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ARRI ALEXA Series Cameras | 910 Titles

ARRI ALEXA Series Cameras 4.75/5 8 Votes

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Trumbo (2015)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 124 Minutes

Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten

Starring | Bryan Cranston, Diane Lane, Helen Mirren, Louis C.K.

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Anonymous (2011)

Motion Picture | 2D | Color | 130 Minutes

Directed by | Roland Emmerich | Cinematography by | Anna Foerster | Editing by | Peter R. Adam

Starring | Rhys Ifans, Vanessa Redgrave, David Thewlis, Sebastian Armesto

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Forest (2016)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Jason Zada | Cinematography by | Mattias Troelstrup | Editing by | Jim Flynn

Starring | Natalie Dormer, Eoin Macken, Stephanie Vogt, Osamu Tanpopo

Cameras | ARRI ALEXA XT Plus Camera

Jamesy Boy (2014)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 109 Minutes

Directed by | Trevor White | Cinematography by | Robert Lam | Editing by | Josh Noyes

Starring | Spencer Rocco Lofranco, Mary-Louise Parker, Ving Rhames, James Woods

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Batman v Superman: Dawn of Justice (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 151 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner

Starring | Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Man from U.N.C.L.E. (2015)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert

Starring | Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki

Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses | Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

The 33 (2015)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Michael Tronick

Starring | Antonio Banderas, Rodrigo Santoro, Juliette Binoche, James Brolin

Cameras | ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

Son of a Gun (2014)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Julius Avery | Cinematography by | Nigel Bluck | Editing by | Jack Hutchings

Starring | Ewan McGregor, Brenton Thwaites, Alicia Vikander, Brendan Kerkvliet

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision Lenses

Human (2015)

Documentary | 2D | HD Project | Color | 1.85:1 | 190 Minutes

Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla

Starring | Luis Cancu, Atman, Berthony, Bruno

Cameras | ARRI ALEXA M Camera, Canon EOS-C300 Camera, Red Epic Camera, Sony HDC-1500 Camera

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens

Pan (2015)

Motion Picture | 3D | Color | 2.39:1 | 111 Minutes

Directed by | Joe Wright | Cinematography by | John Mathieson, Seamus McGarvey | Editing by | William Hoy, Paul Tothill

Starring | Levi Miller, Hugh Jackman, Garrett Hedlund, Rooney Mara

Cameras | ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Crimson Peak (2015)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Bernat Vilaplana

Starring | Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam

Cameras | ARRI ALEXA XT Camera

Meadowland (2015)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Olivia Wilde, Luke Wilson, Giovanni Ribisi, Elisabeth Moss

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera

Lenses | Angenieux HR Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses

The Intern (2015)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Nancy Meyers | Cinematography by | Stephen Goldblatt | Editing by | Robert Leighton

Starring | Robert De Niro, Anne Hathaway, Rene Russo, Anders Holm

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Sicario (2015)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 121 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Emily Blunt, Josh Brolin, Benicio Del Toro, Jon Bernthal

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

Call Me King (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 118 Minutes

Directed by | R.L. Scott | Cinematography by | R.L. Scott

Starring | Amin Joseph, Bai Ling, Chris Mulkey, Bill Cobbs

Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera

Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Road to Ferrari (2013)

Television Movie | 2D | Color |

Directed by | Matthew Bennett | Cinematography by | Daniel McKeown | Editing by | Janet Gaynor

Starring | Will Buxton, Jason Swales

Cameras | ARRI ALEXA Series Cameras, Canon Cameras

Southpaw (2015)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua

Starring | Jake Gyllenhaal, Rachel McAdams, Oona Laurence, Forest Whitaker

Cameras | ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Ventoux (2015)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Nicole van Kilsdonk | Cinematography by | Anton Mertens | Editing by | Moek de Groot

Starring | Kasper van Kooten, Wilfried de Jong, Leopold Witte, Wim Opbrouck

Cameras | ARRI ALEXA Camera

Lenses | Cooke Lenses, Cooke Speed Panchro Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses

The Best of Me (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Michael Hoffman | Cinematography by | Oliver Stapleton | Editing by | Matt Chesse

Starring | James Marsden, Michelle Monaghan, Luke Bracey, Liana Liberato

Cameras | ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses

The Cobbler (2014)

Motion Picture | 2D | Color | 99 Minutes

Directed by | Tom McCarthy | Cinematography by | W. Mott Hupfel III | Editing by | Tom McArdle

Starring | Adam Sandler, Melonie Diaz, Steve Buscemi, Method Man

Cameras | ARRI ALEXA Plus Camera

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