Color | 3927 Titles
Waiting Alone (2004)
Directed by | Dayyan Eng | Cinematography by | Toby Oliver | Editing by | Dayyan Eng
Cameras | ARRIFLEX 535 B Camera
Elizabeth: The Golden Age (2007)
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
The Iceman (2012)
Directed by | Ariel Vromen | Cinematography by | Bobby Bukowski | Editing by | Danny Rafic
Cameras | ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Hustle & Flow (2005)
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Ultra Prime Lenses
*batteries not included (1987)
Directed by | Matthew Robbins | Cinematography by | John McPherson | Editing by | Cynthia Scheider
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Blade (1998)
Directed by | Stephen Norrington | Cinematography by | Theo van de Sande | Editing by | Paul Rubell
Cameras | Moviecam Compact Camera
Mad Max (1979)
Directed by | George Miller | Cinematography by | David Eggby | Editing by | Cliff Hayes, Tony Paterson
Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses
Big Fish (2003)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Mask of Zorro (1998)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble
Lenses | Cooke Lenses
How the West Was Won (1962)
Directed by | John Ford, Henry Hathaway, George Marshall, Richard Thorpe | Cinematography by | William H. Daniels, Milton R. Krasner, Charles Lang, Joseph LaShelle | Editing by | Harold F. Kress
Cameras | Cinerama Camera, Ultra Panavision 70 Camera
Lenses | Kodak Ektar 27 mm Lens, Panavision Lenses
A Soldier’s Daughter Never Cries (1998)
Directed by | James Ivory | Cinematography by | Jean-Marc Fabre | Editing by | Noëlle Boisson
Cameras | Panavision Panaflex Platinum Camera
Bir Zamanlar Anadolu’da (2011)
Directed by | Nuri Bilge Ceylan | Cinematography by | Gökhan Tiryaki | Editing by | Nuri Bilge Ceylan, Bora Göksingöl
Cameras | Sony CineAlta F35 Camera
Neighbor (2009)
Directed by | Robert A. Masciantonio | Cinematography by | MJ Schirmer | Editing by | R. Emmett Sibley
Cameras | Red One MX Camera
Absolute Power (1997)
The Evil Dead (1981)
Directed by | Sam Raimi | Cinematography by | Tim Philo | Editing by | Edna Ruth Paul
Cameras | ARRIFLEX 16BL Camera, ARRIFLEX 16S Camera
Troy (2004)
Directed by | Wolfgang Petersen | Cinematography by | Roger Pratt | Editing by | Peter Honess
Lenses | Cooke S4 Lenses
A Midsummer Night’s Rave (2002)
Directed by | Gil Cates Jr. | Cinematography by | Tom Harting | Editing by | Jonathan Cates
Cameras | Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
A Dangerous Method (2011)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Lenses | Cooke S4 Lenses
9/Tenths (2006)
Directed by | Bob Degus | Cinematography by | Nathan Wilson | Editing by | Logan Breit
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Bourne Ultimatum (2007)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
