Sound Designer
The Art of Racing in the Rain (2019)
Directed by: Simon Curtis
Cinematography by: Ross Emery
Edited by: Adam Recht
Cameras: ARRI ALEXA SXT EV Cameras
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
Sound Effects Editor
Pan (2015)
Directed by: Joe Wright
Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera
Sound Designer
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Co Supervising Sound Editor
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Sound Designer
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Foley Editor
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Sound Effects Editor
Burke and Hare (2010)
Directed by: John Landis
Cinematography by: John Mathieson
Edited by: Mark Everson
Sound Designer
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Sound Effects Designer
Planet 51 (2009)
Edited by: Alex Rodríguez
Editing System: Autodesk Smoke Editing System
Sound Designer
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Sound Designer
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Sound Designer
Vantage Point (2008)
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
Sound Effects Editor
Breaking and Entering (2006)
Directed by: Anthony Minghella
Cinematography by: Benoît Delhomme
Edited by: Lisa Gunning
Lenses: Zeiss Ultra Prime Lenses
Sound Designer
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Sound Editor
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Sound Designer, Sound Editor / Sound
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Sound Effects Editor
Kingdom of Heaven (2005)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Sound Effects Editor
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Foley Editor / Sound Effects Editor
Two Brothers (2004)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Noëlle Boisson
Supervising Sound Editor
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Sound Effects Editor
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Sound Effects Editor
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Sound Effects Editor
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Sound Effects Editor
Enemy at the Gates (2001)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Sound Editor
Love's Labour's Lost (2000)
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Foley Editor
The Golden Bowl (2000)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: John David Allen
Sound Effects Editor
Best Laid Plans (1999)
Directed by: Mike Barker
Cinematography by: Ben Seresin
Edited by: Sloane Klevin
Assistant Sound Editor: London
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Assistant Sound Editor
Fear and Loathing in Las Vegas (1998)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Assistant Sound Effects Editor
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Dialogue Editor
Time Enough (1997)
Directed by: Foster Marks
Cinematography by: Ross Fall
Edited by: Maria Walker
Foley Artist
Wilde (1997)
Directed by: Brian Gilbert
Cinematography by: Martin Fuhrer
Edited by: Michael Bradsell
Footsteps Editor
Trainspotting (1996)
Directed by: Danny Boyle
Cinematography by: Brian Tufano
Edited by: Masahiro Hirakubo
Cameras: Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera
