Digital Artist: Digital Intermediate, Pacific Title
Nancy Drew (2007)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Digital Artist: Digital Intermediate, Pacific Title
Bobby Z (2007)
Directed by: John Herzfeld
Cinematography by: John Bailey
Digital Artist: Digital Domain
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Digital Artist: Pacific Title
Disturbia (2007)
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Stereoscopic Digital Artist: 3Ality Digital
U2 3D (2007)
Edited by: Olivier Wicki
Cameras: Sony HDW-F900 Camera
Editing System: Avid Editing System
Digital Artist: Pacific Title
The Astronaut Farmer (2006)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: James Haygood
Digital Artist: Digital Intermediate, Pacific Title
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Digital Artist: Digital Intermediate, Pacific Title
The Grudge 2 (2006)
Directed by: Takashi Shimizu
Cinematography by: Katsumi Yanagijima
Edited by: Jeff Betancourt
Digital Artist: Pacific Title
Deck the Halls (2006)
Directed by: John Whitesell
Cinematography by: Mark Irwin
Digital Artist: Digital Intermediate, Pacific Title
Lonely Hearts (2006)
Directed by: Todd Robinson
Cinematography by: Peter Levy
Edited by: Kathryn Himoff
Digital Artist: Pacific Title
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Digital Artist: Pacific Title
The Wicker Man (2006)
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
Digital Artist: Pacific Title
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Digital Artist: Pacific Title
Saw III (2006)
Directed by: Darren Lynn Bousman
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Digital Artist: Pacific Title
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Digital Artist: Pacific Title
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Digital Artist: Digital Intermediate, Pacific Title
Let's Go to Prison (2006)
Directed by: Bob Odenkirk
Cinematography by: Ramsey Nickell
Digital Artist: Pacific Title
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Digital Artist: Pacific Title
RV (2006)
Directed by: Barry Sonnenfeld
Cinematography by: Fred Murphy
Edited by: Kevin Tent
Digital Artist: Digital Intermediate, Pacific Title
School for Scoundrels (2006)
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Digital Visual Effects Artist: Pacific Title
Seraphim Falls (2006)
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
Digital Artist: Pacific Title
She's the Man (2006)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Digital Artist: Pacific Title
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Digital Artist: Pacific Title
ATL (2006)
Directed by: Chris Robinson
Cinematography by: Karsten Gopinath
Edited by: David Blackburn
Digital Artist: Digital Intermediate, Pacific Title
John Tucker Must Die (2006)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Digital Artist: Pacific Title
Failure to Launch (2006)
Directed by: Tom Dey
Cinematography by: Claudio Miranda
Edited by: Steven Rosenblum
Digital Artist: Pacific Title
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Digital Artist: Pacific Title
Just Friends (2005)
Directed by: Roger Kumble
Cinematography by: Anthony B. Richmond
Edited by: Jeff Freeman
Digital Artist: Pacific Title
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Digital Artist: Digital Intermediate, Pacific Title
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Digital Artist: Digital Intermediate, Pacific Title
A Little Trip to Heaven (2005)
Directed by: Baltasar Kormákur
Cinematography by: Óttar Guðnason
Digital Artist: Rotoscope/paint, Digital Domain
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Digital Artist: Pacific Title
Get Rich or Die Tryin' (2005)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Cameras: Panavision Cameras
Digital Artist: Digital Intermediate, Pacific Title
Venom (2005)
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
Digital Rotoscope/paint Artist: Digital Domain
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Digital Artist: Checking & Retouching, Cinesite
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Digital Artist: Checking & Retouching, Cinesite
Hart's War (2002)
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Roto Artist: Cinesite
Clockstoppers (2002)
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Digital Artist: Cinesite
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Roto Artist: Cinesite
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Roto Artist: Rhythm & Hues
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Roto Artist: Rhythm & Hues
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Rotoscope Artist: Rhythm & Hues
What Planet Are You From? (2000)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Richard Marks
Cameras: Panavision Cameras
Roto Artist: Rhythm & Hues
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Rotoscope/paint Artist: Rhythm & Hues
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Digital Artist: Paint, Cinesite
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Roto/paint Artist: Blue Sky/VIFX
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Assistant Dialogue Editor
On the Border (1998)
Directed by: Bob Misiorowski
Cinematography by: Lawrence Sher
Edited by: Alain Jakubowicz
Digital Rotoscoping: VIFX
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Digital Artist: Digital Restoration, Cinesite - Restored Version
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Digital Artist: Digital Restoration And Color Correction, Cinesite - Restored Version
The Man Who Knew Too Much (1956)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: VistaVision Cameras
