Oscars » Academy Award Nominee » Oscar Nominee: Best Director

Oscar Nominee: Best Director | 244 Titles

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The Fighter (2010) 2010 : 83rd Academy Awards

Aspect Ratio: 2.39:1

116 Minutes

Oscar Nominee: Best DirectorDirected by ~ David O. RussellCinematography by ~ Hoyte Van HoytemaEdited by ~ Pamela MartinWritten by ~ Scott Silver, Paul Tamasy, Eric Johnson, Paul Tamasy, Eric Johnson, Keith Dorrington
Starring | Mark Wahlberg Christian Bale Amy Adams Melissa Leo

Finishing System | DaVinci Resolve Finishing System

Cameras | Aaton Penelope Camera, Sony BVP-900 Camera, Sony BVP-950 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

The Social Network (2010) 2010 : 83rd Academy Awards

2D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Nominee: Best DirectorDirected by ~ David FincherCinematography by ~ Jeff CronenwethEdited by ~ Kirk Baxter, Angus WallWritten by ~ Aaron Sorkin, Ben Mezrich
Starring | Jesse Eisenberg Andrew Garfield Justin Timberlake Rooney Mara

Editing System | Adobe Premiere Editing System

Finishing System | Quantel

Cameras | Red One MX Camera

Up in the Air (2009) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 1.85:1

109 Minutes

Oscar Nominee: Best DirectorDirected by ~ Jason ReitmanCinematography by ~ Eric SteelbergEdited by ~ Dana E. GlaubermanWritten by ~ Walter Kirn, Jason Reitman, Sheldon Turner
Starring | George Clooney Vera Farmiga Anna Kendrick Jason Bateman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Precious (2009) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 1.85:1

110 Minutes

Oscar Nominee: Best DirectorDirected by ~ Lee DanielsCinematography by ~ Andrew DunnEdited by ~ Joe KlotzWritten by ~ Geoffrey Fletcher, Sapphire
Starring | Gabourey Sidibe Mo'Nique Paula Patton Mariah Carey

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Cooke S4 Lenses

Avatar (2009) 2009 : 82nd Academy Awards

3D

Aspect Ratio: 1.78:1 (16x9), 2.39:1

162 Minutes

Oscar Nominee: Best DirectorDirected by ~ James CameronCinematography by ~ Mauro FioreEdited by ~ James Cameron, John Refoua, Stephen E. RivkinWritten by ~ James Cameron
Starring | Sam Worthington Zoe Saldaña Sigourney Weaver

Editing System | Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Finishing System | DaVinci Finishing System, Quantel Pablo

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Inglourious Basterds (2009) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 2.39:1

153 Minutes

Oscar Nominee: Best DirectorDirected by ~ Quentin TarantinoCinematography by ~ Robert RichardsonEdited by ~ Sally MenkeWritten by ~ Quentin Tarantino
Starring | Brad Pitt Diane Kruger Eli Roth Mélanie Laurent

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses | Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Oscar Winner: Best Actor in a Supporting Role

The Reader (2008) 2008 : 81st Academy Awards

2D

124 Minutes

Oscar Nominee: Best DirectorDirected by ~ Stephen DaldryCinematography by ~ Roger Deakins, Chris MengesEdited by ~ Claire SimpsonWritten by ~ David Hare, Bernhard Schlink
Starring | Kate Winslet Ralph Fiennes Bruno Ganz Jeanette Hain

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Oscar Winner: Best Actress in a Leading Role

Frost/Nixon (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 2.39:1

122 Minutes

Oscar Nominee: Best DirectorDirected by ~ Ron HowardCinematography by ~ Salvatore TotinoEdited by ~ Daniel P. Hanley, Mike Hill, Robert KomatsuWritten by ~ Peter Morgan, Peter Morgan
Starring | Frank Langella Michael Sheen Kevin Bacon Sam Rockwell

Editing System | Avid Editing System

Finishing System | Autodesk Lustre Finishing System

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses, Cooke Varotal Lenses

The Curious Case of Benjamin Button (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 2.39:1

166 Minutes

Oscar Nominee: Best DirectorDirected by ~ David FincherCinematography by ~ Claudio MirandaEdited by ~ Kirk Baxter, Angus WallWritten by ~ Eric Roth, Eric Roth, Robin Swicord, F. Scott Fitzgerald
Starring | Brad Pitt Cate Blanchett Tilda Swinton Julia Ormond

Editing System | Final Cut Pro Editing System

Cameras | ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses | Zeiss DigiPrime Lenses

Slumdog Millionaire (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Nominee: Best DirectorDirected by ~ Danny Boyle, Loveleen TandanCinematography by ~ Anthony Dod MantleEdited by ~ Chris DickensWritten by ~ Simon Beaufoy, Vikas Swarup
Starring | Dev Patel Freida Pinto Saurabh Shukla Anil Kapoor

Editing System | Avid Editing System

Finishing System | Quantel Pablo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

The Hurt Locker (2008) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 1.78:1 (16x9), 1.85:1

131 Minutes

Oscar Nominee: Best DirectorDirected by ~ Kathryn BigelowCinematography by ~ Barry AckroydEdited by ~ Chris Innis, Bob MurawskiWritten by ~ Mark Boal
Starring | Jeremy Renner Anthony Mackie Brian Geraghty Guy Pearce

Editing System | Avid Editing System

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

Milk (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 1.85:1

128 Minutes

Oscar Nominee: Best DirectorDirected by ~ Gus Van SantCinematography by ~ Harris SavidesEdited by ~ Elliot GrahamWritten by ~ Dustin Lance Black
Starring | Sean Penn Josh Brolin Emile Hirsch Diego Luna

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses | Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

There Will Be Blood (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 2.39:1

158 Minutes

Oscar Nominee: Best DirectorDirected by ~ Paul Thomas AndersonCinematography by ~ Robert ElswitEdited by ~ Dylan TichenorWritten by ~ Paul Thomas Anderson, Upton Sinclair
Starring | Daniel Day-Lewis Paul Dano Ciarán Hinds Martin Stringer

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Juno (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 1.85:1

96 Minutes

Oscar Nominee: Best DirectorDirected by ~ Jason ReitmanCinematography by ~ Eric SteelbergEdited by ~ Dana E. GlaubermanWritten by ~ Diablo Cody
Starring | Ellen Page Michael Cera Jennifer Garner Jason Bateman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Oscar Winner: Best Writing Original Screenplay

Michael Clayton (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 2.39:1

119 Minutes

Oscar Nominee: Best DirectorDirected by ~ Tony GilroyCinematography by ~ Robert ElswitEdited by ~ John GilroyWritten by ~ Tony Gilroy
Starring | George Clooney Tilda Swinton Tom Wilkinson Michael O'Keefe

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Oscar Winner: Best Actress in a Supporting Role

No Country for Old Men (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 2.39:1

122 Minutes

Oscar Nominee: Best DirectorDirected by ~ Ethan Coen, Joel CoenCinematography by ~ Roger DeakinsEdited by ~ Ethan Coen, Joel CoenWritten by ~ Joel Coen, Ethan Coen, Cormac McCarthy
Starring | Tommy Lee Jones Javier Bardem Josh Brolin Woody Harrelson

Editing System | Final Cut Pro Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses

The Diving Bell and the Butterfly (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 1.85:1

112 Minutes

Oscar Nominee: Best DirectorDirected by ~ Julian SchnabelCinematography by ~ Janusz KaminskiEdited by ~ Juliette WelflingWritten by ~ Ronald Harwood, Jean-Dominique Bauby
Starring | Mathieu Amalric Emmanuelle Seigner Marie-Josée Croze Anne Consigny

Cameras | ARRIFLEX 435 Camera

Lenses | ARRI Shift & Tilt System Lens, Zeiss Super Speed Lenses

Letters from Iwo Jima (2006) 2006 : 79th Academy Awards

2D

Aspect Ratio: 2.39:1

141 Minutes

Oscar Nominee: Best DirectorDirected by ~ Clint EastwoodCinematography by ~ Tom SternEdited by ~ Joel Cox, Gary RoachWritten by ~ Iris Yamashita, Iris Yamashita, Paul Haggis, Tadamichi Kuribayashi, Tsuyoko Yoshido
Starring | Ken Watanabe Kazunari Ninomiya Tsuyoshi Ihara Ryo Kase

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Oscar Winner: Best Sound Editing

The Departed (2006) 2006 : 79th Academy Awards

2D

Aspect Ratio: 2.39:1

151 Minutes

Oscar Nominee: Best DirectorDirected by ~ Martin ScorseseCinematography by ~ Michael BallhausEdited by ~ Thelma SchoonmakerWritten by ~ William Monahan, Alan Mak, Felix Chong
Starring | Leonardo DiCaprio Matt Damon Jack Nicholson Mark Wahlberg

Editing System | Lightworks Editing System

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

United 93 (2006) 2006 : 79th Academy Awards

2D

Aspect Ratio: 2.39:1

111 Minutes

Oscar Nominee: Best DirectorDirected by ~ Paul GreengrassCinematography by ~ Barry AckroydEdited by ~ Clare Douglas, Richard Pearson, Christopher RouseWritten by ~ Paul Greengrass
Starring | David Alan Basche Olivia Thirlby Liza Colón-Zayas J.J. Johnson

Editing System | Avid Editing System

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses

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