Sound Designer
King Arthur: Legend of the Sword (2017)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Sound Designer
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Sound Designer
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Sound Designer
Candle to Water (2012)
Directed by: Nihat Seven
Cinematography by: Rod Marley
Edited by: Nigel Galt
Sound Designer / Supervising Sound Editor
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Sound Designer
Scott Pilgrim vs. the World (2010)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Sound Effects Designer
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Sound Effects Editor
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Sound Designer
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Sound Designer
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Additional Sound Designer
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Additional Sound Effects Editor
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Sound Designer
Virgin Territory (2007)
Directed by: David Leland
Cinematography by: Ben Davis
Edited by: Jim Clark
Sound Designer
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Sound Effects Editor
Black Book (2006)
Directed by: Paul Verhoeven
Cinematography by: Karl Walter Lindenlaub
Sound Effects Editor
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
Sound Effects Design
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Sound Effects Designer
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Sound Designer / Sound Effects Editor
Stander (2003)
Directed by: Bronwen Hughes
Cinematography by: Jess Hall
Edited by: Robert Ivison
Sound Editor
Dog Soldiers (2002)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Neil Marshall
Sound Effects Editor
The Hours (2002)
Directed by: Stephen Daldry
Cinematography by: Seamus McGarvey
Edited by: Peter Boyle
Sound Assistant
Best Laid Plans (1999)
Directed by: Mike Barker
Cinematography by: Ben Seresin
Edited by: Sloane Klevin
Assistant Sound Editor
Time Enough (1997)
Directed by: Foster Marks
Cinematography by: Ross Fall
Edited by: Maria Walker
Assistant Sound Editor
Wilde (1997)
Directed by: Brian Gilbert
Cinematography by: Martin Fuhrer
Edited by: Michael Bradsell
Assistant Sound Editor
Trainspotting (1996)
Directed by: Danny Boyle
Cinematography by: Brian Tufano
Edited by: Masahiro Hirakubo
Cameras: Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera
Assistant Sound Editor
Jude (1996)
Directed by: Michael Winterbottom
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Cameras: Panavision Cameras
Lenses: Panavision Lenses
