Color | 3927 Titles
Loverboy (2005)
Rise of the Planet of the Apes (2011)
Directed by | Rupert Wyatt | Cinematography by | Andrew Lesnie | Editing by | Conrad Buff IV, Mark Goldblatt
Cameras | ARRICAM Lite (LT) Camera
Wonder Boys (2000)
Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Dede Allen
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses
Naked Weapon (2002)
Directed by | Siu-Tung Ching | Cinematography by | Sung Fai Choi | Editing by | Angie Lam
Lenses | Angenieux Lenses, Zeiss Lenses
Mr. Bean’s Holiday (2007)
Directed by | Steve Bendelack | Cinematography by | Baz Irvine | Editing by | Tony Cranstoun
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
District 13: Ultimatum (2009)
Directed by | Patrick Alessandrin | Cinematography by | Jean-François Hensgens | Editing by | Stéphane Garnier, Julien Rey
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Iron Man (2008)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
5 Star Day (2010)
Directed by | Danny Buday | Cinematography by | Jason Oldak | Editing by | Curtis Pierce
Cameras | Moviecam Compact Camera
Aizea: City of the Wind (2001)
Directed by | Ione Hernández | Cinematography by | Daniel Aranyó | Editing by | Andrea Zondler
Cameras | ARRIFLEX 16SR2 Camera
Layer Cake (2004)
Directed by | Matthew Vaughn | Cinematography by | Ben Davis | Editing by | Jon Harris
Cameras | Moviecam Compact Camera
Lenses | Cooke Xtal Express Lenses
Repo! The Genetic Opera (2008)
Directed by | Darren Lynn Bousman | Cinematography by | Joseph White | Editing by | Harvey Rosenstock
Cameras | Panavision Genesis Camera
29th Street (1991)
Directed by | George Gallo | Cinematography by | Steven Fierberg | Editing by | Kaja Fehr
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Wanted (2008)
Directed by | Timur Bekmambetov | Cinematography by | Mitchell Amundsen | Editing by | David Brenner
L’exercice de l’État (2011)
Directed by | Pierre Schoeller | Cinematography by | Julien Hirsch | Editing by | Laurence Briaud
Cameras | ARRI ALEXA Camera
Australia (2008)
Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Dody Dorn, Michael McCusker
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
Memoirs of a Geisha (2005)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Pietro Scalia
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Black Swan (2010)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses | Zeiss Ultra 16 Lenses
Blood Beach (1980)
Directed by | Jeffrey Bloom | Cinematography by | Steven Poster | Editing by | Gary Griffin
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Æon Flux (2005)
Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tucker
Un amour de jeunesse (2011)
Directed by | Mia Hansen-Løve | Cinematography by | Stéphane Fontaine | Editing by | Marion Monnier
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses
