Los Angeles | 305 Titles
American Horror Story (2011)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba | Editing by | Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman
Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Lenses, Panavision Lenses
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True Blood (2008)
Country | USA
Type | Television Series
Running Time | 800 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
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Buffy the Vampire Slayer (1997)
Country | USA
Type | Television Series
Running Time | 44 Minutes
Aspect Ratio | 1.33:1 (4x3), 1.78:1 (16x9)
| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses | Panavision Lenses
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Pitch Black (2000)
Country | USA, Australia
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Directed by | David Twohy | Cinematography by | David Eggby | Editing by | Rick Shaine
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Jurassic Park (1993)
Country | USA
Type | Motion Picture
Running Time | 127 Minutes
Aspect Ratio | 1.85:1
3D Re-released in 2013
Directed by | Steven Spielberg | Cinematography by | Dean Cundey | Editing by | Michael Kahn
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Chinatown (1974)
Country | USA
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Roman Polanski | Cinematography by | John A. Alonzo, Stanley Cortez | Editing by | Sam O'Steen
Cameras | Panavision Cameras
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The Rock (1996)
Country | USA
Type | Motion Picture
Running Time | 136 Minutes
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Richard Francis-Bruce
Cameras | Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
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Project X (2012)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 1.85:1
Directed by | Nima Nourizadeh | Cinematography by | Ken Seng | Editing by | Jeff Groth
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera
Lenses | Canon Lenses
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CSI: Crime Scene Investigation (2000)
Country | USA, Canada
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona | Editing by | John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Nikon - Nikkor Lenses, Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
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Super Power Beat Down (2012)
Country | USA
Type | Television Series, Web Series
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
| Cinematography by | Joey Rassool, Chase Langely, Aaron Schoenke, Maury Covington Jr. | Editing by | Aaron Schoenke, Nikolay Zamkovoy
Cameras | Canon EOS-7D Camera, Canon EOS-C300 Camera, Panasonic Lumix DMC-GH4 Camera, Sony NEX-FS700 Camera
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Sad Hill Unearthed (2017)
Country | Spain
Type | Documentary, Motion Picture
Running Time | 86 Minutes
Aspect Ratio | 1.78:1 (16x9), 1.85:1
Capture Resolution | 3840x2160 - (1.78:1) Capture Resolution
Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch
Cameras | Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
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Dunkirk (2017)
Country | UK, Netherlands, France, USA
Type | Motion Picture
Running Time | 106 Minutes
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
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Too Late Blues (1961)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Directed by | John Cassavetes | Cinematography by | Lionel Lindon | Editing by | Frank Brachtmodified:
The Institute (2017)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 4096x2304 - (1.78:1) Capture Resolution
Directed by | James Franco, Pamela Romanowsky | Cinematography by | Pedro Gómez Millán | Editing by | Evan Ahlgren, Aaron I. Butler
Cameras | Red Epic Dragon Camera
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La La Land (2016)
Country | USA, Hong Kong
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.55:1
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
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Postpartum (2016)
Country | USA
Type | Motion Picture, Short Film
Running Time | 24 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1080 - (1.90:1) Capture Resolution
Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang
Cameras | Panasonic VariCam 35
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Flock of Four (2017)
Country | USA
Type | Motion Picture
Running Time | 80 Minutes
Aspect Ratio | 2.39:1
Directed by | Gregory Caruso | Cinematography by | Gus Bendinelli | Editing by | Vic Brown
Cameras | ARRI ALEXA XT Plus Camera
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Star Trek Beyond (2016)
Country | USA, China, United Arab Emirates, Canada
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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Trancers (1984)
Country | USA
Type | Motion Picture
Running Time | 76 Minutes
Aspect Ratio | 1.85:1
Directed by | Charles Band | Cinematography by | Mac Ahlberg | Editing by | Ted Nicolaoumodified:
Hawthorne (2009)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Frank Byers, John Newby, Peter Menzies Jr. | Editing by | Robert Bramwell, Debra Beth Weinfeld, Elizabeth Kling, Kaja Fehr, Monty DeGraff, Alan Baumgarten, Rocky Burnswork
Cameras | ARRIFLEX D-21 Camera, Sony CineAlta F35 Camera
Lenses | ARRI Lenses, Panavision Lenses
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