Vertical Camera Film Orientation | 1024 Titles
American Pastime (2007)
Directed by | Desmond Nakano | Cinematography by | Matthew Williams | Editing by | Mark Yoshikawa
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
Bølgen (2015)
Directed by | Roar Uthaug | Cinematography by | John Christian Rosenlund | Editing by | Christian Siebenherz
Cameras | Red Epic Dragon Camera
King Kong (1933)
Directed by | Merian C. Cooper, Ernest B. Schoedsack | Cinematography by | Edward Linden, J.O. Taylor, Vernon L. Walker, Kenneth Peach | Editing by | Ted Cheesman
Cameras | Mitchell Standard Camera
The American Mall (2008)
Directed by | Shawn Ku | Cinematography by | Matthew Williams | Editing by | Don Brochu
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Chinatown (1974)
Directed by | Roman Polanski | Cinematography by | John A. Alonzo, Stanley Cortez | Editing by | Sam O'Steen
Cameras | Panavision Cameras
The Thin Red Line (1998)
Directed by | Terrence Malick | Cinematography by | John Toll | Editing by | Leslie Jones, Saar Klein, Billy Weber
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
24 (2001)
| Cinematography by | Rodney Charters, Jeffrey C. Mygatt, Guy Skinner, Peter Levy | Editing by | David Latham, Scott Powell, Chris G. Willingham, Leon Ortiz-Gil, Casey O. Rohrs, Larry Davenport, Elisa Cohen, David B. Thompson
Cameras | Bell & Howell Eyemo Camera, JVC HD110 Camera, Panavision Cameras, Panavision Panaflex Millennium XL Camera, Sony DSR-PD150 Camera
8MM (1999)
Directed by | Joel Schumacher | Cinematography by | Robert Elswit | Editing by | Mark Stevens
Cameras | Beaulieu Cameras, Panavision Cameras
Lenses | Panavision Lenses
The Shining (1980)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy
Cameras | ARRIFLEX 35 BL Camera
NSync: Bigger Than Live (2001)
Directed by | John Bailey | Cinematography by | John Bailey, Matthew Williams | Editing by | Lou Angelo, Robert DeMaio, Christian Wagner
Cameras | Iwerks MSM 8870 Camera
Taxi Driver (1976)
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
A Time to Kill (1996)
Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp
Cameras | Panavision Panaflex Platinum Camera
A Beautiful Mind (2001) 
Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Schindler’s List (1993)
Amores Perros (2000)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda
Cameras | Moviecam Superlight Camera
The Lord of the Rings: The Two Towers (2002)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton
Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses
The Lord of the Rings: The Return of the King (2003)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Green Planet (2003)
Directed by | Tyler Norman | Cinematography by | Tyler Norman | Editing by | Tyler Norman
Cameras | Canon Scoopic 16 / 16M Camera
Body of Lies (2008)
Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Enchanted (2007)
Directed by | Kevin Lima | Cinematography by | Don Burgess | Editing by | Gregory Perler, Stephen A. Rotter
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
