Special Effects Supervisor
Doctor Sleep (2019)
Directed by: Mike Flanagan
Cinematography by: Michael Fimognari
Edited by: Mike Flanagan
Cameras: ARRI ALEXA 65 Camera
Lenses: Hasselblad Lenses
Special Effects Coordinator
Love, Simon (2018)
Directed by: Greg Berlanti
Cinematography by: John Guleserian
Edited by: Harry Jierjian
Cameras: ARRI ALEXA XT Camera
Special Effects Supervisor
Aftermath (2017)
Directed by: Elliott Lester
Cinematography by: Pieter Vermeer
Edited by: Nicholas Wayman-Harris
Special Effects
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Special Effects Foreman
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
On-set Coordinator
Sabotage (2014)
Directed by: David Ayer
Cinematography by: Bruce McCleery
Edited by: Dody Dorn
Special Effects
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
On-set Special Effects Coordinator
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
On Set Foreman
Safe Haven (2013)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Studio Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Special Effects Foreman
Prisoners (2013)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Special Effects Coordinator
Pitch Perfect (2012)
Directed by: Jason Moore
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA Camera
Special Effects
Lawless (2012)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Special Effects Supervisor
Husk (2011)
Directed by: Brett Simmons
Cinematography by: Marco Fargnoli
Edited by: William Yeh
Special Effects Supervisor
Fertile Ground (2011)
Directed by: Adam Gierasch
Cinematography by: Yaron Levy
Edited by: Andrew Cohen
Cameras: Red One Camera
Special Effects Supervisor
'Justified' Fire in the Hole (2010)
Directed by: Michael Dinner
Cinematography by: Edward J. Pei
Edited by: Victor Du Bois
Special Effects Foreman / Special Effects Technician
The Crazies (2010)
Directed by: Breck Eisner
Cinematography by: Maxime Alexandre
Edited by: Billy Fox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Special Effects Supervisor - 1 Episode, 2010
Justified (2010)
Directed by: Adam Arkin, Jon Avnet, Peter Werner, Michael Dinner, John Dahl, Bill Johnson, Michael W. Watkins, Gwyneth Horder-Payton, Don Kurt, Dean Parisot, Tony Goldwyn, Michael Pressman, Rod Holcomb, Michael Katleman, Frederick King Keller, John David Coles, Billy Gierhart, Lesli Linka Glatter, Peter Weller
Cinematography by: Francis Kenny, Stefan von Bjorn, Edward J. Pei, Richard Crudo, Attila Szalay, Peter Levy, Andrew Strahorn
Special Effects Coordinator
The Experiment (2010)
Directed by: Paul Scheuring
Cinematography by: Amy Vincent
Edited by: Peter S. Elliot
Special Effects Coordinator
Gun (2010)
Directed by: Jessy Terrero
Cinematography by: Zeus Morand
Edited by: Kirk M. Morri
Cameras: Red One Camera
On-set Coordinator
Due Date (2010)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Special Effects Supervisor
The Maiden Heist (2009)
Directed by: Peter Hewitt
Cinematography by: Ueli Steiger
Edited by: Carole Kravetz Aykanian
Special Effects Foreman
Youth in Revolt (2009)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Special Effects Supervisor
Get Low (2009)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Edited by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Final Cut Pro Editing System
Special Effects Coordinator
Whip It (2009)
Directed by: Drew Barrymore
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Special Effects Foreman
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Special Effects Supervisor
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Special Effects
Che: Part One (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Special Effects Technician: New Orleans
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Special Effects Crew
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
On-set Special Effects
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Special Effects Coordinator
The Final Season (2007)
Directed by: David Mickey Evans
Cinematography by: Dan Stoloff
Edited by: Harry Keramidas
Special Effects Technician
Lonely Hearts (2006)
Directed by: Todd Robinson
Cinematography by: Peter Levy
Edited by: Kathryn Himoff
Special Effects Foreman
Southland Tales (2006)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Edited by: Sam Bauer
On-set Effects / Special Effects Technician
Deja Vu (2006)
Directed by: Tony Scott
Cinematography by: Paul Cameron
On-set Effects / Special Effects Technician
Dreamer: Inspired by a True Story (2005)
Directed by: John Gatins
Cinematography by: Fred Murphy
Edited by: David Rosenbloom
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Special Effects Technician
The Punisher (2004)
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall
Special Effects Technician
21 Grams (2003)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Special Effects Technician
Basic (2003)
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Special Effects Technician
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Technician
The Life of David Gale (2003)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Special Effects Technician
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Special Effects Technician
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Special Effects Technician
All About the Benjamins (2002)
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Edited by: Suzanne Hines
Special Effects Technician
Proof of Life (2000)
Directed by: Taylor Hackford
Cinematography by: Slawomir Idziak
Mechanical Effects Technician
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Assistant
The Crew (2000)
Directed by: Michael Dinner
Cinematography by: Juan Ruiz Anchía
Edited by: Nicholas C. Smith
Special Effects Technician
Instinct (1999)
Directed by: Jon Turteltaub
Cinematography by: Philippe Rousselot
Edited by: Richard Francis-Bruce
Special Effects
Cookie's Fortune (1999)
Directed by: Robert Altman
Cinematography by: Toyomichi Kurita
Edited by: Abraham Lim
Special Effects Coordinator
The Waterboy (1998)
Directed by: Frank Coraci
Cinematography by: Steven Bernstein
Edited by: Tom Lewis
Cameras: Panavision Cameras
Assistant Special Effects Coordinator
Palmetto (1998)
Directed by: Volker Schlöndorff
Cinematography by: Thomas Kloss
Edited by: Peter Przygodda
Special Effects Technician
The Gingerbread Man (1998)
Directed by: Robert Altman
Cinematography by: Changwei Gu
Edited by: Geraldine Peroni
Special Effects
G.I. Jane (1997)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Pietro Scalia
Special Effects
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Special Effects Technician
Fair Game (1995)
Directed by: Andrew Sipes
Cinematography by: Richard Bowen
Cameras: Panavision Cameras
Special Effects
The Specialist (1994)
Directed by: Luis Llosa
Cinematography by: Jeffrey L. Kimball
Edited by: Jack Hofstra
Special Effects Assistant
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Technician
Rapa Nui (1994)
Directed by: Kevin Reynolds
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
