Executive Producer
Papillon (2017)
Directed by: Michael Noer
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Executive Producer
Dumb and Dumber To (2014)
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Executive Producer
Reach Me (2014)
Directed by: John Herzfeld
Cinematography by: Vern Nobles
Edited by: Steven Cohen
Cameras: Red Epic Camera
Co-producer
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Executive Producer
Killing Season (2013)
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Co-president Of Sales And Distribution: Red Granite International, Executive Producer
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Executive Producer
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Executive Producer
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Executive Producer
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Executive Producer
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Executive Producer
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Executive Producer
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Executive Producer
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Executive Producer
The Son of No One (2011)
Directed by: Dito Montiel
Cinematography by: Benoît Delhomme
Edited by: Jake Pushinsky
Executive Producer
Elephant White (2011)
Directed by: Prachya Pinkaew
Cinematography by: Wade Muller
Edited by: David M. Richardson
Executive Producer
Trust (2010)
Directed by: David Schwimmer
Cinematography by: Andrzej Sekula
Edited by: Douglas Crise
Executive Producer
Stone (2010)
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Executive Producer
As Good as Dead (2010)
Directed by: Jonathan Mossek
Cinematography by: Frank Barrera
Executive Producer
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Executive Producer
Undisputed 3: Redemption (2010)
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Executive Producer
Bad Lieutenant: Port of Call New Orleans (2009)
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Cameras: Moviecam Compact MK2 Camera
Executive Producer
Leaves of Grass (2009)
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
Executive Producer
Labor Pains (2009)
Directed by: Lara Shapiro
Cinematography by: Dan Stoloff
Edited by: Anne McCabe
Executive Producer
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Executive Producer
Direct Contact (2009)
Directed by: Danny Lerner
Cinematography by: Ross W. Clarkson
Edited by: Michele Gisser
Executive Producer
Command Performance (2009)
Directed by: Dolph Lundgren
Cinematography by: Marc Windon
Edited by: Peter Hollywood
Executive Producer
Rambo (2008)
Directed by: Sylvester Stallone
Cinematography by: Glen MacPherson
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Ultra Prime Lenses
Executive Producer
Righteous Kill (2008)
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Paul Hirsch
Executive Producer
Ghouls (2008)
Directed by: Gary Jones
Cinematography by: Toni Cartu
Edited by: Christopher Roth
Executive Producer
Until Death (2007)
Directed by: Simon Fellows
Cinematography by: Douglas Milsome
Edited by: Matthew Booth
Executive Producer
Cleaner (2007)
Directed by: Renny Harlin
Cinematography by: Scott Kevan
Edited by: Brian Berdan
Executive Producer
King of California (2007)
Directed by: Mike Cahill
Cinematography by: Jim Whitaker
Edited by: Glenn Garland
Producer
Undisputed 2: Last Man Standing (2006)
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Executive Producer
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Executive Producer
Home of the Brave (2006)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Clayton Halsey
Executive Producer
Lonely Hearts (2006)
Directed by: Todd Robinson
Cinematography by: Peter Levy
Edited by: Kathryn Himoff
Executive Producer
16 Blocks (2006)
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer
The Wicker Man (2006)
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
Executive Producer
Journey to the End of the Night (2006)
Directed by: Eric Eason
Cinematography by: Ulrich Burtin
Edited by: Kevin Greutert
Executive Producer
Mozart and the Whale (2005)
Directed by: Petter Næss
Cinematography by: Svein Krøvel
Executive Producer
Edison (2005)
Directed by: David J. Burke
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Executive Producer
The Russian Specialist (2005)
Directed by: Dolph Lundgren
Cinematography by: Ross W. Clarkson
Edited by: Joe Plenys
Cameras: ARRI Cameras
Executive Producer
Loverboy (2005)
Directed by: Kevin Bacon
Cinematography by: Nancy Schreiber
Edited by: David Ray
Executive Producer
In Hell (2003)
Directed by: Ringo Lam
Cinematography by: John B. Aronson
Edited by: David M. Richardson
Executive Producer
Belly of the Beast (2003)
Directed by: Siu-Tung Ching
Cinematography by: Danny Nowak
Edited by: David M. Richardson
Executive Producer
Diary of a Sex Addict (2001)
Directed by: Joseph Brutsman
Cinematography by: Nathan Hope
Edited by: Greg Tillman
Executive Producer
Replicant (2001)
Directed by: Ringo Lam
Cinematography by: Mike Southon
Edited by: David M. Richardson
Executive Producer
The Grey Zone (2001)
Directed by: Tim Blake Nelson
Cinematography by: Russell Lee Fine
Executive Producer
Break Up (1998)
Directed by: Paul Marcus
Cinematography by: Hubert Taczanowski
Edited by: Arthur Coburn
Executive Producer
On the Border (1998)
Directed by: Bob Misiorowski
Cinematography by: Lawrence Sher
Edited by: Alain Jakubowicz
Executive Producer
Shadrach (1998)
Directed by: Susanna Styron
Cinematography by: Hiro Narita
Edited by: Colleen Sharp
Executive Producer
American Perfekt (1997)
Directed by: Paul Chart
Cinematography by: William Wages
Edited by: Michael Ruscio
Executive Producer
The Last Days of Frankie the Fly (1996)
Directed by: Peter Markle
Cinematography by: Phil Parmet
Edited by: David Campling
Executive Producer
Deadly Outbreak (1995)
Directed by: Rick Avery
Cinematography by: Avi Koren
Edited by: Alain Jakubowicz
