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Skinjob (2017)

Short Film | 2D | 2K Project | Color | 1.78:1 (16x9) | 15 Minutes

Directed by | Steve Simmons | Editing by | Wayne Daniells

The Shining (1980)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1, 1.85:1 | 146 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy

Starring | Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Super Speed Lenses

Skull (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Yusron Fuadi | Editing by | Yusron Fuadi

Starring | Eka Nusa Pertiwi, Yusron Fuadi, Guh S Mana, Haydar Salishz

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH3 Camera

Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85 mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE

Titus (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 162 Minutes

Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot

Starring | Anthony Hopkins, Jessica Lange, Osheen Jones, Dario D'Ambrosi

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

Better Call Saul (2015)

Television Series | 2D | 4K Project | Black & White, Color | 1.78:1 (16x9) | 46 Minutes

Romeo + Juliet (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 120 Minutes

Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock

Starring | Leonardo DiCaprio, Claire Danes, John Leguizamo, Harold Perrineau

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Anamorphic Lenses

The Granary (2017)

Motion Picture | 2D | Black & White | 2.39:1 | 150 Minutes

Directed by | Eveshka Ghost | Editing by | Eveshka Ghost

Starring | Alex Willis, Xander Phillips, Becky Kentfield, Will Lightburn

Cameras | Canon EOS 550D Camera, Canon EOS Rebel T2i Camera

The Lord of the Rings: The Two Towers (2002)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 179 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton

Starring | Elijah Wood, Ian McKellen, Viggo Mortensen, Orlando Bloom

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Return of the King (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 201 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Green Planet (2003)

Short Film | 2D | Color | 1.85:1 | 13 Minutes

Directed by | Tyler Norman | Cinematography by | Tyler Norman | Editing by | Tyler Norman

Starring | Jared Cohn, Jonah Keel, Tyler Norman, Roy Parras

Cameras | Canon Scoopic 16 / 16M Camera

Reuniting the Rubins (2010)

Motion Picture | 2D | 2K Project | Color | 2.35:1 | 97 Minutes

Directed by | Yoav Factor | Cinematography by | Miles Cook | Editing by | Ben King, Anthony Stadler

Starring | Timothy Spall, James Callis, Rhona Mitra, Honor Blackman

Cameras | ARRICAM Studio (ST) Camera

Lenses | Cooke S4/i Lenses

Treto poluvreme (2012)

Motion Picture | 2D | Color | 2.35:1 | 113 Minutes

Directed by | Darko Mitrevski | Cinematography by | Klaus Fuxjäger | Editing by | Dejan Boskovic, Alois Fisárek

Starring | Katarina Ivanovska, Sasko Kocev, Richard Sammel, Rade Serbedzija

Cameras | ARRI ALEXA Camera

Spud (2009)

Short Film | 2D | HD Project | Color | 2.35:1 | 27 Minutes

Directed by | Tyler Norman | Cinematography by | Richard Bluth | Editing by | Timothy Atwood, Tyler Norman

Starring | Dalton O'Dell, A.J. Walsh, Tristan Jarred, Sterling Beaumon

Cameras | Panasonic VariCam Camera, Sony HDR-FX1 Camera

Lenses | Fujinon Lenses

Il ragazzo invisibile: Fratelli (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione

Starring | Ludovico Girardello, Kseniya Rappoport, Galatéa Bellugi, Ivan Franek

Cameras | ARRI ALEXA XT Camera

Escape Room (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Adam Robitel | Cinematography by | Marc Spicer | Editing by | Steve Mirkovich

Starring | Taylor Russell, Logan Miller, Jay Ellis, Tyler Labine

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens

Fantastic Beasts and Where to Find Them (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 132 Minutes

Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day

Starring | Eddie Redmayne, Katherine Waterston, Alison Sudol, Dan Fogler

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Shutter Island (2010)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Emily Mortimer, Mark Ruffalo, Ben Kingsley

Cameras | ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Nixon (1995)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 192 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin

Starring | Anthony Hopkins, Joan Allen, Powers Boothe, Ed Harris

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Superman (1978)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 143 Minutes

Directed by | Richard Donner | Cinematography by | Geoffrey Unsworth | Editing by | Stuart Baird, Michael Ellis

Starring | Christopher Reeve, Margot Kidder, Gene Hackman, Marlon Brando

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Panavision C Series Anamorphic Lenses

Cloud Atlas (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 172 Minutes

Directed by | Tom Tykwer, Lana Wachowski, Lilly Wachowski | Cinematography by | Frank Griebe, John Toll | Editing by | Alexander Berner, Claus Wehlisch

Starring | Tom Hanks, Halle Berry, Hugh Grant, Hugo Weaving

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

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