Music Arranger
This Is the End (2013)
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Composer
Local Color (2006)
Directed by: George Gallo
Cinematography by: Michael Negrin
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
Music Arranger
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Music Arranger
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Additional Orchestrations / Music Arranger
Serendipity (2001)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Edited by: Christopher Greenbury
Music Arranger
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Music Arranger
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Composer: Additional Music
Stigmata (1999)
Directed by: Rupert Wainwright
Cinematography by: Jeffrey L. Kimball
Conductor: Party Music / Orchestrator: Party Music
Meet Joe Black (1998)
Directed by: Martin Brest
Cinematography by: Emmanuel Lubezki
Orchestrator
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Arranger
The Game (1997)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
Music Arranger
Good Will Hunting (1997)
Directed by: Gus Van Sant
Cinematography by: Jean-Yves Escoffier
Edited by: Pietro Scalia
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Music Arranger: Ballroom Music / Producer: Ballroom Music
Out to Sea (1997)
Directed by: Martha Coolidge
Cinematography by: Lajos Koltai
Edited by: Anne V. Coates
Orchestrator
My Fellow Americans (1996)
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
Score Composed By
Bordello of Blood (1996)
Directed by: Gilbert Adler
Cinematography by: Tom Priestley Jr.
Edited by: Stephen Lovejoy
Music Arranger / Orchestrator
The Quick and the Dead (1995)
Directed by: Sam Raimi
Cinematography by: Dante Spinotti
Edited by: Pietro Scalia
Orchestrator
Boys on the Side (1995)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Michael R. Miller
Cameras: Panavision Cameras
Composer: Additional Music / Orchestrator: Additional Music
Tommy Boy (1995)
Directed by: Peter Segal
Cinematography by: Victor J. Kemper
Edited by: William Kerr
Orchestrator
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Conductor
Murder in the First (1995)
Directed by: Marc Rocco
Cinematography by: Fred Murphy
Edited by: Russell Livingstone
Orchestrator
Wyatt Earp (1994)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Additional Orchestrator
Terminal Velocity (1994)
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Orchestrator
The Little Rascals (1994)
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Composer
A Friend to Die For (1994)
Directed by: William A. Graham
Cinematography by: Robert Steadman
Edited by: Lance Luckey
Orchestrator
Look Who's Talking Now (1993)
Directed by: Tom Ropelewski
Cinematography by: Oliver Stapleton
Composer: Additional Music , Orchestrator
The Three Musketeers (1993)
Directed by: Stephen Herek
Cinematography by: Dean Semler
Edited by: John F. Link
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Arranger
Jurassic Park (1993)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Editing System: Steenbeck Editing System
Orchestrator
Falling Down (1993)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Platinum Camera
Orchestrator
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Orchestrator
Robin Hood: Prince of Thieves (1991)
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Orchestrations
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Orchestrator
If Looks Could Kill (1991)
Directed by: William Dear
Cinematography by: Douglas Milsome
Edited by: John F. Link
Cameras: Panavision Cameras
Orchestrator
King Ralph (1991)
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Orchestrator
My Girl (1991)
Directed by: Howard Zieff
Cinematography by: Paul Elliott
Edited by: Wendy Greene Bricmont
Musician: Keyboards, Orchestrator
The Object of Beauty (1991)
Directed by: Michael Lindsay-Hogg
Cinematography by: David Watkin
Edited by: Ruth Foster
Orchestrator
Sibling Rivalry (1990)
Directed by: Carl Reiner
Cinematography by: Reynaldo Villalobos
Edited by: Bud Molin
Music Arranger
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Additional Orchestrator
Lethal Weapon 2 (1989)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Music Arranger
Young Guns (1988)
Directed by: Christopher Cain
Cinematography by: Dean Semler
Edited by: Jack Hofstra
Additional Orchestrator
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Music Arranger, Orchestrator
Harry and the Hendersons (1987)
Directed by: William Dear
Cinematography by: Allen Daviau
Edited by: Donn Cambern
Additional Orchestrator
Lethal Weapon (1987)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Orchestrator
Children of a Lesser God (1986)
Directed by: Randa Haines
Cinematography by: John Seale
Edited by: Lisa Fruchtman
Composer
Raw Deal (1986)
Directed by: John Irvin
Cinematography by: Alex Thomson
Edited by: Anne V. Coates
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: Cooke Xtal Express Lenses
Orchestrator
Babes in Toyland (1986)
Directed by: Clive Donner
Cinematography by: Arthur Ibbetson
Edited by: Susan Heick
Cameras: ARRI Cameras
Conductor / Orchestrator
One Crazy Summer (1986)
Directed by: Savage Steve Holland
Cinematography by: Isidore Mankofsky
Edited by: Alan Balsam
Cameras: Panavision Cameras
Orchestrator
Moving Violations (1985)
Directed by: Neal Israel
Cinematography by: Robert Elswit
Edited by: Tom Walls
Orchestrator
Silverado (1985)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Music Adaptor
The Color Purple (1985)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Orchestrator
Perfect (1985)
Directed by: James Bridges
Cinematography by: Gordon Willis
Edited by: Jeff Gourson
Orchestrator
Star 80 (1983)
Directed by: Bob Fosse
Cinematography by: Sven Nykvist
Edited by: Alan Heim
Orchestrator
The Wiz (1978)
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: Dede Allen
