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ARRI Cameras | 2118 Titles

ARRI Cameras 3.78/5 9 Votes

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Eileen (2023)

Motion Picture | 2D | Color | 1.66:1 | 97 Minutes

Directed by | William Oldroyd | Cinematography by | Ari Wegner | Editing by | Nick Emerson

Starring | Thomasin McKenzie, Shea Whigham, Sam Nivola

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Bausch & Lomb Super Baltar Lenses

Kandahar (2023)

Motion Picture | 2D | Color | 119 Minutes

Directed by | Ric Roman Waugh | Cinematography by | MacGregor | Editing by | Colby Parker Jr.

Starring | Tom Rhys Harries, Farhad Bagheri, Gerard Butler

Cameras | ARRI ALEXA Mini LF Camera, Sony ILME-FX3 Camera, Sony ILME-FX6 Camera

Lenses | Panavision E Series Anamorphic Lenses, Vazen Lenses

Big Bug (2022)

Motion Picture | 2D | 4K Project | Color | 111 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Thomas Hardmeier | Editing by | Hervé Schneid

Starring | Isabelle Nanty, Elsa Zylberstein, Claude Perron

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Rustin (2023)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | George C. Wolfe | Cinematography by | Tobias A. Schliessler | Editing by | Andrew Mondshein

Starring | Colman Domingo, Chris Rock, Glynn Turman

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Rental DNA LF Lenses

Westworld (2016)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9), 2.39:1 | 62 Minutes

| Cinematography by | John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery | Editing by | Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Starring | Evan Rachel Wood, Jeffrey Wright, Ed Harris

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

The Handmaiden (2016)

Television Series | 2D | 2K Project | Color | 145 Minutes

Directed by | Park Chan-wook | Cinematography by | Chung-hoon Chung | Editing by | Kim Jae-bum, Kim Sang-beom

Starring | Kim Min-hee, Ha Jung-woo, Cho Jin-woong

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74

Quiz Show (1994)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 133 Minutes

Directed by | Robert Redford | Cinematography by | Michael Ballhaus | Editing by | Stu Linder

Starring | Ralph Fiennes, John Turturro, Rob Morrow

Cameras | ARRIFLEX 35mm Cameras

Land of Bad (2024)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | William Eubank | Cinematography by | Agustin Claramunt | Editing by | Todd E. Miller

Starring | Russell Crowe, Milo Ventimiglia, Liam Hemsworth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Panavision Primo 70 Lenses

Eventual (2023)

Short Film | 2D | 4K Project | Color | 1.66:1 | 4 Minutes

Directed by | Nicholas Connor | Cinematography by | Piero Cioffi | Editing by | Sakky Barnor

Starring | Tom Machell, Léa Anderson, Sivan Raphaely

Cameras | Arashi Vision Insta360 X3, ARRIFLEX 16SR3 Camera, Blackmagic Cinema Camera

The Grand Budapest Hotel (2014)

Motion Picture | 2D | 2K Project | Color | 1.37:1, 1.85:1, 2.39:1 | 99 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Barney Pilling

Starring | Ralph Fiennes, F. Murray Abraham, Mathieu Amalric

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

Episodes (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Rob Kitzmann | Editing by | Nigel Williams, Gary Evans

Starring | Matt LeBlanc, Stephen Mangan, Tamsin Greig

Cameras | ARRI ALEXA Camera

PEN15 (2019)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Andy Rydzewski, Adam Silver, Bella Gonzales | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden, John Daigle, Michael Scotti Jr.

Starring | Maya Erskine, Anna Konkle, Melora Walters

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4 Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Ultra Prime Lenses

Guardians of the Galaxy (2014)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 121 Minutes

Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood

Starring | Chris Pratt, Vin Diesel, Bradley Cooper, Zoe Saldaña

Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Indefinite (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 71 Minutes

Directed by | Kane Arcadia | Cinematography by | Carlos Schneider | Editing by | Ken Lee

Starring | Nina Deasley, Phoenix Raei, Ali Nazarpour, Catriona M. Coe

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Cinema Products Lenses

True Blood (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 55 Minutes

Magical Mystery Tour (1967)

Television Movie | 2D | Film Project | Color | 1.33:1 (4x3) | 55 Minutes

Directed by | George Harrison, John Lennon, Paul McCartney, Ringo Starr, Bernard Knowles | Cinematography by | Ringo Starr | Editing by | Roy Benson

Starring | John Lennon, Paul McCartney, George Harrison

Cameras | ARRIFLEX 16S Camera, Éclair NPR Camera

Lenses | Angenieux Lenses, Schneider Lenses

Raging Bull (1980)

Motion Picture | 2D | Film Project | Black & White, Color | 129 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Cathy Moriarty, Joe Pesci

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Clockers (1995)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 128 Minutes

Directed by | Spike Lee | Cinematography by | Malik Hassan Sayeed | Editing by | Sam Pollard

Starring | Harvey Keitel, John Turturro, Delroy Lindo

Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Body Melt (1993)

Direct to Video | 2D | Film Project | Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy

Starring | Gerard Kennedy, Andrew Daddo, Ian Smith

Cameras | ARRIFLEX 16SR2 Camera

Law & Order (1990)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld | Editing by | Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris

Starring | Jerry Orbach, Jesse L. Martin, Dennis Farina

Cameras | ARRI ALEXA Camera, Panavision Cameras, Panavision Panaflex Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Zeiss Ultra Prime Lenses

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