Special Effects Foreman
The Old Man & the Gun (2018)
Directed by: David Lowery
Cinematography by: Joe Anderson
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX 416 Camera
Lenses: Canon Lenses, Cooke S4 Lenses
Special Effects Coordinator
Baywatch (2017)
Directed by: Seth Gordon
Cinematography by: Eric Steelberg
Edited by: Peter S. Elliot
Cameras: ARRI ALEXA XT Plus Camera
Special Effects Coordinator
Pitch Perfect 2 (2015)
Directed by: Elizabeth Banks
Cinematography by: Jim Denault
Edited by: Craig Alpert
Cameras: ARRI ALEXA Plus Camera
Special Effects Coordinator
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Special Effects Coordinator
Broken City (2013)
Directed by: Allen Hughes
Cinematography by: Ben Seresin
Edited by: Cindy Mollo
Cameras: ARRI ALEXA Camera, ARRI ALEXA Studio Camera
Editing System: Avid Editing System
Special Effects Coordinator
Hell Baby (2013)
Cinematography by: Charles Papert
Edited by: Kevin Oeser
Cameras: ARRI ALEXA Camera
Special Effects Coordinator
The Butler (2013)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Special Effects Coordinator
The Lucky One (2012)
Directed by: Scott Hicks
Cinematography by: Alar Kivilo
Edited by: Scott Gray
Special Effects Coordinator: Louisiana
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Special Effects Coordinator
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Special Effects Coordinator
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Special Effects Coordinator
The Campaign (2012)
Directed by: Jay Roach
Cinematography by: Jim Denault
Cameras: ARRI ALEXA Camera
Pyrotechnician
21 Jump Street (2012)
Cinematography by: Barry Peterson
Edited by: Joel Negron
Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera
Special Effects Coordinator
The Baytown Outlaws (2012)
Directed by: Barry Battles
Cinematography by: David McFarland
Edited by: Sean Valla
Cameras: Red One Camera
Special Effects Coordinator
Texas Killing Fields (2011)
Directed by: Ami Canaan Mann
Cinematography by: Stuart Dryburgh
Edited by: Cindy Mollo
Cameras: Panavision Genesis Camera
Special Effects Coordinator
Mardi Gras: Spring Break (2011)
Directed by: Phil Dornfeld
Cinematography by: Thomas E. Ackerman
Edited by: Mark Scheib
Special Effects Coordinator
A Little Bit of Heaven (2011)
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Special Effects Coordinator
Seeking Justice (2011)
Directed by: Roger Donaldson
Cinematography by: David Tattersall
Edited by: Jay Cassidy
Cameras: Panavision Genesis Camera
Pyrotechnician
Battle of Los Angeles (2011)
Directed by: Mark Atkins
Cinematography by: Mark Atkins
Edited by: Mark Atkins
Special Effects Coordinator
The Last Exorcism (2010)
Directed by: Daniel Stamm
Cinematography by: Zoltan Honti
Edited by: Shilpa Sahi
Special Effects Coordinator
Nine Dead (2010)
Directed by: Chris Shadley
Cinematography by: Mark Vargo
Edited by: Sean Findley
Special Effects Coordinator
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Pyrotechnician
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Special Effects
Jonah Hex (2010)
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Special Effects Coordinator
Bad Lieutenant: Port of Call New Orleans (2009)
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Cameras: Moviecam Compact MK2 Camera
Special Effects Co-coordinator
In the Electric Mist (2009)
Directed by: Bertrand Tavernier
Cinematography by: Bruno de Keyzer
Special Effects Co-coordinator
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Special Effects Coordinator
Alabama Moon (2009)
Directed by: Tim McCanlies
Cinematography by: Jimmy Lindsey
Edited by: Mark Coffey
Special Effects Coordinator
The Loss of a Teardrop Diamond (2008)
Directed by: Jodie Markell
Cinematography by: Giles Nuttgens
Cameras: Panavision Panaflex Platinum Camera
Special Effects Technician / Special Effects Technician: New Orleans
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Special Effects Supervisor
Autopsy (2008)
Directed by: Adam Gierasch
Cinematography by: Anthony B. Richmond
Edited by: Andrew Cohen
Special Effects Coordinator
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Special Effects Supervisor
Bug (2006)
Directed by: William Friedkin
Cinematography by: Michael Grady
Edited by: Darrin Navarro
Special Effects Foreman
Because of Winn-Dixie (2005)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Deirdre Slevin
Special Effects Technician
Odd Girl Out (2005)
Directed by: Tom McLoughlin
Cinematography by: John S. Bartley
Edited by: Marshall Harvey
Special Effects: New Orleans
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Key Set Special Effects
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Special Effects
Runaway Jury (2003)
Directed by: Gary Fleder
Cinematography by: Robert Elswit
Edited by: William Steinkamp
Special Effects Coordinator
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Special Effects Coordinator
Monster's Ball (2001)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Cameras: ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera
Special Effects Technician
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Special Effects Foreman
The Rage: Carrie 2 (1999)
Cinematography by: Donald M. Morgan
Edited by: Richard Nord
Special Effects Technician
Out of Sight (1998)
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Anne V. Coates
Special Effects Technician / Special Effects
Rosewood (1997)
Directed by: John Singleton
Cinematography by: Johnny E. Jensen
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Special Effects Technician
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Technician
Lolita (1997)
Directed by: Adrian Lyne
Cinematography by: Howard Atherton
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Special Effects Technician
Heaven's Prisoners (1996)
Directed by: Phil Joanou
Cinematography by: Harris Savides
Edited by: William Steinkamp
Special Effects Technician
Tom and Huck (1995)
Directed by: Peter Hewitt
Cinematography by: Bobby Bukowski
Edited by: David Freeman
Special Effects Technician
The Specialist (1994)
Directed by: Luis Llosa
Cinematography by: Jeffrey L. Kimball
Edited by: Jack Hofstra
Special Effects Technician
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Special Effects Technician
Angel Heart (1987)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Lenses: Panavision Lenses
