Color | 3927 Titles
Monster’s Ball (2001)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera
Beneath Hill 60 (2010)
Charlie and the Chocolate Factory (2005)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Painted Veil (2006)
Directed by | John Curran | Cinematography by | Stuart Dryburgh | Editing by | Alexandre de Franceschi
Cameras | Panavision Cameras
Lenses | Panavision Lenses
La délicatesse (2011)
Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant
Cameras | Aaton Penelope Camera
Gandu (2010)
Directed by | Qaushiq Mukherjee | Cinematography by | Qaushiq Mukherjee | Editing by | Manas Mittal, Qaushiq Mukherjee, Surojit Sen
Cameras | Canon EOS-7D Camera
Hei mao zhi ci sha Ye Li Qin (1992)
Directed by | Stephen Shin | Cinematography by | Siu-Keung Cheng, Chi-Wah Lee | Editing by | Wing-Ming Wong
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, Cooke Lenses
3:10 to Yuma (2007)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker
Ridicule (1996)
2001: A Space Odyssey (1968)
Directed by | Stanley Kubrick | Cinematography by | Geoffrey Unsworth | Editing by | Ray Lovejoy
Cameras | Super Panavision-70 Camera
A Fish Called Wanda (1988)
Directed by | Charles Crichton, John Cleese | Cinematography by | Alan Hume | Editing by | John Jympson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Speed Racer (2008)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | David Tattersall | Editing by | Roger Barton, Zach Staenberg
Lenses | Zeiss DigiPrime Lenses
The Clink of Ice (2010)
Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier
Cameras | Aaton Penelope Camera
Autoreiji (2010)
Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Yoshinori Ohta, Takeshi Kitano
Cameras | ARRIFLEX 535 B Camera
Son of the Bride (2001)
Directed by | Juan José Campanella | Cinematography by | Daniel Shulman | Editing by | Camilo Antolini
Cameras | ARRIFLEX 35mm Cameras
United 93 (2006)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses
Inside Job (2010)
Directed by | Charles Ferguson | Cinematography by | Svetlana Cvetko, Kalyanee Mam | Editing by | Chad Beck, Adam Bolt
Cameras | Red One Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Jodhaa Akbar (2008)
Directed by | Ashutosh Gowariker | Cinematography by | Kiran Deohans | Editing by | Ballu Saluja
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
A Crime (2006)
Directed by | Manuel Pradal | Cinematography by | Giorgos Arvanitis | Editing by | Jennifer Augé
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Gangs of New York (2002)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker































































