Americas | 1694 Titles
7 días en La Habana (2012)
Directed by | Laurent Cantet, Benicio Del Toro, Julio Medem, Gaspar Noé, Elia Suleiman, Juan Carlos Tabío, Pablo Trapero | Cinematography by | Daniel Aranyó, Diego Dussuel, Gaspar Noé | Editing by | Santiago Esteves, Thomas Fernandez, Rich Fox, Berta Frías, Véronique Lange, Julio Medem, Gaspar Noé, Alex Rodríguez, Pablo Trapero
Cameras | Red One Camera
The Day After Tomorrow (2004)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
The Kite Runner (2007)
54 (1998)
Directed by | Mark Christopher | Cinematography by | Alexander Gruszynski | Editing by | Lee Percy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
247°F (2011)
Directed by | Levan Bakhia, Beka Jguburia | Cinematography by | Vigen Vartanov | Editing by | Peter Hollywood
Cameras | Red One Camera
Sleepy Hollow (1999)
Directed by | Tim Burton | Cinematography by | Emmanuel Lubezki | Editing by | Chris Lebenzon, Joel Negron
Cameras | Panavision Panaflex Platinum Camera
Batman Returns (1992)
Directed by | Tim Burton | Cinematography by | Stefan Czapsky | Editing by | Bob Badami, Chris Lebenzon
Cameras | Panavision Panaflex Gold II Camera
O Brother, Where Art Thou? (2000)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Eternal Sunshine of the Spotless Mind (2004)
Directed by | Michel Gondry | Cinematography by | Ellen Kuras | Editing by | Valdís Óskarsdóttir
Cameras | ARRICAM Lite (LT) Camera
The Insider (1999)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | William Goldenberg, David Rosenbloom, Paul Rubell
Rachel Getting Married (2008)
Directed by | Jonathan Demme | Cinematography by | Declan Quinn | Editing by | Tim Squyres
Cameras | Sony HDW-F900R Camera
Copycat (1995)
Directed by | Jon Amiel | Cinematography by | László Kovács | Editing by | Jim Clark, Alan Heim
Cameras | Panavision Panaflex Camera
The Silence of the Lambs (1991)
Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Craig McKay
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
A Series of Unfortunate Events (2004)
Directed by | Brad Silberling | Cinematography by | Emmanuel Lubezki | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
The Brave One (2007)
Directed by | Neil Jordan | Cinematography by | Philippe Rousselot | Editing by | Tony Lawson
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Un heureux événement (2011)
Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine
Cameras | ARRICAM Studio (ST) Camera
Jackie Brown (1997)
Directed by | Quentin Tarantino | Cinematography by | Guillermo Navarro | Editing by | Sally Menke
Cameras | Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
House of Sand and Fog (2003)
Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
The Accountant (2001)
Directed by | Ray McKinnon | Cinematography by | Blake B. Jackson | Editing by | Joan Sobel
Cameras | Panavision Cameras
Lenses | Panavision Lenses