Color | 3927 Titles
Hope Springs (2012)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Steven Weisberg
Cameras | ARRI ALEXA Camera
Machete (2010)
Directed by | Ethan Maniquis, Robert Rodriguez | Cinematography by | Jimmy Lindsey | Editing by | Rebecca Rodriguez, Robert Rodriguez
Cameras | Panavision Genesis Camera
Girl, Interrupted (1999)
Directed by | James Mangold | Cinematography by | Jack N. Green | Editing by | Kevin Tent
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Brannigan (1975)
Directed by | Douglas Hickox | Cinematography by | Gerry Fisher | Editing by | Malcolm Cooke
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Gandhi (1982)
Directed by | Richard Attenborough | Cinematography by | Ronnie Taylor, Billy Williams | Editing by | John Bloom
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Hobo with a Shotgun (2011)
Directed by | Jason Eisener | Cinematography by | Karim Hussain | Editing by | Jason Eisener
Cameras | Red One MX Camera
Samsara (2001)
Directed by | Pan Nalin | Cinematography by | Rali Raltschev | Editing by | Isabel Meier
Cameras | Fricke 65mm Time-Lapse Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera
Lenses | Schneider Variogon Lenses
Harry Potter and the Goblet of Fire (2005)
Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley
Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses
Bullitt (1968)
Directed by | Peter Yates | Cinematography by | William A. Fraker | Editing by | Frank P. Keller
Cameras | ARRIFLEX Camera
Lenses | ARRI Lenses
Blow Out (1981)
Martha Marcy May Marlene (2011)
Directed by | Sean Durkin | Cinematography by | Jody Lee Lipes | Editing by | Zachary Stuart-Pontier
Cameras | ARRICAM Lite (LT) Camera
Annie Hall (1977)
Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Wendy Greene Bricmont, Ralph Rosenblum
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dog Day Afternoon (1975)
Directed by | Sidney Lumet | Cinematography by | Victor J. Kemper | Editing by | Dede Allen
Cameras | Panavision Cameras
Lenses | Panavision Lenses
A Chronicle of Corpses (2000)
Directed by | Andrew Repasky McElhinney | Cinematography by | Abe Holtz | Editing by | Ron Kalish
Cameras | Aaton Cameras
Take Shelter (2011)
Dancer in the Dark (2000)
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | François Gédigier, Molly Malene Stensgaard
Cameras | Sony DSR-PD100 Camera, Sony DSR-PD150 Camera
San wa (2005)
Directed by | Stanley Tong | Cinematography by | Wing-Hang Wong | Editing by | Chi Wai Yau
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Panavision Panaflex Platinum Camera
Scarface (1983)
Directed by | Brian De Palma | Cinematography by | John A. Alonzo | Editing by | Gerald B. Greenberg, David Ray
Cameras | Panavision Cameras
Lenses | Panavision Lenses
About Schmidt (2002)
Directed by | Alexander Payne | Cinematography by | James Glennon | Editing by | Kevin Tent
Cameras | Panavision Panaflex Gold II Camera
Terms of Endearment (1983)
Directed by | James L. Brooks | Cinematography by | Andrzej Bartkowiak | Editing by | Richard Marks
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses







































































