ARRI ALEXA Series Cameras | 910 Titles
Eddie the Eagle (2015)
Neighbors 2: Sorority Rising (2016)
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker, Michael A. Webber
Cameras | ARRI ALEXA XT Plus Camera
Dirty Grandpa (2016)
Directed by | Dan Mazer | Cinematography by | Eric Alan Edwards | Editing by | Anne McCabe
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke S4 Lenses
Keanu (2016)
The Boy (2016)
Directed by | William Brent Bell | Cinematography by | Daniel Pearl | Editing by | Brian Berdan
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Hawk Vantage One Lenses
Criminal (2016)
Directed by | Ariel Vromen | Cinematography by | Dana Gonzales | Editing by | Danny Rafic
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
The Boss (2016)
Directed by | Ben Falcone | Cinematography by | Julio Macat | Editing by | Craig Alpert
Cameras | ARRI ALEXA 65 Camera
Lenses | Leitz Summilux-C Series Lenses
The Huntsman: Winter’s War (2016)
Directed by | Cedric Nicolas-Troyan | Cinematography by | Phedon Papamichael | Editing by | Conrad Buff IV
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
The Jungle Book (2016)
Directed by | Jon Favreau | Cinematography by | Bill Pope | Editing by | Adam Gerstel, Mark Livolsi
Cameras | ARRI ALEXA XT M Camera
God’s Not Dead 2 (2016)
Directed by | Harold Cronk | Cinematography by | Brian Shanley | Editing by | Vance Null, Wynton Payne
Cameras | ARRI ALEXA Camera, Red Epic Camera
Everybody Wants Some!! (2016)
Directed by | Richard Linklater | Cinematography by | Shane F. Kelly | Editing by | Sandra Adair
Cameras | ARRI ALEXA Camera
Dope (2015)
Directed by | Rick Famuyiwa | Cinematography by | Rachel Morrison | Editing by | Lee Haugen
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera
The 5th Wave (2016)
Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell
Cameras | ARRI ALEXA XT Plus Camera
Rogue One: A Star Wars Story (2016)
Directed by | Gareth Edwards | Cinematography by | Greig Fraser | Editing by | John Gilroy, Colin Goudie, Jabez Olssen
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision APO Panatar Lenses
Kilo Two Bravo (2014)
Directed by | Paul Katis | Cinematography by | Chris Goodger | Editing by | Brin
Cameras | ARRI ALEXA XT Camera, Blackmagic Cinema Camera
Lenses | Angenieux Lenses, Red Pro Prime Lenses
Allegiant (2016)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses
Captain America: Civil War (2016)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses
La isla mínima (2014)
Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano
Cameras | ARRI ALEXA XT Camera
El hombre de las mil caras (2016)
Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano
Cameras | ARRI ALEXA XT Plus Camera
Tenemos que hablar (2016)
Directed by | David Serrano | Cinematography by | Juan Carlos Gómez | Editing by | Alberto de Toro
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4/i Lenses
