Paul Carlin

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The Beekeeper | ShotOnWhat?

Finishing Editor: Company 3

The Beekeeper (2024)

Directed by: David Ayer

Cinematography by: Gabriel Beristain

Edited by: Geoffrey O'Brien

Cameras: ARRI Alexa 35 Camera

Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Senior Finishing Editor: Company 3

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Senior Finishing Editor: Company 3

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Greyhound | ShotOnWhat?

Finishing Editor

Greyhound (2020)

Directed by: Aaron Schneider

Cinematography by: Shelly Johnson

Edited by: Mark Czyzewski, Sidney Wolinsky

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision Sphero 65 Series Lenses

The Intruder | ShotOnWhat?

Finishing Editor

The Intruder (2019)

Directed by: Deon Taylor

Cinematography by: Daniel Pearl

Edited by: Melissa Kent

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk MiniHawk Hybrid Anamorphic Lenses

Terminator: Dark Fate | ShotOnWhat?

Finishing Editor

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Editing System: Adobe Premiere Editing System

The Hate U Give | ShotOnWhat?

Finishing Editor

The Hate U Give (2018)

Directed by: George Tillman Jr.

Cinematography by: Mihai Malaimare Jr.

Edited by: Alex Blatt, Craig Hayes

Cameras: Panavision Millennium DXL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision Primo 70 Lenses, Panavision Ultra Panatar Anamorphic Lenses

Bird Box | ShotOnWhat?

Finishing Editor

Bird Box (2018)

Directed by: Susanne Bier

Cinematography by: Salvatore Totino

Edited by: Ben Lester

Cameras: Red Helium (Weapon) 8K

Lenses: Zeiss Master Prime Lenses

The Greatest Showman | ShotOnWhat?

Finishing Editor

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Geostorm | ShotOnWhat?

Finishing Editor

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

War for the Planet of the Apes | ShotOnWhat?

Finishing Editor

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Why Him? | ShotOnWhat?

Finishing Editor

Why Him? (2016)

Directed by: John Hamburg

Cinematography by: Kris Kachikis

Edited by: William Kerr

Gods of Egypt | ShotOnWhat?

Digital Intermediate Editor

Gods of Egypt (2016)

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

X-Men: Apocalypse | ShotOnWhat?

Digital Intermediate Editor

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Can You Dig This | ShotOnWhat?

Digital Intermediate Editor

Can You Dig This (2015)

Directed by: Delila Vallot

Cinematography by: J.B. Rutagarama, Delila Vallot

Edited by: Asako Ushio

Cameras: Digital Bolex D16

Joy | ShotOnWhat?

Digital Conform

Joy (2015)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

The Martian | ShotOnWhat?

Digital Intermediate Editor

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Tomorrowland | ShotOnWhat?

Digital Intermediate Editor

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Star Wars: The Force Awakens | ShotOnWhat?

Dawn of the Planet of the Apes | ShotOnWhat?

Digital Intermediate Editor

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Runner Runner | ShotOnWhat?

Digital Conform: Company 3

Runner Runner (2013)

Directed by: Brad Furman

Cinematography by: Mauro Fiore

Edited by: Jeff McEvoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Lone Survivor | ShotOnWhat?

Digital Intermediate Editor

Lone Survivor (2013)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

2 Guns | ShotOnWhat?

Digital Conformist: Company 3

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

The Purge | ShotOnWhat?

Digital Conform

The Purge (2013)

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Peter Gvozdas

Cameras: ARRI ALEXA Plus Camera

Editing System: Avid Editing System

The Spectacular Now | ShotOnWhat?

Digital Conform

The Spectacular Now (2013)

Directed by: James Ponsoldt

Cinematography by: Jess Hall

Edited by: Darrin Navarro

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Jack the Giant Slayer | ShotOnWhat?

Digital Intermediate Editor

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Zero Dark Thirty | ShotOnWhat?

Digital Conform: Company 3

Zero Dark Thirty (2012)

Directed by: Kathryn Bigelow

Cinematography by: Greig Fraser

Edited by: William Goldenberg, Dylan Tichenor

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses

Editing System: Avid Editing System

Hit and Run | ShotOnWhat?

Digital Intermediate Editor

Hit and Run (2012)

Directed by: David Palmer, Dax Shepard

Cinematography by: Bradley Stonesifer

Edited by: Keith Croket, Dax Shepard

Cameras: ARRI Cameras

Underworld: Awakening | ShotOnWhat?

Digital Conform: Company 3

Underworld Awakening (2012)

Directed by: Måns Mårlind, Björn Stein

Cinematography by: Scott Kevan

Edited by: Jeff McEvoy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Fright Night | ShotOnWhat?

Digital Conform

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

The Green Hornet | ShotOnWhat?

Digital Intermediate Editor

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Dream House | ShotOnWhat?

Digital Intermediate Conformer

Dream House (2011)

Directed by: Jim Sheridan

Cinematography by: Caleb Deschanel

Edited by: Glen Scantlebury, Barbara Tulliver

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Digital Intermediate Editor

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

The Mechanic | ShotOnWhat?

Digital Intermediate Editor

The Mechanic (2011)

Directed by: Simon West

Cinematography by: Eric Schmidt

Edited by: T.G. Herrington, Todd E. Miller

Transformers: Dark of the Moon | ShotOnWhat?

Digital Intermediate Editor

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

S.W.A.T.: Firefight | ShotOnWhat?

Digital Intermediate Editor

S.W.A.T.: Firefight (2011)

Direct to Video

Directed by: Benny Boom

Cinematography by: Don Davis

Cameras: Sony CineAlta F35 Camera

Marmaduke | ShotOnWhat?

Digital Intermediate Editor

Marmaduke (2010)

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

The Expendables | ShotOnWhat?

Digital Intermediate Editor

The Expendables (2010)

Directed by: Sylvester Stallone

Cinematography by: Jeffrey L. Kimball

Edited by: Ken Blackwell, Paul Harb

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Bunraku | ShotOnWhat?

Digital Intermediate Editor

Bunraku (2010)

Directed by: Guy Moshe

Cinematography by: Juan Ruiz Anchía

Edited by: Glenn Garland, Zach Staenberg

Faster | ShotOnWhat?

Digital Intermediate Editor

Faster (2010)

Directed by: George Tillman Jr.

Cinematography by: Michael Grady

Edited by: Dirk Westervelt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Hesher | ShotOnWhat?

Smoke Artist: Modern VideoFilm

Hesher (2010)

Directed by: Spencer Susser

Cinematography by: Morgan Susser

Edited by: Michael McCusker, Spencer Susser

Digital Intermediate Editor

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

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