Special Effects Coordinator
'Modern Family' Stand by Your Man (2019)
| USA
Directed by: James Alan Hensz
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Whanex? (2019)
| USA
Directed by: Elaine Ko
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' Can't Elope (2019)
| USA
Directed by: Jeffrey Walker
Cinematography by: James R. Bagdonas
Special Effects Coordinator
'Modern Family' Red Alert (2019)
| USA
Directed by: Julie Bowen
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Blasts from the Past (2019)
| USA
Directed by: Fred Savage
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' SuperShowerBabyBowl (2019)
| USA
Directed by: Helena Lamb
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' A Year of Birthdays (2019)
| USA
Directed by: Steven Levitan
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' A Moving Day (2019)
| USA
Directed by: Iwona Kanclerz
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' The Wild (2019)
| USA
Directed by: James R. Bagdonas
Cinematography by: Hugo Cortina
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' We Need to Talk About Lily (2019)
| USA
Directed by: Abraham Higginbotham
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Commencement (2019)
| USA
Directed by: Eric Dean Seaton
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' A Sketchy Area (2018)
| USA
Directed by: Jeffrey Walker
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' Stuck in a Moment (2018)
| USA
Directed by: Fred Savage
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects
'New Girl' Where the Road Goes (2018)
Directed by: Michael Schultz
Cinematography by: Russ T. Alsobrook
Edited by: Matthew Freund
Special Effects Coordinator
'Modern Family' Written in the Stars (2018)
| USA
Directed by: Jaffar Mahmood
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' The Escape (2018)
Directed by: Steven Levitan
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' On the Same Paige (2018)
| USA
Directed by: Ryan Case
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' Wine Weekend (2018)
| USA
Directed by: Beth McCarthy-Miller
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Kiss and Tell (2018)
| USA
Directed by: Steven Levitan
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Kids These Days (2018)
| USA
Directed by: James R. Bagdonas
Cinematography by: Hugo Cortina
Edited by: Christian Miglio
Special Effects
'New Girl' About Three Years Later (2018)
Directed by: Erin O'Malley
Cinematography by: Russ T. Alsobrook
Edited by: Keenan Hiett
Special Effects Coordinator
'Modern Family' In Your Head (2018)
| USA
Directed by: Steven Levitan
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' Mother! (2018)
Directed by: Eric Dean Seaton
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Good Grief (2018)
| USA
Directed by: Beth McCarthy-Miller
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Royal Visit (2018)
| USA
Directed by: Gail Mancuso
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' I Love a Parade (2018)
| USA
Directed by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' Putting Down Roots (2018)
| USA
Directed by: Kat Coiro
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects
'New Girl' Tuesday Meeting (2018)
Directed by: Josh Greenbaum
Cinematography by: Russ T. Alsobrook
Edited by: Matthew Freund
Special Effects Coordinator
'Modern Family' Dear Beloved Family (2018)
| USA
Directed by: Gail Mancuso
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' CHiPs and Salsa (2018)
| USA
Directed by: Gail Mancuso
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' Torn Between Two Lovers (2018)
| USA
Directed by: Beth McCarthy-Miller
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Spanks for the Memories (2018)
| USA
Directed by: James R. Bagdonas
Cinematography by: Hugo Cortina
Special Effects Coordinator
'Modern Family' Clash of Swords (2018)
Directed by: James Alan Hensz
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Did the Chicken Cross the Road? (2018)
| USA
Directed by: Eric Dean Seaton
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' He Said, She Shed (2018)
| USA
Directed by: James Alan Hensz
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' Daddy Issues (2018)
| USA
Directed by: Chris Koch
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Winner Winner Turkey Dinner (2017)
| USA
Directed by: Beth McCarthy-Miller
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Catch of the Day (2017)
| USA
Directed by: Fred Savage
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' No Small Feet (2017)
| USA
Directed by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' Ten Years Later (2017)
| USA
Directed by: Fred Savage
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' The Long Goodbye (2017)
| USA
Directed by: James Alan Hensz
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Tough Love (2017)
| USA
Directed by: John Riggi
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' It's the Great Pumpkin, Phil Dunphy (2017)
| USA
Directed by: Beth McCarthy-Miller
Edited by: Christian Miglio
Special Effects Coordinator
'Modern Family' Lake Life (2017)
| USA
Directed by: James R. Bagdonas
Cinematography by: Hugo Cortina
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' Brushes with Celebrity (2017)
| USA
Directed by: Jeffrey Walker
Edited by: Giselle Murillo
Special Effects Coordinator
'Modern Family' Sex, Lies & Kickball (2017)
| USA
Directed by: John Riggi
Edited by: Giselle Murillo
Special Effects Shop Foreman
Blood Father (2016)
| France
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
General Foreman/pyrotechnic Coordinator
22 Jump Street (2014)
| USA
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Special Effects Rigging Foreman
Dawn of the Planet of the Apes (2014)
| USA, UK, Canada
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Special Effects Technician: Illinois
Man of Steel (2013)
| USA, UK
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
On-set Coordinator
Big Miracle (2012)
| USA, UK
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Special Effects
Django Unchained (2012)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
On-set Coordinator
Contraband (2012)
| USA, UK, France
Directed by: Baltasar Kormákur
Cinematography by: Barry Ackroyd
Edited by: Elísabet Ronaldsdóttir
Cameras: Aaton Penelope Camera
Special Effects - 3 Episodes, 2018
New Girl (2011)
| USA
Directed by: Trent O'Donnell, Erin O'Malley, Jake Kasdan, Fred Goss, Max Winkler, Jay Chandrasekhar, Jesse Peretz, Lynn Shelton, Steve Welch, Josh Greenbaum, Russ T. Alsobrook, Peyton Reed, Eric Appel, Tristram Shapeero, Lorene Scafaria, Bill Purple, Christine Gernon, Michael Schultz, Jason Winer, Steve Pink, Michael Spiller, Alec Berg, Elizabeth Meriwether, Alex Hardcastle, Miguel Arteta, John Hamburg, Daniel Attias, Neal Brennan, Nanette Burstein, Larry Charles, Tucker Gates, Troy Miller, Matt Shakman, David Wain, Jason Woliner, Craig Zisk, Andrew Fleming, Nicholas Jasenovec, David Katzenberg, Matt Sohn, Richie Keen, Steven K. Tsuchida, Reginald Hudlin, Zooey Deschanel, Jake Johnson, Dana Fox, Lamorne Morris
Edited by: Steve Welch, Hugh Ross, Giselle Murillo, Brian Merken, Kabir Akhtar, Keenan Hiett, Dan Schalk, Catherine Haight, Matthew Freund, Abby Gentsch
Cameras: ARRI ALEXA Camera
Special Effects Technician
Green Lantern (2011)
| USA
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Special Effects Coordinator - 44 Episodes, 2017-2019
Modern Family (2009)
| USA
Directed by: Gail Mancuso, Steven Levitan, Michael Spiller, Beth McCarthy-Miller, Jason Winer, James R. Bagdonas, James Alan Hensz, Fred Savage, Chris Koch, Jeffrey Walker, Ryan Case, Alisa Statman, Eric Dean Seaton, Scott Ellis, Reginald Hudlin, Randall Einhorn, Bryan Cranston, Ken Whittingham, John Riggi, Julie Bowen, Abraham Higginbotham, Iwona Kanclerz, Helena Lamb, Seth Gordon, Kevin Rodney Sullivan, Dean Parisot, Adam Shankman, Jeff Melman, Fred Goss, Lev L. Spiro, Claire Scanlon, Phil Traill, Michelle MacLaren, Kat Coiro, Jaffar Mahmood, Elaine Ko
Edited by: Ryan Case, Tony Orcena, Christian Miglio, Giselle Murillo, Jonathan Schwartz, Steven Rasch, Shaheed Qaasim, Michael Kamens, Jamie Kennedy
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Special Effects Technician
Public Enemies (2009)
| USA, Japan
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Special Effects Technician
Eagle Eye (2008)
| USA, Germany
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Special Effects Technician
Body of Lies (2008)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Special Effects Coordinator
Frost/Nixon (2008)
| UK, France, USA
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Special Effects Technician
Smokin' Aces (2006)
| UK, France, USA
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Special Effects Rigging Shop Technician
Pirates of the Caribbean: Dead Man's Chest (2006)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Special Effects
The Alamo (2004)
| USA
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Special Effects
Team America: World Police (2004)
| USA, Germany
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Special Effects
Bruce Almighty (2003)
| USA
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Special Effects Technician
We Were Soldiers (2002)
| USA, Germany
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Special Effects Foreman
'The X-Files' This Is Not Happening (2001)
| USA
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Special Effects Foreman
'The X-Files' Dæmonicus (2001)
| USA
Directed by: Frank Spotnitz
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Special Effects Foreman
'The X-Files' Surekill (2001)
| USA
Directed by: Terrence O'Hara
Cinematography by: Bill Roe
Edited by: Michael Kewley
Special Effects Foreman
'The X-Files' Three Words (2001)
| USA
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Regis Kimble
Special Effects Foreman
'The X-Files' Lord of the Flies (2001)
| USA
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Special Effects Foreman
'The X-Files' Badlaa (2001)
| USA
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Michael Kewley
Special Effects Foreman
'The X-Files' Vienen (2001)
| USA
Directed by: Rod Hardy
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Special Effects Foreman
'The X-Files' Medusa (2001)
| USA
Directed by: Richard Compton
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Special Effects Foreman
'The X-Files' Essence (2001)
| USA
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Special Effects Foreman
'The X-Files' Requiem (2000)
| USA
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Special Effects Foreman
'The X-Files' Signs & Wonders (2000)
| USA
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Special Effects Technician
Charlie's Angels (2000)
| USA, Germany
Directed by: McG
Cinematography by: Russell Carpenter
Special Effects Foreman
'The X-Files' All Things (2000)
| USA
Directed by: Gillian Anderson
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Special Effects Foreman
'The X-Files' Within (2000)
| USA
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Special Effects Foreman
'The X-Files' Closure (2000)
| USA
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Special Effects Foreman
'The X-Files' Hollywood A.D. (2000)
| USA
Directed by: David Duchovny
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Special Effects Foreman
'The X-Files' Patience (2000)
| USA
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Special Effects Foreman
'The X-Files' First Person Shooter (2000)
| USA
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Special Effects Foreman
'The X-Files' Je Souhaite (2000)
| USA
Directed by: Vince Gilligan
Cinematography by: Bill Roe
Edited by: Louise Innes
Special Effects Foreman
'The X-Files' Orison (2000)
| USA
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Special Effects Foreman
'The X-Files' Redrum (2000)
| USA
Directed by: Peter Markle
Cinematography by: Bill Roe
Special Effects Foreman
'The X-Files' En Ami (2000)
| USA
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Louise Innes
Special Effects Foreman
'The X-Files' Agua Mala (1999)
| USA
Directed by: Rob Bowman
Cinematography by: Bill Roe
Special Effects Foreman
'The X-Files' Three of a Kind (1999)
| USA
Directed by: Bryan Spicer
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Special Effects Foreman
'The X-Files' Terms of Endearment (1999)
| USA
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Louise Innes
Special Effects Foreman
'The X-Files' Millennium (1999)
| USA
Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Special Effects Foreman
'The X-Files' Arcadia (1999)
| USA
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Special Effects Foreman
'The X-Files' Biogenesis (1999)
| USA
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Special Effects Foreman
'The X-Files' S.R. 819 (1999)
| USA
Directed by: Daniel Sackheim
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Special Effects Foreman
'The X-Files' Rush (1999)
| USA
Directed by: Robert Lieberman
Cinematography by: Bill Roe
Edited by: Louise Innes
Special Effects Assistant
Best Laid Plans (1999)
| USA
Directed by: Mike Barker
Cinematography by: Ben Seresin
Edited by: Sloane Klevin
Special Effects Foreman
'The X-Files' Trevor (1999)
| USA
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Special Effects Foreman
'The X-Files' The Sixth Extinction II: Amor Fati (1999)
| USA
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Special Effects Foreman
'The X-Files' Two Fathers (1999)
| USA
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Special Effects Foreman
'The X-Files' Milagro (1999)
| USA
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Special Effects Foreman
'The X-Files' Hungry (1999)
| USA
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Special Effects Foreman
Mighty Joe Young (1998)
| USA
Directed by: Ron Underwood
Edited by: Paul Hirsch
Special Effects Foreman
Simon Birch (1998)
| USA
Directed by: Mark Steven Johnson
Cinematography by: Aaron Schneider
Edited by: David Finfer
Cameras: Panavision Cameras
Special Effects Technician
Sphere (1998)
| USA
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Special Effects Technician
Dante's Peak (1997)
| USA
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Special Effects Technician
The Glimmer Man (1996)
| USA
Directed by: John Gray
Cinematography by: Rick Bota
Edited by: Donn Cambern
Special Effects Crew
Courage Under Fire (1996)
| USA
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Special Effects Foreman - 34 Episodes, 1999-2001
The X-Files (1993)
| Canada, USA
Directed by: Kim Manners, Rob Bowman, David Nutter, Chris Carter, R.W. Goodwin, Tony Wharmby, Michael W. Watkins, Daniel Sackheim, Michael Lange, James Wong, Jim Charleston, Cliff Bole, William A. Graham, Peter Markle, David Duchovny, Thomas J. Wright, Rod Hardy, Glen Morgan, Jerrold Freedman, Joe Napolitano, Larry Shaw, Tucker Gates, Vince Gilligan, Richard Compton, Frank Spotnitz, Darin Morgan, Fred Gerber, Michael Katleman, Harry Longstreet, Robert Mandel, Win Phelps, Stephen Surjik, James A. Contner, Nick Marck, Michael Vejar, James Whitmore Jr., Brett Dowler, Allen Coulter, Ralph Hemecker, Robert Lieberman, Bryan Spicer, Gillian Anderson, Paul Shapiro, Terrence O'Hara, Barry K. Thomas, Dwight H. Little, Michelle MacLaren, John Shiban, Carol Banker, Holly Dale, Kevin Hooks
Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth
Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses: Panavision Lenses
