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Dolby Atmos : 217Dolby Digital : 2307Dolby Digital EX : 62Dolby SR : 187Dolby Surround 7.1 : 95Dolby TrueHD : 5

Dolby | 2925 Titles

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The Prestige (2006)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 130 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Hugh Jackman, Scarlett Johansson, Michael Caine

Cameras | Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Dark Knight Rises (2012)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 164 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman

Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Matrix (1999)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 136 Minutes

Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg

Starring | Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Killers of the Flower Moon (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 206 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Robert De Niro, Lily Gladstone

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

The Irishman (2019)

Motion Picture | 2D | 4K Project | Color | 1.37:1, 1.66:1, 1.85:1 | 209 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

John Wick: Chapter 4 (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 169 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Nathan Orloff

Starring | Keanu Reeves, Laurence Fishburne, George Georgiou

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

John Wick: Chapter 3 – Parabellum (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff

Starring | Keanu Reeves, Halle Berry, Ian McShane

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

John Wick: Chapter 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff

Starring | Keanu Reeves, Riccardo Scamarcio, Ian McShane

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

John Wick (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Memento (2000)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 113 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn

Starring | Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Boone Junior

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Don Quixote (1992)

Motion Picture | 2D | Film Project | Black & White | 116 Minutes

Directed by | Orson Welles | Cinematography by | Juan Manuel de la Chica, José García Galisteo, Manuel Mateos, Ricardo Navarrete, Edmond Richard, Giorgio Tonti | Editing by | Fatima Michalczik, Lina Romay

Starring | Francisco Reiguera, Akim Tamiroff, Pepe Mediavilla

Até que a Vida nos Separe (2000)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | José Zaragoza | Cinematography by | Rodolfo Sánchez | Editing by | Mauro Alice

Starring | Murilo Benício, Alexandre Borges, Francisco Di Franco

The Castle (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 85 Minutes

The Castle | ShotOnWhat?

Directed by | Rob Sitch | Cinematography by | Miriana Marusic | Editing by | Wayne Hyett

Starring | Michael Caton, Anne Tenney, Stephen Curry, Anthony Simcoe

Cameras | ARRIFLEX 16SR2 Camera

Scan Ahead (2024)

Short Film | 2D | 2K Project | Color | 1.85:1 | 27 Minutes

Directed by | Joe Stebbens | Cinematography by | Rafe Moate | Editing by | Rafe Moate, Joe Stebbens

Starring | Katie Lever, Lewis Hill, Kane Norman

Cameras | Canon EOS-C100 Camera, Sony NEX-FS700 Camera

Lenses | Sigma Lenses, Zeiss Lenses

Roses. Film-Cabaret (2021)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9), 1.85:1 | 78 Minutes

Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin

Starring | Dakh Daughters, Vlad Troitskiy, Ruslana Khazipova

Cameras | Canon EOS-1Ds Camera, Canon EOS-5D Mark III Camera, Sony α7S II Camera

Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens

The Zone of Interest (2023)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 105 Minutes

Directed by | Jonathan Glazer | Cinematography by | Lukasz Zal | Editing by | Paul Watts

Starring | Christian Friedel, Sandra Hüller, Johann Karthaus

Cameras | Sony CineAlta VENICE Camera

Lenses | Leitz M 0.8 Series Lenses

The Batman (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 176 Minutes

Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | William Hoy, Tyler Nelson

Starring | Robert Pattinson, Zoë Kravitz, Jeffrey Wright

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses | ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Avengers: Endgame (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 181 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo

Cameras | ALEXA IMAX Camera

Lenses | Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Predator (1987)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 107 Minutes

Directed by | John McTiernan | Cinematography by | Donald McAlpine | Editing by | Mark Helfrich, John F. Link

Starring | Arnold Schwarzenegger, Carl Weathers, Kevin Peter Hall, Elpidia Carrillo

Cameras | ARRIFLEX 35 III Camera, Panavision Cameras

Star Wars: Episode VI – Return of the Jedi (1983)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 131 Minutes

Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

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