Sean Hyunin Lee

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Senior Digital Compositor

Avatar: The Way of Water (2022)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta VENICE Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

Percy Jackson: Sea of Monsters | ShotOnWhat?

Senior Digital Compositor: Rhythm & Hues

Percy Jackson: Sea of Monsters (2013)

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Big Miracle | ShotOnWhat?

Senior Digital Compositor: Rhythm & Hues

Big Miracle (2012)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Life of Pi | ShotOnWhat?

Compositor: Rhythm & Hues Studios

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Hop | ShotOnWhat?

Senior Digital Compositor: Rhythm & Hues

Hop (2011)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Alvin and the Chipmunks: Chipwrecked | ShotOnWhat?

Senior Digital Compositor: Rhythm & Hues

Alvin and the Chipmunks: Chipwrecked (2011)

Directed by: Mike Mitchell

Cinematography by: Thomas E. Ackerman

Edited by: Peter Amundson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

X: First Class | ShotOnWhat?

Senior Digital Compositor: Rhythm & Hues

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Marmaduke | ShotOnWhat?

Senior Digital Compositor: Rhythm & Hues

Marmaduke (2010)

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Yogi Bear | ShotOnWhat?

Senior Digital Compositor: Rhythm & Hues

Yogi Bear (2010)

Directed by: Eric Brevig

Cinematography by: Peter James

Edited by: Kent Beyda

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Senior Compositing Artist: Rhythm & Hues Studios

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Aliens in the Attic | ShotOnWhat?

Digital Compositor: Rhythm & Hues

Aliens in the Attic (2009)

Directed by: John Schultz

Cinematography by: Don Burgess

Edited by: John Pace

Alvin and the Chipmunks: The Squeakquel | ShotOnWhat?

Senior Digital Compositor: Rhythm & Hues

Alvin and the Chipmunks: The Squeakquel (2009)

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

The Incredible Hulk | ShotOnWhat?

Senior Digital Compositor: Rhythm & Hues

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

The Golden Compass | ShotOnWhat?

Compositor: Rhythm & Hues

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

The Kingdom | ShotOnWhat?

Digital Compositor: Rhythm & Hues

The Kingdom (2007)

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

Superman Returns | ShotOnWhat?

Digital Compositor: Rhythm & Hues

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Night at the Museum | ShotOnWhat?

Compositor: Rhythm & Hues

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Digital Compositor: Rhythm & Hues

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Ring Two | ShotOnWhat?

Digital Compositor: Rhythm & Hues

The Ring Two (2005)

Directed by: Hideo Nakata

Cinematography by: Gabriel Beristain

Edited by: Michael N. Knue

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Serenity | ShotOnWhat?

Digital Compositor: Rhythm & Hues

Serenity (2005)

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Around the World in 80 Days | ShotOnWhat?

Digital Compositor: Rhythm & Hues

Around the World in 80 Days (2004)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Tom Lewis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Friday Night Lights | ShotOnWhat?

Compositor

Friday Night Lights (2004)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

The Chronicles of Riddick | ShotOnWhat?

Digital Compositor: Rhythm & Hues

The Chronicles of Riddick (2004)

Directed by: David Twohy

Cinematography by: Hugh Johnson

Edited by: Tracy Adams, Martin Hunter, Dennis Virkler

X2 | ShotOnWhat?

Compositor: Rhythm & Hues

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Daredevil | ShotOnWhat?

Senior Digital Compositor: Rhythm & Hues

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

The Cat in the Hat | ShotOnWhat?

Digital Compositor: Rhythm & Hues

The Cat in the Hat (2003)

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Scooby-Doo | ShotOnWhat?

Compositor: Rhythm + Hues

Scooby-Doo (2002)

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

Harry Potter and the Sorcerer's Stone | ShotOnWhat?

Lead Sequence Compositor: Rhythm & Hues

Harry Potter and the Sorcerer's Stone (2001)

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

The 6th Day | ShotOnWhat?

Digital Compositor: Rhythm & Hues

The 6th Day (2000)

Directed by: Roger Spottiswoode

Cinematography by: Pierre Mignot

Edited by: Michel Arcand, Mark Conte, Dominique Fortin

Bedazzled | ShotOnWhat?

Digital Compositor: Rhythm & Hues

Bedazzled (2000)

Directed by: Harold Ramis

Cinematography by: Bill Pope

Edited by: Craig Herring

End of Days | ShotOnWhat?

Digital Compositor: Rhythm & Hues

End of Days (1999)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Star Trek: Insurrection | ShotOnWhat?

Inferno Artist: Blue Sky/VIFX

Star Trek: Insurrection (1998)

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: Peter E. Berger

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses

Blade | ShotOnWhat?

Inferno Artist: Blue Sky/VIFX

Blade (1998)

Directed by: Stephen Norrington

Cinematography by: Theo van de Sande

Edited by: Paul Rubell

Cameras: Moviecam Compact Camera

Lenses: Clairmont Anamorphic Lenses, Hawk C-Series 100 mm T3.0 Lens

Titanic | ShotOnWhat?

Inferno Artist: VIFX

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Volcano | ShotOnWhat?

Lead Sequence Compositor: Blue Sky/VIFX

Volcano (1997)

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

Jingle All the Way | ShotOnWhat?

Digital Compositor: VIFX

Jingle All the Way (1996)

Directed by: Brian Levant

Cinematography by: Victor J. Kemper

Edited by: Kent Beyda, Wilt Henderson, Adam Weiss

Down Periscope | ShotOnWhat?

2D Digital Artist

Down Periscope (1996)

Directed by: David S. Ward

Cinematography by: Victor Hammer

Edited by: William M. Anderson, Armen Minasian

Outbreak | ShotOnWhat?

CG Animator: VIFX/Video Image

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

Copycat | ShotOnWhat?

CG Animator: VIFX

Copycat (1995)

Directed by: Jon Amiel

Cinematography by: László Kovács

Edited by: Jim Clark, Alan Heim

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Ri¢hie Ri¢h | ShotOnWhat?

Digital Effects Artist

Ri¢hie Ri¢h (1994)

Directed by: Donald Petrie

Cinematography by: Don Burgess

Edited by: Malcolm Campbell

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