by | Alwin H. Küchler | Editing by | Paul Tothill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by | David Yates | Cinematography by | Eduardo Serra | Editing by | Mark Day
Lenses | Cooke S4 Lenses
Yes Man (2008)
Directed by | Peyton Reed | Cinematography by | Robert D. Yeoman | Editing by | Craig Alpert
Cameras | Panavision Cameras
My Week with Marilyn (2011)
Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Adam Recht
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Hancock (2008)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Paul Rubell
Lenses | Panavision Primo Anamorphic Lenses
The Last Airbender (2010)
Due Date (2010)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher
Lenses | Panavision Primo Anamorphic Lenses
Win a Date with Tad Hamilton! (2004)
Directed by | Robert Luketic | Cinematography by | Peter Lyons Collister | Editing by | Scott Hill
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Knowing (2009)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | Richard Learoyd
Cameras | Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
1408 (2007)
Directed by | Mikael Håfström | Cinematography by | Benoît Delhomme | Editing by | Peter Boyle
Cameras | Panavision Panaflex Millennium XL Camera
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
21 (2008)
Directed by | Robert Luketic | Cinematography by | Russell Carpenter | Editing by | Elliot Graham
Cameras | Pan-Arri 435 Camera, Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Into the Wild (2007)
Directed by | Sean Penn | Cinematography by | Eric Gautier | Editing by | Jay Cassidy
Lenses | Canon Lenses, Zeiss Ultra Prime Lenses
Cyprien (2009)
Directed by | David Charhon | Cinematography by | Antoine Roch | Editing by | Sophie Reine
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Three Musketeers (2011)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Alexander Berner, Claus Wehlisch
12 Rounds (2009)
The Sorcerer’s Apprentice (2010)
Contraband (2012)
Directed by | Baltasar Kormákur | Cinematography by | Barry Ackroyd | Editing by | Elísabet Ronaldsdóttir
Cameras | Aaton Penelope Camera
Di Renjie: Tong tian di guo (2010)
Directed by | Hark Tsui | Cinematography by | Chi-Ying Chan, Chor Keung Chan | Editing by | Chi Wai Yau
Cameras | Red One Camera
Lenses | Angenieux Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Lenses
Albert Nobbs (2011)
Directed by | Rodrigo García | Cinematography by | Michael McDonough | Editing by | Steven Weisberg
Cameras | Red One MX Camera
