Sony Dynamic Digital Sound (SDDS) | 1011 Titles
The World Is Not Enough (1999)
Casino Royale (2006)
 Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird 
 
  Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera 
  Lenses | Angenieux Lenses, Cooke S4/i Lenses 
Skyfall (2012)
Quantum of Solace (2008)
 Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson 
 
  Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera 
  Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses 
Star Wars: Episode I – The Phantom Menace (1999)
 Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith  
 
  Lenses | Hawk C-Series Lenses 
Star Wars: Episode II – Attack of the Clones (2002)
 Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, George Lucas 
 
  Cameras | Sony HDW-F900 Camera 
  Lenses | Panavision Primo Anamorphic Lenses 
Star Wars: Episode III – Revenge of the Sith (2005)
 Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt 
 
  Cameras | Sony HDC-F950 Camera 
 Star Wars: Episode V – The Empire Strikes Back (1980)
 Directed by | Irvin Kershner | Cinematography by | Peter Suschitzky | Editing by | T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas 
 
  Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200 
 Mission: Impossible – Fallout (2018)
 Directed by | Christopher McQuarrie | Cinematography by | Rob Hardy | Editing by | Eddie Hamilton 
 
  Cameras | ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera 
  Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses 
The Box (2009)
 Directed by | Richard Kelly | Cinematography by | Steven Poster | Editing by | Sam Bauer 
 
  Cameras | Panavision Genesis Camera 
  Lenses | Panavision Primo Anamorphic Lenses 
The Meg (2018)
 Directed by | Jon Turteltaub | Cinematography by | Tom Stern | Editing by | Steven Kemper, Kelly Matsumoto  
 
 Paddington 2 (2017)
 Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Jonathan Amos, Mark Everson 
 
  Cameras | ARRI ALEXA Series Cameras 
Wonder Woman (2017)
 Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh 
 
  Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera 
  Lenses | ARRI Rental Prime 65 Lenses 
The Mummy (2017)
 Directed by | Alex Kurtzman | Cinematography by | Ben Seresin | Editing by | Gina Hirsch, Paul Hirsch, Andrew Mondshein 
 
  Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera 
  Lenses | ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses 
WALL·E (2008)
The Post (2017)
 Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn  
 
  Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses 
The Lord of the Rings: The Fellowship of the Ring (2001)
 Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert  
 
  Lenses | Zeiss Ultra Prime Lenses 
Legends of the Fall (1994)
 Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Steven Rosenblum 
 
  Cameras | Panavision Panaflex Gold II Camera 
  Lenses | Canon Lenses, Panavision Lenses 
Roman J. Israel, Esq. (2017)
 Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy 
 
  Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera 
  Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses 
 
  
 



























































































