California | 794 Titles
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by | Andrew Dominik | Cinematography by | Roger Deakins | Editing by | Curtiss Clayton, Dylan Tichenor
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Vanilla Sky (2001)
Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Mark Livolsi
Cameras | Panavision Panaflex Gold Camera
Catchfire (1990)
Directed by | Dennis Hopper, Alan Smithee | Cinematography by | Edward Lachman | Editing by | David Rawlins
Cameras | Cinerama Camera, Moviecam Cameras
Lions for Lambs (2007)
Directed by | Robert Redford | Cinematography by | Philippe Rousselot | Editing by | Joe Hutshing
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dead Again (1991)
Directed by | Kenneth Branagh | Cinematography by | Matthew F. Leonetti | Editing by | Peter E. Berger
Cameras | Ultracam 35 Camera
Lenses | Cooke Lenses
Gods and Monsters (1998)
Directed by | Bill Condon | Cinematography by | Stephen M. Katz | Editing by | Virginia Katz
Cameras | ARRIFLEX Camera
Primary Colors (1998)
Directed by | Mike Nichols | Cinematography by | Michael Ballhaus | Editing by | Arthur Schmidt
Cameras | ARRIFLEX Camera
A Few Good Men (1992)
Directed by | Rob Reiner | Cinematography by | Robert Richardson | Editing by | Robert Leighton, Steven Nevius
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Casino (1995)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
The Aviator (2004)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Se7en (1995)
Directed by | David Fincher | Cinematography by | Darius Khondji | Editing by | Richard Francis-Bruce
The Man Who Wasn’t There (2001)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Murder in the First (1995)
Priest (2011)
Directed by | Scott Stewart | Cinematography by | Don Burgess | Editing by | Lisa Zeno Churgin, Rebecca Weigold
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
I Am Legend (2007)
Directed by | Francis Lawrence | Cinematography by | Andrew Lesnie | Editing by | Wayne Wahrman
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses
30,000 Leagues Under the Sea (2007)
Directed by | Gabriel Bologna | Cinematography by | Mark Atkins | Editing by | Matthew Alson Thornbury
Cameras | Sony HDW-F900 Camera
Blood Work (2002)
Capote (2005)
Directed by | Bennett Miller | Cinematography by | Adam Kimmel | Editing by | Christopher Tellefsen
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
Super (2010)
Directed by | James Gunn | Cinematography by | Steve Gainer | Editing by | Cara Silverman
Cameras | Red One Camera