Color | 3927 Titles
Jûsan-nin no shikaku (2010)
Directed by | Takashi Miike | Cinematography by | Nobuyasu Kita | Editing by | Kenji Yamashita
Cameras | ARRI Cameras
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Sexy Beast (2000)
Directed by | Jonathan Glazer | Cinematography by | Ivan Bird | Editing by | John Scott, Sam Sneade
Cameras | ARRI ARRIFLEX Series Cameras
Lenses | ARRI Lenses
A Better Place (1997)
Directed by | Vincent Pereira | Cinematography by | Ian Dudley | Editing by | Vincent Pereira
Cameras | ARRIFLEX 16SR Camera
3 Ninjas Knuckle Up (1995)
Directed by | Sang-ok Shin | Cinematography by | Eugene D. Shlugleit | Editing by | Pamela Choules
Cameras | Panavision Cameras
Lenses | Panavision Lenses
3 Needles (2005)
Directed by | Thom Fitzgerald | Cinematography by | Tom Harting | Editing by | Susan Shanks
Cameras | ARRIFLEX 35 BL4 Camera
Swerve (2011)
Directed by | Craig Lahiff | Cinematography by | David Foreman | Editing by | Sean Lahiff
Cameras | Sony CineAlta F35 Camera
1492: Conquest of Paradise (1992)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | William M. Anderson, Françoise Bonnot, Les Healey, Armen Minasian, Deborah Zeitman
Rabbit Hole (2010)
Directed by | John Cameron Mitchell | Cinematography by | Frank G. DeMarco | Editing by | Joe Klotz
Cameras | Red One Camera
Lenses | Zeiss Standard Speed Prime Lenses
Belizaire the Cajun (1986)
Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Little Miss Sunshine (2006)
Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Tim Suhrstedt | Editing by | Pamela Martin
All My Friends Are Leaving Brisbane (2007)
Directed by | Louise Alston | Cinematography by | Judd Overton | Editing by | Nicola Scarrott
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | Angenieux HR Zoom Lenses
Ransom (1996)
Directed by | Ron Howard | Cinematography by | Piotr Sobocinski | Editing by | Daniel P. Hanley, Mike Hill
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Cool Hand Luke (1967)
Directed by | Stuart Rosenberg | Cinematography by | Conrad L. Hall | Editing by | Sam O'Steen
Cameras | Mitchell BNC Camera
Lenses | Panavision Lenses
J.S.A.: Joint Security Area (2000)
Directed by | Chan-wook Park | Cinematography by | Sung-Bok Kim | Editing by | Sang-beom Kim
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Arlington Road (1999)
Directed by | Mark Pellington | Cinematography by | Bobby Bukowski | Editing by | Conrad Buff IV
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Rocky (1976) 
Directed by | John G. Avildsen | Cinematography by | James Crabe | Editing by | Scott Conrad, Richard Halsey
Lenses | Panavision Lenses
Triumph of the Spirit (1989)
Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn
Iron Man 2 (2010)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Richard Pearson
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
The Hudsucker Proxy (1994)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Thom Noble
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Fletch Lives (1989)
Directed by | Michael Ritchie | Cinematography by | John McPherson | Editing by | Richard A. Harris
Cameras | Panavision Cameras
Lenses | Panavision Lenses
