ARRI ALEXA Series Cameras | 910 Titles
Hands of Stone (2016)
Directed by | Jonathan Jakubowicz | Cinematography by | M.I. Littin-Menz | Editing by | Ethan Maniquis
Cameras | ARRI ALEXA Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Don’t Breathe (2016)
Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould
Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
Morris from America (2016)
Directed by | Chad Hartigan | Cinematography by | Sean McElwee | Editing by | Anne Fabini
Cameras | ARRI ALEXA Camera, Red Epic Camera
War Dogs (2016)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth
Cameras | ARRI ALEXA XT Camera
Hell or High Water (2016)
Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts
Cameras | ARRI ALEXA XT Studio Camera
Florence Foster Jenkins (2016)
Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Valerio Bonelli
Cameras | ARRI ALEXA XT Camera
Pete’s Dragon (2016)
Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke Anamorphic/i Prime Lenses
Good Boys (2019)
Directed by | Gene Stupnitsky | Cinematography by | Jonathan Furmanski | Editing by | Daniel Gabbe
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 180 mm T2.8 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Ghostbusters (2016)
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White
Cameras | ARRI ALEXA XT Camera
Lights Out (2016)
Directed by | David F. Sandberg | Cinematography by | Marc Spicer | Editing by | Michel Aller, Kirk M. Morri
Cameras | ARRI ALEXA Camera
Star Trek Beyond (2016)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
Nine Lives (2016)
Directed by | Barry Sonnenfeld | Cinematography by | Karl Walter Lindenlaub | Editing by | David Zimmerman, Don Zimmerman
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses, Zeiss Ultra Prime Lenses
Jason Bourne (2016)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Jane the Virgin (2014)
| Cinematography by | Lowell Peterson, Joe Gallo, John C. Flinn III, Richard Crudo, Xavier Grobet | Editing by | Eric Lea, Bruce Green, Gregg Featherman, Janet Weinberg, Raúl Dávalos, Brad Katz, Shannon Mitchell, Susan Kobata
Cameras | ARRI ALEXA Camera
House of Lies (2012)
| Cinematography by | Peter Levy, Loren S. Yaconelli | Editing by | Tod Feuerman, Tirsa Hackshaw, Justin Bourret, Jonathan Schwartz, Myron Kerstein, John Axness, Aimee Durrant, John Smith, Pietro Cecchini
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Ray Donovan (2013)
| Cinematography by | Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff | Editing by | Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Fast 8 (2017)
Directed by | F. Gary Gray | Cinematography by | Stephen F. Windon | Editing by | Paul Rubell, Christian Wagner
Cameras | ARRI ALEXA XT Camera, Red Epic Camera
Dough (2015)
Directed by | John Goldschmidt | Cinematography by | Peter Hannan | Editing by | Michael Ellis
Cameras | ARRI ALEXA Camera
Viy (2014)
Directed by | Oleg Stepchenko | Cinematography by | Yaroslav Pilunskiy, Vladimír Smutný | Editing by | Petr Zelenov
Deliverance Creek (2014)
Directed by | Jon Amiel | Cinematography by | Theo van de Sande | Editing by | Josh Beal
Cameras | ARRI ALEXA Camera
