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California | 794 Titles

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Pearl Harbor (2001)

Motion Picture | 2D | Black & White, Color | 2.20:1, 2.39:1 | 183 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Starring | Ben Affleck, Kate Beckinsale, Josh Hartnett, William Lee Scott

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Crazy Heart (2009)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Scott Cooper | Cinematography by | Barry Markowitz | Editing by | John Axelrad, Jeffrey Ford

Starring | Jeff Bridges, Maggie Gyllenhaal, Colin Farrell, James Keane

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Waterworld (1995)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Kevin Reynolds | Cinematography by | Dean Semler | Editing by | Peter Boyle

Starring | Kevin Costner, Jeanne Tripplehorn, Dennis Hopper, Tina Majorino

Cameras | Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses | Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Kid (2000)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Jon Turteltaub | Cinematography by | Peter Menzies Jr. | Editing by | Peter Honess, David Rennie

Starring | Bruce Willis, Spencer Breslin, Emily Mortimer, Lily Tomlin

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Motion Picture | 2D | Color | 2.35:1 | 143 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Starring | Johnny Depp, Geoffrey Rush, Orlando Bloom, Keira Knightley

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

High Crimes (2002)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

High Crimes | ShotOnWhat?

Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian

Starring | Jim Caviezel, Morgan Freeman, Ashley Judd, Adam Scott

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Catch Me If You Can (2002)

Motion Picture | 2D | Color | 1.85:1 | 141 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Leonardo DiCaprio, Tom Hanks, Christopher Walken, Martin Sheen

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Clockstoppers (2002)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Jonathan Frakes | Cinematography by | Tim Suhrstedt | Editing by | Peter E. Berger, Jeff Canavan

Starring | Jesse Bradford, French Stewart, Paula Garcés, Michael Biehn

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras

Lenses | Panavision Primo Primes Spherical Lenses

My Name Is Khan (2010)

Motion Picture | 2D | Color | 2.39:1 | 165 Minutes

Directed by | Karan Johar | Cinematography by | Ravi K. Chandran | Editing by | Deepa Bhatia

Starring | Shah Rukh Khan, Kajol, Sheetal Menon, Katie A. Keane

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Adaptation. (2002)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen

Starring | Nicolas Cage, Meryl Streep, Chris Cooper, Tilda Swinton

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Battleship (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Billy Rich, Paul Rubell

Starring | Alexander Skarsgård, Brooklyn Decker, Liam Neeson, Rihanna

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Something’s Gotta Give (2003)

Motion Picture | 2D | Color | 1.85:1 | 128 Minutes

Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing

Starring | Jack Nicholson, Diane Keaton, Keanu Reeves, Amanda Peet

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Flags of Our Fathers (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox

Starring | Ryan Phillippe, Barry Pepper, Joseph Cross, Jesse Bradford

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses

The Time Machine (2002)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Simon Wells | Cinematography by | Donald McAlpine | Editing by | Wayne Wahrman

Starring | Guy Pearce, Yancey Arias, Mark Addy, Phyllida Law

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

What Lies Beneath (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Harrison Ford, Michelle Pfeiffer, Katharine Towne, Miranda Otto

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Extreme Justice (1993)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron

Starring | Lou Diamond Phillips, Scott Glenn, Chelsea Field, Yaphet Kotto

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | ARRI / Zeiss Lenses, Cooke Lenses, Zeiss Lenses

The Black Dahlia (2006)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Brian De Palma | Cinematography by | Vilmos Zsigmond | Editing by | Bill Pankow

Starring | Josh Hartnett, Aaron Eckhart, Scarlett Johansson, Hilary Swank

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

Grand Canyon (1991)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Carol Littleton

Starring | Danny Glover, Kevin Kline, Steve Martin, Mary McDonnell

Cameras | Panavision Panaflex Gold Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Daylight (1996)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson

Starring | Sylvester Stallone, Amy Brenneman, Viggo Mortensen, Dan Hedaya

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

Charlie’s Angels: Full Throttle (2003)

Motion Picture | 2D | Color | 106 Minutes

Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman

Starring | Drew Barrymore, Lucy Liu, Cameron Diaz, Bernie Mac

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Anamorphic Lenses

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