Sound Systems » Dolby

Dolby Atmos : 150Dolby Digital : 2205Dolby Digital EX : 61Dolby SR : 179Dolby Surround 7.1 : 55Dolby TrueHD : 4

Dolby | 2783 Titles

Rate It

« Previous 1 2 3 4 … 140 Next »

LessUpdatedTitleYear

Perfect Days (2023)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 124 Minutes

Directed by | Wim Wenders | Cinematography by | Franz Lustig | Editing by | Toni Froschhammer

Starring | Koji Yakusho, Tokio Emoto, Arisa Nakano

Cameras | Sony CineAlta VENICE 2 Camera

Lenses | Canon K35 Prime Lenses

May December (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 117 Minutes

Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves

Starring | Natalie Portman, Chris Tenzis, Charles Melton

Cameras | ARRI Alexa 35 Camera

Lenses | Kowa Cine Prominar Spherical Lenses

Babylon (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 189 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Brad Pitt, Margot Robbie, Jean Smart

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

Nimona (2023)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Nick Bruno, Troy Quane | Editing by | Erin Crackel, Randy Trager

Starring | Chloë Grace Moretz, Riz Ahmed, Eugene Lee Yang

The Creator (2023)

Motion Picture | 2D | 4K Project | Color | 2.76:1 | 133 Minutes

Directed by | Gareth Edwards | Cinematography by | Greig Fraser, Oren Soffer | Editing by | Hank Corwin, Scott Morris, Joe Walker

Starring | John David Washington, Madeleine Yuna Voyles, Gemma Chan

Cameras | Sony ILME-FX3 Camera

Lenses | Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Barbie (2023)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.0:1 | 114 Minutes

Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy

Starring | Margot Robbie, Ryan Gosling, Issa Rae

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Lenses, Panavision System 65 Lenses

American Fiction (2023)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Cord Jefferson | Cinematography by | Cristina Dunlap | Editing by | Hilda Rasula

Starring | Jeffrey Wright, Tracee Ellis Ross, John Ortiz

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Tribe7 Blackwing7 Lenses

All Quiet on the Western Front (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann

Starring | Felix Kammerer, Albrecht Schuch, Aaron Hilmer

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

Past Lives (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase

Starring | Greta Lee, Teo Yoo, John Magaro

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Io Capitano (2023)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Matteo Garrone | Cinematography by | Paolo Carnera | Editing by | Marco Spoletini

Starring | Seydou Sarr, Moustapha Fall, Issaka Sawadogo

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Golda (2023)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 100 Minutes

Directed by | Guy Nattiv | Cinematography by | Jasper Wolf | Editing by | Arik Lahav-Leibovich

Starring | Helen Mirren, Zed Josef, Henry Goodman

Indiana Jones and the Dial of Destiny (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 154 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt

Starring | Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Do the Right Thing (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Barry Alexander Brown

Starring | Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson

American Symphony (2023)

Documentary | 2D | Color | 104 Minutes

Directed by | Matthew Heineman | Cinematography by | Tony Hardmon, Matthew Heineman, Clair Popkin, Thorsten Thielow | Editing by | Sammy Dane, Matthew Heineman, Jim Hession, Fernando Villegas

Starring | Jon Batiste, Lindsey Byrnes, Jonathan Dinklage

Home Alone 3 (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Raja Gosnell | Cinematography by | Julio Macat | Editing by | Malcolm Campbell, Bruce Green, David Rennie

Starring | Alex D. Linz, Olek Krupa, Rya Kihlstedt, Lenny von Dohlen

Cameras | Panavision Panaflex Gold Camera

The After (2023)

Short Film | 2D | Color | 2.39:1 | 19 Minutes

Directed by | Misan Harriman | Cinematography by | Si Bell | Editing by | Aggela Despotidou

Starring | David Oyelowo, Jessica Plummer, Amelie Dokubo

Killers of the Flower Moon (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 206 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Robert De Niro, Lily Gladstone

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

Poor Things (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.66:1 | 141 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Mark Ruffalo, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Zoom Lenses

The Holdovers (2023)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 133 Minutes

Directed by | Alexander Payne | Cinematography by | Eigil Bryld | Editing by | Kevin Tent

Starring | Paul Giamatti, Da'Vine Joy Randolph, Dominic Sessa

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Lenses, Panavision Primo Zooms Spherical Lenses

« Previous 1 2 3 4 … 140 Next »

©2012 - 2024 ShotOnWhat?

20254.20