Los Angeles | 317 Titles
Live Free or Die Hard (2007)
Country | USA, UK
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.39:1
Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
modified:
Terminator 2: Judgment Day (1991)
Country | USA
Type | Motion Picture
Running Time | 137 Minutes
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
modified:
A Girl Is a Gun (2017)
Country | France
Type | Television Series, Web Series
Aspect Ratio | 2.35:1
| Cinematography by | Tobias Deml | Editing by | Benjamin Geronimi Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic 30-72mm 2S T4.0 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
modified:
Superman (1978)
Country | USA, UK, Canada, Switzerland
Type | Motion Picture
Running Time | 143 Minutes
Aspect Ratio | 2.39:1
Directed by | Richard Donner | Cinematography by | Geoffrey Unsworth | Editing by | Stuart Baird, Michael Ellis Cameras | Panavision Silent Reflex PSR Camera
modified:
Ties (2018)
Country | USA
Type | Short Film
Running Time | 13 Minutes
Directed by | Laura Stabilini | Cinematography by | Paul Cameron | Editing by | Pieter Viljoenmodified:
Spider-Man 3 (2007)
Country | USA
Type | Motion Picture
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski Lenses | Panavision Primo Anamorphic Lenses
modified:
Blade Runner (1982)
Country | USA
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings Cameras | Panavision Panaflex Gold Camera
modified:
Natural Born Pranksters (2016)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Roman Atwood, Ben Pluimer | Cinematography by | Donny Anderson | Editing by | Ben Daughtrey, Benjamin Mitnick Cameras | Blackmagic Cinema Camera
modified:
The Birth of a Nation (1915)
Country | USA
Type | Motion Picture
Running Time | 195 Minutes
Aspect Ratio | 1.33:1 (4x3)
Directed by | D.W. Griffith | Cinematography by | G.W. Bitzer | Editing by | D.W. Griffith, Joseph Henabery, James Smith, Rose Smith, Raoul Walsh Cameras | Pathé Cameras
modified:
Citizen Kane (1941)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 1.37:1
Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise Cameras | Mitchell BNC Camera
modified:
Pulp Fiction (1994)
Country | USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.39:1
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
modified:
The Radicalization of Jeff Boyd (2017)
Country | Switzerland
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder Cameras | Blackmagic Pocket Cinema Camera
modified:
End of Days (1999)
Country | USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper Cameras | Panavision Cameras
Lenses | Panavision Lenses
modified:
The Fast and the Furious (2001)
Country | USA, Germany
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess Lenses | Zeiss Ultra Prime Lenses
modified:
Friday the 13th Part VIII: Jason Takes Manhattan (1989)
Country | USA, Canada
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 1.85:1
Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor Cameras | Panavision Panaflex Camera
modified:
Van Helsing (2004)
Country | USA, Czech Republic, Romania
Type | Motion Picture
Running Time | 131 Minutes
Aspect Ratio | 1.85:1
Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim Maymodified:
American Horror Story (2011)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba | Editing by | Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Lenses, Panavision Lenses
modified:
True Blood (2008)
Country | USA
Type | Television Series
Running Time | 800 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
modified:
Buffy the Vampire Slayer (1997)
Country | USA
Type | Television Series
Running Time | 44 Minutes
Aspect Ratio | 1.33:1 (4x3), 1.78:1 (16x9)
| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern Lenses | Panavision Lenses
modified:
Pitch Black (2000)
Country | USA, Australia
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Directed by | David Twohy | Cinematography by | David Eggby | Editing by | Rick Shaine Cameras | Panavision Cameras
Lenses | Panavision Lenses
modified:
