ARRI Cameras | 2118 Titles
Under the Silver Lake (2018)
Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio C. Perez IV
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses
All I See Is You (2016)
Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Hughes Winborne
Cameras | ARRI ALEXA XT Camera
True Detective (2014)
| Cinematography by | Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister | Editing by | Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
A Beautiful Day in the Neighborhood (2019)
Grey’s Anatomy (2005)
| Cinematography by | Herbert Davis, Alicia Robbins, Steven G. Fracol, Byron Shah, Tim Suhrstedt, Jeanne Tyson, Carlos González, Ross Riege, Robert LaBonge, Christian Sebaldt, Adam Kane, Walt Fraser, Oliver Bokelberg, Daryn Okada, Jeffrey Jur, Mark Jackson, John Simmons | Editing by | Susan Vaill, Joe Mitacek, Edward Ornelas, David Greenspan, Chad Mochrie, Jason Joseph, Meghan Robertson, Vanessa Delgado, Dan Rovetto, Justin Chinn, Briana London, Kathleen Latlip, Gregory Cusumano, Matthew Ramsey, Brandi Bradburn, Bjørn T. Myrholt, Victor Du Bois, Katherine Skjerping, Roger Nygard, Sarah Boyd, Stacy Katzman, Julia Grove, Heidi Scharfe, Philip Fowler, Karoliina Tuovinen, Tom Costain, Kyle Bond, Dino DeLorenzo, Aimee Jennings, Juan Soto
Bombshell (2019)
Directed by | Jay Roach | Cinematography by | Barry Ackroyd | Editing by | Jon Poll
Cameras | ARRI ALEXA Mini Camera
Booksmart (2019)
Directed by | Olivia Wilde | Cinematography by | Jason McCormick | Editing by | Jamie Gross, Brent White
Cameras | ARRI ALEXA Mini Camera
“Grey’s Anatomy” The Distance (2015)
Directed by | Eric Laneuville | Cinematography by | Herbert Davis | Editing by | Justin Chinn
Cameras | ARRI ALEXA Camera
Shine (1996)
Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Die Geschichte vom weinenden Kamel (2003)
Directed by | Byambasuren Davaa, Luigi Falorni | Cinematography by | Luigi Falorni | Editing by | Anja Pohl
Cameras | ARRIFLEX Camera
A Very Long Engagement (2004)
Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid
Lenses | Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens
Platoon (1986) 
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Claire Simpson
Cameras | ARRIFLEX 35 BL3 Camera
Lenses | JDC (Joe Dunton Camera) Lenses
Never Look Away (2018)
Directed by | Florian Henckel von Donnersmarck | Cinematography by | Caleb Deschanel | Editing by | Patricia Rommel, Patrick Sanchez Smith
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Prime Lenses
The Kid with a Bike (2011)
Directed by | Jean-Pierre Dardenne, Luc Dardenne | Cinematography by | Alain Marcoen | Editing by | Marie-Hélène Dozo
Cameras | ARRICAM Lite (LT) Camera
Miracles from Heaven (2016)
Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Emma E. Hickox
Cameras | ARRI Cameras
Lenses | ARRI Lenses
The Squid and the Whale (2005)
Directed by | Noah Baumbach | Cinematography by | Robert D. Yeoman | Editing by | Tim Streeto
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Zeiss Super Speed Lenses
Dexter (2006)
| Cinematography by | Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey | Editing by | Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera
Arrival (2016)
Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker
Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
Lenses | CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses
St. Trinian’s (2007)
Directed by | Oliver Parker, Barnaby Thompson | Cinematography by | Gavin Finney | Editing by | Alex Mackie
Lenses | Cooke S4 Lenses
Spider-Man 2 (2004)
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
