Patrick Finley

26 Titles

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Big Hero 6 | ShotOnWhat?

Visual Effects Artist

Big Hero 6 (2014)

Directed by: Don Hall, Chris Williams

Cinematography by: Rob Dressel

Edited by: Tim Mertens

Hercules | ShotOnWhat?

Visual Effects Artist

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Divergent | ShotOnWhat?

Visual Effects Supervisor

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Into the Storm | ShotOnWhat?

Visual Effects Artist

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Beautiful Creatures | ShotOnWhat?

Lighting: Method Studios

Beautiful Creatures (2013)

Directed by: Richard LaGravenese

Cinematography by: Philippe Rousselot

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Iron Man Three | ShotOnWhat?

The Amazing Spider-Man | ShotOnWhat?

Visual Effects Artist

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Men in Black 3 | ShotOnWhat?

Visual Effects Artist

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Red Tails | ShotOnWhat?

Digital Compositor

Red Tails (2012)

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Green Lantern | ShotOnWhat?

Senior Technical Director

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Zookeeper | ShotOnWhat?

Senior Technical Director

Zookeeper (2011)

Directed by: Frank Coraci

Cinematography by: Michael Barrett

Edited by: Scott Hill

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Alice in Wonderland | ShotOnWhat?

Lighting Technical Director: SPI

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

G-Force | ShotOnWhat?

Senior Lighting And Compositing Technical Director: SPI

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Speed Racer | ShotOnWhat?

Senior Technical Director

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

The Curious Case of Benjamin Button | ShotOnWhat?

Visual Effects Artist

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Surf's Up | ShotOnWhat?

Digital Effects Artist: Lighting And Compositing

Surf's Up (2007)

Directed by: Ash Brannon, Chris Buck

Edited by: Ivan Bilancio, Nancy Frazen

National Treasure: Book of Secrets | ShotOnWhat?

Visual Effects Artist

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

I Am Legend | ShotOnWhat?

Visual Effects Artist: Lighting And Compositing

I Am Legend (2007)

Directed by: Francis Lawrence

Cinematography by: Andrew Lesnie

Edited by: Wayne Wahrman

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses

Superman Returns | ShotOnWhat?

Lighting And Compositing Artist: SPI

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

X-Men: The Last Stand | ShotOnWhat?

Digital Artist

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Æon Flux | ShotOnWhat?

Digital Artist

Æon Flux (2005)

Directed by: Karyn Kusama

Cinematography by: Stuart Dryburgh

Edited by: Jeff Gullo, Peter Honess, Plummy Tucker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Stealth | ShotOnWhat?

Digital Artist: Digital Domain

Stealth (2005)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

I, Robot | ShotOnWhat?

CG Color & Lighting Artist: Digital Domain

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

The Day After Tomorrow | ShotOnWhat?

Digital Artist: Digital Domain

The Day After Tomorrow (2004)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: David Brenner

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

X2 | ShotOnWhat?

Digital Artist: Kleiser-Walczak

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Blue Crush | ShotOnWhat?

Digital Artist: KWCC

Blue Crush (2002)

Directed by: John Stockwell

Cinematography by: David Hennings

Edited by: Emma E. Hickox

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