Americas | 1901 Titles
Repo! The Genetic Opera (2008)
Directed by | Darren Lynn Bousman | Cinematography by | Joseph White | Editing by | Harvey Rosenstock
Cameras | Panavision Genesis Camera
29th Street (1991)
Directed by | George Gallo | Cinematography by | Steven Fierberg | Editing by | Kaja Fehr
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Memoirs of a Geisha (2005)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Pietro Scalia
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Blood Beach (1980)
Directed by | Jeffrey Bloom | Cinematography by | Steven Poster | Editing by | Gary Griffin
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Sweet Hereafter (1997)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Gold II Camera
The Fly (1986)
Directed by | David Cronenberg | Cinematography by | Mark Irwin | Editing by | Ronald Sanders
Cameras | ARRIFLEX Camera
Walk the Line (2005)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses
Cinderella Man (2005)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Spectrauma (2011)
Directed by | Michael Lauter | Cinematography by | Jon Firestone | Editing by | Michael Lauter
Cameras | Red One MX Camera
Lebanon, Pa. (2010)
Directed by | Ben Hickernell | Cinematography by | MJ Schirmer | Editing by | Ben Hickernell
Cameras | Red One Camera
Lenses | ARRI / Zeiss Lenses, Zeiss Lenses
We Were Soldiers (2002)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | William Hoy
Cameras | Panavision Panaflex Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Good Will Hunting (1997)
Directed by | Gus Van Sant | Cinematography by | Jean-Yves Escoffier | Editing by | Pietro Scalia
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Grandfather (1998)
Directed by | José Luis Garci | Cinematography by | Raúl Pérez Cubero | Editing by | Miguel González Sinde
Cameras | Panavision Panaflex Gold II Camera
3 Needles (2005)
Directed by | Thom Fitzgerald | Cinematography by | Tom Harting | Editing by | Susan Shanks
Cameras | ARRIFLEX 35 BL4 Camera
1492: Conquest of Paradise (1992)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | William M. Anderson, Françoise Bonnot, Les Healey, Armen Minasian, Deborah Zeitman
Belizaire the Cajun (1986)
Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Little Miss Sunshine (2006)
Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Tim Suhrstedt | Editing by | Pamela Martin
Ransom (1996)
Directed by | Ron Howard | Cinematography by | Piotr Sobocinski | Editing by | Daniel P. Hanley, Mike Hill
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Cool Hand Luke (1967)
Directed by | Stuart Rosenberg | Cinematography by | Conrad L. Hall | Editing by | Sam O'Steen
Cameras | Mitchell BNC Camera
Lenses | Panavision Lenses


























































