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Los Angeles | 337 Titles

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Mank (2020)

Motion Picture | 8K Project | Black & White | 2.20:1 | 131 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Gary Oldman, Amanda Seyfried, Lily Collins, Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leica Summilux-C Series Lenses

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

Marriage Story (2019)

Motion Picture | 2D | 4K Project | Color | 137 Minutes

Directed by | Noah Baumbach | Cinematography by | Robbie Ryan | Editing by | Jennifer Lame

Starring | Adam Driver, Scarlett Johansson, Julia Greer, Azhy Robertson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Flytrap (2015)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 81 Minutes

Directed by | Stephen David Brooks | Cinematography by | David R. Hardberger

Starring | Jeremy Crutchley, Gabrielle Stone, Jonah Blechman, Ina-Alice Kopp

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Angenieux 24-240 f2.6 Zoom Lens

Dexter (2006)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 53 Minutes

| Cinematography by | Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey | Editing by | Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz

Starring | Michael C. Hall, Jennifer Carpenter, David Zayas, James Remar

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Live Free or Die Hard (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth

Starring | Bruce Willis, Justin Long, Timothy Olyphant, Maggie Q

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Mad Men (2007)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 47 Minutes

| Cinematography by | Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen | Editing by | Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty

Starring | Jon Hamm, Elisabeth Moss, Vincent Kartheiser, January Jones

Cameras | ARRI ALEXA Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Modern Family (2009)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | James R. Bagdonas, Hugo Cortina, Brandon Mastrippolito, David Hennings | Editing by | Ryan Case, Tony Orcena, Christian Miglio, Giselle Murillo, Jonathan Schwartz, Steven Rasch, Shaheed Qaasim, Michael Kamens, Jamie Kennedy

Starring | Ed O'Neill, Sofía Vergara, Julie Bowen, Ty Burrell

Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Family Guy (1999)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Bryan Garver, Ralph Kaechele | Editing by | Mike Elias, John C. Walts, Rick Mackenzie, Eric Brown, Seth MacFarlane

Starring | Seth MacFarlane, Alex Borstein, Seth Green, Mila Kunis

Face/Off (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 138 Minutes

Directed by | John Woo | Cinematography by | Oliver Wood | Editing by | Steven Kemper, Christian Wagner

Starring | John Travolta, Nicolas Cage, Joan Allen, Alessandro Nivola

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Parks and Recreation (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Tom Magill, Michael Trim, John Inwood, Peter Smokler, Matt Sohn, Shana Hagan, Johnny Martin, Jacob Pinger | Editing by | Ivan Victor, Dean Holland, Mark Sadlek, Dan Schalk, John M. Valerio, Richie Edelson, Jeff Seibenick, Shawn Paper, Jon Corn, Daniel S. Russ

Starring | Amy Poehler, Jim O'Heir, Nick Offerman, Chris Pratt

Cameras | Sony HDW-F900R Camera, Sony PDW-F800 Camera

Lenses | Fujinon Lenses

King Kong (1933)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 100 Minutes

Directed by | Merian C. Cooper, Ernest B. Schoedsack | Cinematography by | Edward Linden, J.O. Taylor, Vernon L. Walker, Kenneth Peach | Editing by | Ted Cheesman

Starring | Fay Wray, Robert Armstrong, Bruce Cabot, Frank Reicher

Cameras | Mitchell Standard Camera

The Dark Knight (2008)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 152 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine

Cameras | Beaumont Vista Vision Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Chinatown (1974)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 130 Minutes

Directed by | Roman Polanski | Cinematography by | John A. Alonzo, Stanley Cortez | Editing by | Sam O'Steen

Starring | Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez

Cameras | Panavision Cameras

Lenses | Panavision C Series Anamorphic Lenses

The Thin Red Line (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 170 Minutes

24 (2001)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Rodney Charters, Jeffrey C. Mygatt, Guy Skinner, Peter Levy | Editing by | David Latham, Scott Powell, Chris G. Willingham, Leon Ortiz-Gil, Casey O. Rohrs, Larry Davenport, Elisa Cohen, David B. Thompson

Starring | Kiefer Sutherland, Mary Lynn Rajskub, Carlos Bernard, Dennis Haysbert

Cameras | Bell & Howell Eyemo Camera, JVC HD110 Camera, Panavision Cameras, Panavision Panaflex Millennium XL Camera, Sony DSR-PD150 Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

8MM (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | Joel Schumacher | Cinematography by | Robert Elswit | Editing by | Mark Stevens

Starring | Nicolas Cage, Joaquin Phoenix, James Gandolfini, Peter Stormare

Cameras | Beaulieu Cameras, Panavision Cameras

Lenses | Panavision Lenses

A Star Is Born (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy

Starring | Lady Gaga, Bradley Cooper, Sam Elliott, Greg Grunberg

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

Friday the 13th Part VIII: Jason Takes Manhattan (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 100 Minutes

Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor

Starring | Jensen Daggett, Kane Hodder, Todd Caldecott, Tiffany Paulsen

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Classic Spherical Lenses

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