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Carnage (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 80 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Jodie Foster, Kate Winslet, Christoph Waltz, John C. Reilly

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Being Julia (2004)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton

Starring | Annette Bening, Michael Gambon, Maury Chaykin, Jeremy Irons

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Varotal Lenses

Space Cowboys (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 130 Minutes

Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox

Starring | Clint Eastwood, Tommy Lee Jones, Donald Sutherland, James Garner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Match Point (2005)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Woody Allen | Cinematography by | Remi Adefarasin | Editing by | Alisa Lepselter

Starring | Scarlett Johansson, Jonathan Rhys Meyers, Emily Mortimer, Matthew Goode

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Shorts (2009)

Motion Picture | 2D | 2K Project | Color | 89 Minutes

Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Ethan Maniquis, Robert Rodriguez

Starring | Jimmy Bennett, James Spader, Kat Dennings, Jake Short

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Decade Under the Influence (2003)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 138 Minutes

Directed by | Ted Demme, Richard LaGravenese | Cinematography by | Tony C. Jannelli, Clyde W. Smith | Editing by | Meg Reticker

Starring | Francis Ford Coppola, William Friedkin, Robert Altman, John G. Avildsen

Cameras | Sony HDW-F900 Camera

Bu wen sao (1992)

Motion Picture | 2D | Color | 88 Minutes

Directed by | Otto Chan | Cinematography by | Kin Keung Lee | Editing by | Ki-Hop Chan

Starring | James Wong, Kwong Leung Wong, Amy Yip, Mimi Chu

Cameras | ARRIFLEX Camera

In the Valley of Elah (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis

Starring | Tommy Lee Jones, Charlize Theron, Jonathan Tucker, Jason Patric

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Braveheart (1995)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 178 Minutes

Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum

Starring | Mel Gibson, Sophie Marceau, Patrick McGoohan, Angus Macfadyen

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Always (1989)

Motion Picture | 2D | Color | 1.85:1 | 122 Minutes

Directed by | Steven Spielberg | Cinematography by | Mikael Salomon | Editing by | Michael Kahn

Starring | Richard Dreyfuss, Holly Hunter, Brad Johnson, John Goodman

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Point Break (1991)

Motion Picture | 2D | Color | 122 Minutes

Directed by | Kathryn Bigelow | Cinematography by | Donald Peterman | Editing by | Howard E. Smith

Starring | Patrick Swayze, Keanu Reeves, Gary Busey, Lori Petty

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Breaking the Waves (1996)

Motion Picture | 2D | Color | 2.39:1 | 159 Minutes

Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | Anders Refn

Starring | Emily Watson, Stellan Skarsgård, Katrin Cartlidge, Jean-Marc Barr

Cameras | Moviecam Compact Camera

Lenses | Zeiss Lenses

The Innkeepers (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West

Starring | Sara Paxton, Pat Healy, Kelly McGillis, Alison Bartlett

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

2010 (1984)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 116 Minutes

Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Mia Goldman, James Mitchell

Starring | Roy Scheider, John Lithgow, Helen Mirren, Bob Balaban

Cameras | Panavision Cameras

Lenses | Panavision Lenses

American Son (2008)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Neil Abramson | Cinematography by | Kris Kachikis | Editing by | Karen Schmeer

Starring | Nick Cannon, Matt Sigloch, Dotan Baer, Justin Diedolf

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Godfather: Part II (1974)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 1.85:1 | 202 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner

Starring | Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses

Crank: High Voltage (2009)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Brandon Trost | Editing by | Marc Jakubowicz, Fernando Villena

Starring | Jason Statham, Amy Smart, Clifton Collins Jr., Dwight Yoakam

Cameras | Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

A Night in the Life of Jimmy Reardon (1988)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | William Richert | Cinematography by | John J. Connor | Editing by | Suzanne Fenn

Starring | River Phoenix, Ann Magnuson, Meredith Salenger, Ione Skye

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Three Fugitives (1989)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green

Starring | Nick Nolte, Martin Short, Sarah Rowland Doroff, James Earl Jones

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

A Slipping-Down Life (1999)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne

Starring | Lili Taylor, Guy Pearce, Irma P. Hall, Tom Bower

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

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