ARRI ALEXA Series Cameras | 910 Titles
It Follows (2014)
Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio Perez IV
Cameras | ARRI ALEXA Plus Camera, Red Epic Camera
Cineastes (2014)
Directed by | Alexander Vo | Cinematography by | John Lazear | Editing by | Alexander Vo
Cameras | ARRI ALEXA Series Cameras
Lenses | Zeiss Lenses
Les cowboys (2015)
Directed by | Thomas Bidegain | Cinematography by | Arnaud Potier | Editing by | Géraldine Mangenot
Cameras | ARRI ALEXA XT Camera
The Survivalist (2015)
Directed by | Stephen Fingleton | Cinematography by | Damien Elliott | Editing by | Mark Towns
Cameras | ARRI ALEXA Plus Camera, Blackmagic Design Cameras
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses
Maggie (2015)
Jackrabbit (2015)
Directed by | Carleton Ranney | Cinematography by | Ashley Connor | Editing by | Talia Barrett, Joseph Stankus
Pitch Perfect 2 (2015)
Directed by | Elizabeth Banks | Cinematography by | Jim Denault | Editing by | Craig Alpert
Cameras | ARRI ALEXA Plus Camera
Ben-Hur (2016)
Directed by | Timur Bekmambetov | Cinematography by | Oliver Wood | Editing by | Dody Dorn, Richard Francis-Bruce
Zoolander 2 (2016)
Directed by | Ben Stiller | Cinematography by | Dan Mindel | Editing by | Greg Hayden
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Spy (2015)
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White
Cameras | ARRI ALEXA XT Camera
San Andreas (2015)
Directed by | Brad Peyton | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Big Game (2014)
Directed by | Jalmari Helander | Cinematography by | Mika Orasmaa | Editing by | Iikka Hesse
Cameras | ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera, Phantom Flex Camera, Red Epic Camera
Lenses | Hawk Anamorphic Lenses
Scrotal Recall (2014)
| Cinematography by | Simon Vickery | Editing by | Christian Sandino-Taylor, Billy Sneddon, Calum Ross, Robin Peters
The Book Thief (2013)
Directed by | Brian Percival | Cinematography by | Florian Ballhaus | Editing by | John Wilson
Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Avengers: Age of Ultron (2015)
Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek
Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
The Gunman (2015)
Directed by | Pierre Morel | Cinematography by | Flavio Martínez Labiano | Editing by | Frédéric Thoraval
Cameras | ARRI ALEXA XT Camera, Red Epic Camera
Lenses | Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Goodbye to All That (2014)
Directed by | Angus MacLachlan | Cinematography by | Corey Walter | Editing by | Jennifer Lilly
Cameras | ARRI ALEXA Series Cameras
Get Hard (2015)
Directed by | Etan Cohen | Cinematography by | Tim Suhrstedt | Editing by | Michael L. Sale
Cameras | ARRI ALEXA XT Plus Camera
Fifty Shades of Grey (2015)
Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Anne V. Coates, Lisa Gunning, Debra Neil-Fisher
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Goddess (2013)
Directed by | Mark Lamprell | Cinematography by | Damian Wyvill
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses
