Vertical Camera Film Orientation | 1024 Titles
Airport (1970)
Directed by | George Seaton, Henry Hathaway | Cinematography by | Ernest Laszlo | Editing by | Stuart Gilmore
Cameras | Todd-AO 65mm Camera
The Last Valley (1971)
Directed by | James Clavell | Cinematography by | Norman Warwick, John Wilcox | Editing by | John Bloom
Cameras | Todd-AO 65mm Camera
Porgy and Bess (1959)
Directed by | Otto Preminger, Rouben Mamoulian | Cinematography by | Leon Shamroy | Editing by | Daniel Mandell
Cameras | Todd-AO 65mm Camera
Sette opere di misericordia (2011)
Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Koyaanisqatsi (1982)
Directed by | Godfrey Reggio | Cinematography by | Ron Fricke | Editing by | Ron Fricke, Alton Walpole
Cameras | ARRIFLEX 16S Camera, ARRIFLEX 35 IIC Camera
Lenses | Canon Lenses
Batman v Superman: Dawn of Justice (2016)
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner
Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera
Warsaw ’44 (2014)
Directed by | Jan Komasa | Cinematography by | Marian Prokop | Editing by | Michal Czarnecki
Cameras | ARRICAM Lite (LT) Camera
The Hateful Eight (2015)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
An American in Paris (1951)
Going My Way (1944)
Directed by | Leo McCarey | Cinematography by | Lionel Lindon, John F. Seitz | Editing by | LeRoy Stone
Cameras | Mitchell BNC Camera
The Sting (1973)
Jurassic World (2015)
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses
On the Waterfront (1954)
Directed by | Elia Kazan | Cinematography by | Boris Kaufman | Editing by | Gene Milford
Cameras | Mitchell BNC Camera
Gigi (1958)
Directed by | Vincente Minnelli | Cinematography by | Joseph Ruttenberg, Georges Barsky, Ray June | Editing by | Adrienne Fazan
36 Chowringhee Lane (1981)
Trainwreck (2015)
Directed by | Judd Apatow | Cinematography by | Jody Lee Lipes | Editing by | William Kerr, Paul Zucker
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke 5/i Lenses
Run All Night (2015)
Directed by | Jaume Collet-Serra | Cinematography by | Martin Ruhe | Editing by | Dirk Westervelt
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses