Vertical Camera Film Orientation | 1024 Titles
Orpheus in der Unterwelt (1974)
The Mutineer (2017)
Directed by | John Jaquish | Cinematography by | John Jaquish | Editing by | John Jaquish
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Lenses | Angenieux Retrofocus 14.5 mm f3.5 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Kinoptik Tégéa 9.8mm f1.8 Lens, Schneider Lenses, Zeiss Jena Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens
The Time That Remains (2016)
Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro
Cameras | Aaton XTR Prod Camera
Lenses | Canon EC Series Lenses
To Here Knows When (2013)
Directed by | Grant McPhee | Cinematography by | Grant McPhee | Editing by | Ben McKinstrie
Cameras | Éclair NPR Camera, Red One MX Camera
Lenses | Nikon - Nikkor Lenses
Gallery of Horror (1967)
Dr. Terror’s House of Horrors (1965)
The Story of the Count of Monte Cristo (1961)
Directed by | Claude Autant-Lara | Cinematography by | Jean Isnard, Jacques Natteau | Editing by | Madeleine Gug
Agi Murad il diavolo bianco (1959)
I tartari (1961)
Directed by | Richard Thorpe, Ferdinando Baldi | Cinematography by | Amerigo Gengarelli | Editing by | Maurizio Lucidi
The Cossacks (1960)
Directed by | Viktor Tourjansky, Giorgio Venturini | Cinematography by | Massimo Dallamano | Editing by | Antonietta Zita
The Naked and the Dead (1958)
Run of the Arrow (1957)
Jet Pilot (1957)
Directed by | Josef von Sternberg | Cinematography by | Winton C. Hoch | Editing by | Harry Marker, Michael R. McAdam, William M. Moore, Frederic Knudtson
THX 1138 (1971)
Directed by | George Lucas | Cinematography by | Albert Kihn, David Myers | Editing by | George Lucas
The Wonderful World of the Brothers Grimm (1962)
Directed by | Henry Levin, George Pal | Cinematography by | Paul Vogel | Editing by | Walter Thompson
Cameras | Cinerama Camera
This Is Cinerama (1952)
Directed by | Merian C. Cooper, Gunther von Fritsch, Ernest B. Schoedsack, Michael Todd Jr. | Cinematography by | Harry Squire | Editing by | William Henry, Milton Shifman
Cameras | Cinerama Camera
The Greatest Story Ever Told (1965)
Directed by | George Stevens, David Lean, Jean Negulesco | Cinematography by | Loyal Griggs, William C. Mellor | Editing by | Harold F. Kress, Argyle Nelson Jr., J. Frank O'Neill
Cameras | Ultra Panavision 70 Camera
It’s a Mad, Mad, Mad, Mad World (1963)
Directed by | Stanley Kramer | Cinematography by | Ernest Laszlo | Editing by | Gene Fowler Jr., Robert C. Jones, Frederic Knudtson
Cameras | Ultra Panavision 70 Camera
Khartoum (1966)
Directed by | Basil Dearden, Eliot Elisofon | Cinematography by | Edward Scaife | Editing by | Fergus McDonell
Cameras | Ultra Panavision 70 Camera