DVD | 2011 Titles
The Day After Tomorrow (2004)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Fish Tank (2009)
Bran Nue Dae (2009)
Zack Snyder’s Justice League (2021)
Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Leitz Summilux-C Series Lenses
Mean Girls (2004)
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Wendy Greene Bricmont
Cameras | Panavision Cameras
Fay Grim (2006)
Directed by | Hal Hartley | Cinematography by | Sarah Cawley | Editing by | Hal Hartley
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
Friends (1994)
| Cinematography by | Mikel Neiers, Nick McLean, Richard Hissong, Ken Lamkin, Reid Haessig | Editing by | Stephen Prime, David Helfand, Andy Zall, Jay Scherberth, Kenny Tintorri, Marnie Bermingham, Todd Felker
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The Journey (2002)
Directed by | Edwin Avaness, Emy Hovanesyan | Cinematography by | Edwin Avaness | Editing by | Edwin Avaness
Cameras | Sony HDW-F900 Camera
The Last Temptation of Christ (1988)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Cameras | ARRIFLEX Camera
Do the Right Thing (1989)
Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Barry Alexander Brown
Castle (2009)
| Cinematography by | Bill Roe, Daryn Okada, James L. Carter, Stephen Collins, Dave Perkal, Steve Mason, Roger Simonsz, Michael Slovis | Editing by | Warren Bowman, David Latham, Marta Evry, Orlando Machado Jr., Neil Felder, Dennis Virkler, Edward A. Warschilka, Sue Blainey, Amy McGrath, Jeff Freeman, Mark Manos, Jack Colwell, John Axness, Philip Fowler, Byron Smith
The Walking Dead (2010)
| Cinematography by | Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall | Editing by | Dan Liu, Julius Ramsay, Avi Youabian, Hunter M. Via, Evan Schrodek, Rachel Goodlett Katz, Alan Cody, Nathan Gunn, Kelley Dixon, Tiffany Melvin, Robert Bramwell, Enrique Sanchez, Sidney Wolinsky, Todd Desrosiers, Orlando Machado Jr., Sarah C. Reeves, Jack Colwell, Brian G. Addie
Pulp Fiction (1994)
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Starship Troopers (1997)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Caroline Ross
Lenses | Zeiss Lenses
The Passion of the Christ (2004)
Directed by | Mel Gibson | Cinematography by | Caleb Deschanel | Editing by | Steve Mirkovich, John Wright
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Unbreakable (2000)
Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Goonies (1985)
Directed by | Richard Donner | Cinematography by | Nick McLean | Editing by | Michael Kahn, Steven Spielberg
Cameras | ARRIFLEX 35 III Camera
Die Hard (1988)
Directed by | John McTiernan | Cinematography by | Jan de Bont | Editing by | John F. Link, Frank J. Urioste
Cameras | Panavision Panaflex Gold Camera
Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Amélie (2001)
Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid
Lenses | Zeiss Ultra Prime Lenses
The Deer Hunter (1978) 
Directed by | Michael Cimino | Cinematography by | Vilmos Zsigmond | Editing by | Peter Zinner
Cameras | Panavision Panaflex Camera
