Joel Aguilar

22 Titles

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Geostorm | ShotOnWhat?

Compositor: Double Negative

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Logan | ShotOnWhat?

Senior Paint Artist: RSP

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

A Cure for Wellness | ShotOnWhat?

Compositor: Double Negative

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Brothers Grimsby | ShotOnWhat?

Compositor: Double Negative

The Brothers Grimsby (2016)

Directed by: Louis Leterrier

Cinematography by: Oliver Wood

Edited by: Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas

Cameras: ARRI ALEXA XT Camera, Panasonic Lumix DMC-GH2 Camera

Captain America: Civil War | ShotOnWhat?

Compositor: Double Negative

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Terminator Genisys | ShotOnWhat?

Paint Artist: Double Negative

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Mission: Impossible - Rogue Nation | ShotOnWhat?

Compositor: Double Negative

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

Ex Machina | ShotOnWhat?

Compositor: Double Negative

Ex Machina (2014)

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Mark Day

Cameras: GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Editing System: Avid Editing System

Thor: The Dark World | ShotOnWhat?

Prep Artist: Double Negative

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

The World's End | ShotOnWhat?

Compositor: Double Negative

The World's End (2013)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Paul Machliss

Cameras: ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

Furious 6 | ShotOnWhat?

Compositor: Double Negative

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Man of Steel | ShotOnWhat?

Prep Artist: Double Negative

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

The Hunger Games: Catching Fire | ShotOnWhat?

Compositor: Double Negative

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Les Misérables | ShotOnWhat?

Prep Artist: Double Negative

Les Misérables (2012)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Chris Dickens, Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Bourne Legacy | ShotOnWhat?

Prep Artist: Double Negative

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Snow White and the Huntsman | ShotOnWhat?

Paint/prep Artist: Double Negative

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

John Carter | ShotOnWhat?

Paint/prep Artist: Double Negative

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Attack the Block | ShotOnWhat?

Roto Artist: Double Negative Singapore

Attack the Block (2011)

Directed by: Joe Cornish

Cinematography by: Thomas Townend

Edited by: Jonathan Amos

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Captain America: The First Avenger | ShotOnWhat?

Prep Artist: Double Negative

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Scott Pilgrim vs. the World | ShotOnWhat?

Paint/roto Artist: Double Negative

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Prince of Persia: The Sands of Time | ShotOnWhat?

Roto Artist: Double Negative

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

The Sorcerer's Apprentice | ShotOnWhat?

Roto Artist: Double Negative

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

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