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Americas | 1901 Titles

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2010 (1984)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 116 Minutes

Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Mia Goldman, James Mitchell

Starring | Roy Scheider, John Lithgow, Helen Mirren, Bob Balaban

Cameras | Panavision Cameras

Lenses | Panavision Lenses

American Son (2008)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Neil Abramson | Cinematography by | Kris Kachikis | Editing by | Karen Schmeer

Starring | Nick Cannon, Matt Sigloch, Dotan Baer, Justin Diedolf

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Godfather: Part II (1974)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 1.85:1 | 202 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner

Starring | Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses

Crank: High Voltage (2009)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Brandon Trost | Editing by | Marc Jakubowicz, Fernando Villena

Starring | Jason Statham, Amy Smart, Clifton Collins Jr., Dwight Yoakam

Cameras | Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

Wings (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 144 Minutes

Directed by | William A. Wellman, Harry d'Abbadie d'Arrast | Cinematography by | Harry Perry | Editing by | E. Lloyd Sheldon, Lucien Hubbard

Starring | Clara Bow, Charles 'Buddy' Rogers, Richard Arlen, Jobyna Ralston

Cameras | Akeley 35mm Ciné Camera, Bell & Howell Eyemo Camera

Three Fugitives (1989)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green

Starring | Nick Nolte, Martin Short, Sarah Rowland Doroff, James Earl Jones

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

A Slipping-Down Life (1999)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne

Starring | Lili Taylor, Guy Pearce, Irma P. Hall, Tom Bower

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Monster’s Ball (2001)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Billy Bob Thornton, Halle Berry, Taylor Simpson, Gabrielle Witcher

Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

Charlie and the Chocolate Factory (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 115 Minutes

Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon

Starring | Johnny Depp, Freddie Highmore, David Kelly, Helena Bonham Carter

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hei mao zhi ci sha Ye Li Qin (1992)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Stephen Shin | Cinematography by | Siu-Keung Cheng, Chi-Wah Lee | Editing by | Wing-Ming Wong

Starring | Jade Leung, Robin Shou, Zoltan Buday, Craig Bruhnanski

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux Lenses, Cooke Lenses

3:10 to Yuma (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Russell Crowe, Christian Bale, Ben Foster, Logan Lerman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Monsters (2010)

Motion Picture | 2D | Color | 2.35:1 | 94 Minutes

Monsters | ShotOnWhat?

Directed by | Gareth Edwards | Cinematography by | Gareth Edwards | Editing by | Colin Goudie

Starring | Scoot McNairy, Whitney Able, Mario Zuniga Benavides, Annalee Jefferies

Cameras | Sony PMW-EX3 Camera

Son of the Bride (2001)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Juan José Campanella | Cinematography by | Daniel Shulman | Editing by | Camilo Antolini

Starring | Ricardo Darín, Héctor Alterio, Norma Aleandro, Eduardo Blanco

Cameras | ARRIFLEX 35mm Cameras

United 93 (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse

Starring | David Alan Basche, Olivia Thirlby, Liza Colón-Zayas, J.J. Johnson

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses

Katy Perry: Part of Me (2012)

Motion Picture | 2D | Color | 93 Minutes

Katy Perry: Part of Me | ShotOnWhat?

Directed by | Dan Cutforth, Jane Lipsitz | Editing by | Scott Evans, Brian David Lazarte, Scott Richter, Hans van Riet

Starring | Katy Perry, Adam Marcello, Casey Hooper, Patrick Matera

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens

A Crime (2006)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Manuel Pradal | Cinematography by | Giorgos Arvanitis | Editing by | Jennifer Augé

Starring | Harvey Keitel, Emmanuelle Béart, Norman Reedus, Joe Grifasi

Cameras | ARRI Cameras

Lenses | Zeiss Lenses

Girl, Interrupted (1999)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | James Mangold | Cinematography by | Jack N. Green | Editing by | Kevin Tent

Starring | Winona Ryder, Angelina Jolie, Clea DuVall, Brittany Murphy

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Samsara (2001)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Pan Nalin | Cinematography by | Rali Raltschev | Editing by | Isabel Meier

Starring | Shawn Ku, Christy Chung, Neelesha Barthel, Lhakpa Tsering

Cameras | Fricke 65mm Time-Lapse Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera

Lenses | Schneider Variogon Lenses

Bullitt (1968)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Directed by | Peter Yates | Cinematography by | William A. Fraker | Editing by | Frank P. Keller

Starring | Steve McQueen, Jacqueline Bisset, Robert Vaughn, Don Gordon

Cameras | ARRIFLEX Camera

Lenses | ARRI Lenses

Annie Hall (1977)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.85:1 | 93 Minutes

Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Wendy Greene Bricmont, Ralph Rosenblum

Starring | Woody Allen, Diane Keaton, Tony Roberts, Carol Kane

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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