Vertical Camera Film Orientation | 1024 Titles
Honey I Blew Up the Kid (1992)
Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson
Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras
Lenses | Canon K35 Prime Lenses
Gladiator (2000)
Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia
Cameras | Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens
The Game (1997)
Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | James Haygood
Lenses | Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens
Elf (2003)
Directed by | Jon Favreau | Cinematography by | Greg Gardiner | Editing by | Dan Lebental
Cameras | Panavision Cameras
The Horsemen (1971)
Directed by | John Frankenheimer | Cinematography by | Claude Renoir, James Wong Howe | Editing by | Harold F. Kress
Ice Station Zebra (1968)
Directed by | John Sturges | Cinematography by | Daniel L. Fapp | Editing by | Ferris Webster
Cameras | Super Panavision-70 Camera
Jason Bourne (2016)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Mackenna’s Gold (1969)
Directed by | J. Lee Thompson | Cinematography by | Joseph MacDonald | Editing by | Bill Lenny
Cameras | Super Panavision-70 Camera
Viy (2014)
Directed by | Oleg Stepchenko | Cinematography by | Yaroslav Pilunskiy, Vladimír Smutný | Editing by | Petr Zelenov
Parental Guidance (2012)
Directed by | Andy Fickman | Cinematography by | Dean Semler | Editing by | Kent Beyda
Cameras | Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
It’s Only the End of the World (2016)
American Honey (2016)
Directed by | Andrea Arnold | Cinematography by | Robbie Ryan | Editing by | Joe Bini
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Sing Street (2016)
Directed by | John Carney | Cinematography by | Yaron Orbach | Editing by | Andrew Marcus, Julian Ulrichs
Cameras | ARRICAM Lite (LT) Camera, Red Epic Camera
Jane Got a Gun (2015)
Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Lust for Life (1956)
Directed by | Vincente Minnelli, George Cukor | Cinematography by | Russell Harlan, Freddie Young | Editing by | Adrienne Fazan
The Wild North (1952)
Alibabhavum Narpathu Thirudargalum (1956)
Directed by | T.R. Sundaram