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The Girl in the Spider's Web | ShotOnWhat?

Pyrotechnician

The Girl in the Spider's Web (2018)

Directed by: Fede Alvarez

Cinematography by: Pedro Luque

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

Blade Runner 2049 | ShotOnWhat?

Pyrotechnic Senior Technician

Blade Runner 2049 (2017)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Captain America: Civil War | ShotOnWhat?

Lead Pyrotechnician: Second Unit, Germany

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Pyrotechnician

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Dracula Untold | ShotOnWhat?

Special Effects: Senior Pyrotechnician

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Lead Pyrotechnician

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Monuments Men | ShotOnWhat?

Special Effects Pyro Technician

The Monuments Men (2014)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Special Effects Senior Technician

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

A Good Day to Die Hard | ShotOnWhat?

Special Effects Senior Technician

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Schutzengel | ShotOnWhat?

Special Effects Technician

Schutzengel (2012)

Directed by: Til Schweiger

Cinematography by: Adrian Cranage

Edited by: Constantin von Seld

Cameras: ARRI ALEXA Camera, ARRI ALEXA M Camera, Canon EOS 600D Camera, Phantom HD Gold Camera

Lenses: Zeiss Master Prime Lenses

Anonymous | ShotOnWhat?

Special Effects Technician

Anonymous (2011)

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Peter R. Adam

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Three Musketeers | ShotOnWhat?

Special Effects Senior Technician

The Three Musketeers (2011)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRI ALEXA Camera, Red One MX Camera, Weisscam HS-2 Camera

Lenses: Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens

Ninja Assassin | ShotOnWhat?

Pyrotechnician

Ninja Assassin (2009)

Directed by: James McTeigue

Cinematography by: Karl Walter Lindenlaub

Edited by: Giancarlo Ganziano, Joseph Jett Sally

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Zeiss Master Prime Lenses

Pandorum | ShotOnWhat?

Senior Special Effects Technician: Splinter Unit

Pandorum (2009)

Directed by: Christian Alvart

Cinematography by: Wedigo von Schultzendorff

Edited by: Philipp Stahl, Yvonne Valdez

The White Ribbon | ShotOnWhat?

Special Effects Senior Technician

The White Ribbon (2009)

Directed by: Michael Haneke

Cinematography by: Christian Berger

Edited by: Monika Willi

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Inglourious Basterds | ShotOnWhat?

Special Effects Senior Pyrotechnician

Inglourious Basterds (2009)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Krabat | ShotOnWhat?

Special Effects Foreman

Krabat (2008)

Directed by: Marco Kreuzpaintner

Cinematography by: Daniel Gottschalk

Edited by: Hansjörg Weißbrich

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR 17-102 mm T2.9 Lens, Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo Zoom Lenses

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Pyrotechnician

The Chronicles of Narnia: Prince Caspian (2008)

Directed by: Andrew Adamson

Cinematography by: Karl Walter Lindenlaub

Edited by: Josh Campbell, Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Master Prime Lenses

Eragon | ShotOnWhat?

Special Effects Technician

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Æon Flux | ShotOnWhat?

Special Effects Technician

Æon Flux (2005)

Directed by: Karyn Kusama

Cinematography by: Stuart Dryburgh

Edited by: Jeff Gullo, Peter Honess, Plummy Tucker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

V for Vendetta | ShotOnWhat?

Pyrotechnician

V for Vendetta (2005)

Directed by: James McTeigue

Cinematography by: Adrian Biddle

Edited by: Martin Walsh

Downfall | ShotOnWhat?

Special Effects Technician: St. Petersburg Unit

Downfall (2004)

Directed by: Oliver Hirschbiegel

Cinematography by: Rainer Klausmann

Edited by: Hans Funck

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Ultra Prime Lenses

Around the World in 80 Days | ShotOnWhat?

Special Effects Technician

Around the World in 80 Days (2004)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Tom Lewis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Luther | ShotOnWhat?

Special Effects Technician: Nefzer GmbH, Babelsberg

Luther (2003)

Directed by: Eric Till

Cinematography by: Robert Fraisse

Edited by: Clive Barrett

Cameras: ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses

Enemy at the Gates | ShotOnWhat?

Special Effects Technician

Enemy at the Gates (2001)

Directed by: Jean-Jacques Annaud

Cinematography by: Robert Fraisse

Edited by: Noëlle Boisson, Humphrey Dixon

27 Missing Kisses | ShotOnWhat?

Special Effects

27 Missing Kisses (2000)

Directed by: Nana Dzhordzhadze

Cinematography by: Phedon Papamichael

Edited by: Vessela Martschewski

Cameras: Moviecam Cameras

Night Shapes | ShotOnWhat?

Special Effects

Night Shapes (1999)

Directed by: Andreas Dresen

Cinematography by: Andreas Höfer

Edited by: Monika Schindler

A Dog of Flanders | ShotOnWhat?

Special Effects Technician

A Dog of Flanders (1999)

Directed by: Kevin Brodie

Cinematography by: Walther van den Ende

Edited by: Annamaria Szanto

Cameras: ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Schlaraffenland | ShotOnWhat?

Special Effects

Schlaraffenland (1999)

Directed by: Friedemann Fromm

Cinematography by: Jo Heim

Edited by: Eva Schnare

Victory | ShotOnWhat?

Stand-by Carpenter / Swing Gang

Victory (1996)

Directed by: Mark Peploe

Cinematography by: Bruno de Keyzer

Edited by: Michael Bradsell, Tony Lawson

Shining Through | ShotOnWhat?

Carpenter

Shining Through (1992)

Directed by: David Seltzer

Cinematography by: Jan de Bont

Edited by: Craig McKay

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