Special Effects Technician
Once Upon a Time in Hollywood (2019)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
Puppeteer
'Silicon Valley' Artificial Emotional Intelligence (2018)
Directed by: Matt Ross
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Puppeteer
'Silicon Valley' Facial Recognition (2018)
Directed by: Gillian Robespierre
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Special Effects Technician
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Puppeteer - 2 Episodes, 2018
Silicon Valley (2014)
Directed by: Mike Judge, Alec Berg, Jamie Babbit, Eric Appel, Charlie McDowell, Tricia Brock, Maggie Carey, Tim Roche, Clay Tarver, Gillian Robespierre, Matt Ross
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Special Effects Technician
Dance Flick (2009)
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Special Effects Foreman: Additional Photography
Charlie Wilson's War (2007)
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Special Effects
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Special Effects Gimble Designer / Special Effects Mechanical Designer
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Special Effects Technician
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Special Effects Foreman
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Special Effects Mechanical Designer
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Special Effects Set Supervisor
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Assistant
Once Upon a Time in Mexico (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Special Effects Foreman
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Special Effects Designer
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Special Effects
The Hunted (2003)
Directed by: William Friedkin
Cinematography by: Caleb Deschanel
Edited by: Augie Hess
Special Effects: Second Unit
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Foreman / Special Effects Second Unit Set Coordinator
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Special Effects
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Special Effects Supervisor
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Special Effects Coordinator
Bats (1999)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Robotic Effects, Robotics Effects Designer
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Special Effects Coordinator
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Additional Effects
The Juror (1996)
Directed by: Brian Gibson
Cinematography by: Jamie Anderson
Edited by: Robert M. Reitano
Special Effects Supervisor: All Effects Company
Mission: Impossible (1996)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
Creature Effects, Second Unit Director
Trilogy of Terror II (1996)
Directed by: Dan Curtis
Cinematography by: Elemér Ragályi
Edited by: Bill Blunden
Special Props
Strange Days (1995)
Directed by: Kathryn Bigelow
Cinematography by: Matthew F. Leonetti
Special Effects
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Special Effects Coordinator
Home for the Holidays (1995)
Directed by: Jodie Foster
Cinematography by: Lajos Koltai
Edited by: Lynzee Klingman
Special Effects Supervisor
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Additional Puppeteer / Creature Effects Supervisor: All Effects Company / Creature Effects: All Effects Company
Teenage Mutant Ninja Turtles III (1993)
Directed by: Stuart Gillard
Cinematography by: David Gurfinkel
Second Unit Director, Special Effects Producer, Visual Effects Supervisor
Class of 1999 (1990)
Directed by: Mark L. Lester
Cinematography by: Mark Irwin
Edited by: Scott Conrad
Special Effects
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Associate Producer
Short Circuit 2 (1988)
Directed by: Kenneth Johnson
Cinematography by: John McPherson
Edited by: Conrad Buff IV
Special Effects: Special Photography Unit
Strange Brew (1983)
Cinematography by: Steven Poster
Edited by: Patrick McMahon
Cameras: Panavision Cameras
