Vertical Camera Film Orientation | 1024 Titles
Grace of Monaco (2014)
Directed by | Olivier Dahan | Cinematography by | Eric Gautier | Editing by | Olivier Gajan
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses
Agent Cody Banks (2003)
Directed by | Harald Zwart | Cinematography by | Denis Crossan | Editing by | Jim Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Big Trouble in Little China (1986)
Directed by | John Carpenter | Cinematography by | Dean Cundey | Editing by | Steve Mirkovich, Mark Warner, Edward A. Warschilka
Cameras | Panavision Cameras
Le Havre (2011)
Directed by | Aki Kaurismäki | Cinematography by | Timo Salminen | Editing by | Timo Linnasalo
Cameras | ARRI Cameras
This Is Where I Leave You (2014)
Directed by | Shawn Levy | Cinematography by | Terry Stacey | Editing by | Dean Zimmerman
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
St. Vincent (2014)
Directed by | Theodore Melfi | Cinematography by | John Lindley | Editing by | Sarah Flack, Peter Teschner
Non-Stop (2014)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Jim May
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Judge (2014)
The New Avengers (1976)
| Cinematography by | Michael Reed, Ernest Steward, Henri Fiks, Gilbert Sarthre, Ian Wilson, James Allen, Jack Atcheler, Karol Ike, Dennis Miller | Editing by | Robert C. Dearberg, Ralph Sheldon, Alan Killick, Graeme Clifford, Eric Wrate, Eric Boyd-Perkins, Stephen Lawrence
The Night Strangler (1973)
The Night Stalker (1972)
Directed by | John Llewellyn Moxey | Cinematography by | Michel Hugo | Editing by | Desmond Marquette
The Harder They Come (1972)
Directed by | Perry Henzell | Cinematography by | Peter Jessop, David McDonald, Franklyn St. Juste | Editing by | Seicland Anderson, John Victor Smith, Richard White
Cameras | Canon Cameras
The Contender (2000)
Dracula Untold (2014)
Directed by | Gary Shore | Cinematography by | John Schwartzman | Editing by | Richard Pearson
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Drive Thru (2007)
Directed by | Brendan Cowles, Shane Kuhn | Cinematography by | Vincent E. Toto | Editing by | Daniel R. Padgett
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens
Everybody Loves Raymond (1996)
| Cinematography by | Mike Berlin, Alessio Gelsini Torresi, Mikel Neiers | Editing by | Patricia Barnett, George Escobar, Jerry Davis, Frank Mazzaro
Cameras | Panavision Cameras
Michael Collins (1996)
Directed by | Neil Jordan | Cinematography by | Chris Menges | Editing by | J. Patrick Duffner, Tony Lawson
The Rockford Files (1974)
| Cinematography by | Andrew Jackson, Lamar Boren, Leonard J. South | Editing by | George R. Rohrs, Diane Adler, Buford F. Hayes, Rod Stephens, John J. Dumas, I. Robert Levy, John Kaufman, Fred Baratta, Edward A. Biery, Jerry Dronsky, Gloryette Clark, Robert M. Leeds, Robert L. Kimble, Lawrence J. Vallario
Cameras | ARRIFLEX 35 BL3 Camera
Deliver Us from Evil: Sarchie (2014)
Directed by | Gabriel Noble | Cinematography by | Robbie Stauder | Editing by | Craig Fields
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Fury (2014)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Jay Cassidy, Dody Dorn
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
