DVD | 2011 Titles
Twin Peaks (1990)
| Cinematography by | Frank Byers, Ronald Víctor García | Editing by | Jonathan P. Shaw, Paul Trejo, Toni Morgan, Duwayne Dunham, Mary Sweeney
Lenses | Panavision Lenses
Chasing Amy (1997)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Zeiss Super Speed Lenses
Free Solo (2018)
Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Jimmy Chin, Clair Popkin, Mikey Schaefer | Editing by | Bob Eisenhardt
Lenses | Canon CINE-SERVO 50-1000mm T5.0 Lens
La jungle est mon jardin (2022)
Directed by | Enrico Alexander Giordano
Cameras | Canon EOS-1D C Camera
Lenses | Cineovision Lenses, Leica R Series Lenses
The Living Daylights (1987)
Directed by | John Glen | Cinematography by | Alec Mills | Editing by | Peter Davies, John Grover
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera
The World Is Not Enough (1999)
Diamonds Are Forever (1971)
Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, John W. Holmes
Cameras | ARRIFLEX 35 IIA Camera, Panavision Super PSR R-200
Dr. No (1962)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
Die Another Day (2002)
Directed by | Lee Tamahori | Cinematography by | David Tattersall | Editing by | Andrew MacRitchie, Christian Wagner
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Skyfall (2012)
Quantum of Solace (2008)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Spectre (2015)
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Doctor Who (2005)
| Cinematography by | Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg | Editing by | William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett
Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Fight Club (1999)
Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | James Haygood
Cameras | Panavision Panaflex Platinum Camera
Star Wars: Episode I – The Phantom Menace (1999)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith
Lenses | Hawk C-Series Lenses
Star Wars: Episode II – Attack of the Clones (2002)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, George Lucas
Cameras | Sony HDW-F900 Camera
Lenses | Panavision Primo Anamorphic Lenses
Star Wars: Episode III – Revenge of the Sith (2005)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt
Cameras | Sony HDC-F950 Camera
Star Wars: Episode IV – A New Hope (1977)
Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas
Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200
Star Wars: Episode V – The Empire Strikes Back (1980)
Directed by | Irvin Kershner | Cinematography by | Peter Suschitzky | Editing by | T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200
Broken Eyes (2023)
Directed by | Eveshka Ghost
Cameras | Sony α7S Camera
Lenses | KMZ Helio 44-2 58 mm f2 Lens, Samyang Lenses
