Lubos Gerardo Surzin

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Terminator: Dark Fate | ShotOnWhat?

Digital Artist

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Editing System: Adobe Premiere Editing System

Gemini Man | ShotOnWhat?

Senior Matte Painter

Gemini Man (2019)

Directed by: Ang Lee

Cinematography by: Dion Beebe

Edited by: Tim Squyres

Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera

Lenses: Leitz Summilux-C Series Lenses

"The Crown" Mystery Man | ShotOnWhat?

Digital Matte Painting Artist

'The Crown' Mystery Man (2017)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Yan Miles

"The Crown" Matrimonium | ShotOnWhat?

Digital Matte Painting Artist

'The Crown' Matrimonium (2017)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Tim Porter

"The Crown" Marionettes | ShotOnWhat?

Digital Matte Painting Artist

'The Crown' Marionettes (2017)

Television Episode

Directed by: Philippa Lowthorpe

Cinematography by: Stuart Howell

Edited by: Alex Mackie

"The Crown" Lisbon | ShotOnWhat?

Digital Matte Painting Artist

'The Crown' Lisbon (2017)

Television Episode

Directed by: Philip Martin

Cinematography by: Stuart Howell

Edited by: Chris Barwell

"The Crown" A Company of Men | ShotOnWhat?

Digital Matte Painting Artist

'The Crown' A Company of Men (2017)

Television Episode

Directed by: Philip Martin

Cinematography by: Stuart Howell

Edited by: Celia Haining

"The Crown" Misadventure | ShotOnWhat?

Matte Painter

'The Crown' Misadventure (2017)

Television Episode

Directed by: Philip Martin

Cinematography by: Stuart Howell

Edited by: Ben Lester

The Crown | ShotOnWhat?

Digital Matte Painting Artist / Matte Painter - 6 Episodes, 2017

The Crown (2016)

Television Series

Directed by: Benjamin Caron, Philip Martin, Julian Jarrold, Stephen Daldry, Philippa Lowthorpe, Samuel Donovan, Jessica Hobbs, Christian Schwochow

Cinematography by: Adriano Goldman, Stuart Howell, Ole Bratt Birkeland, Frank Lamm, Fabian Wagner

Cameras: Sony CineAlta VENICE Camera, Sony PMW-F55 Camera

Lenses: Cooke Panchro/i Classic 135mm T2.8 Lens, Cooke Panchro/i Classic 21mm T2.2 Lens, Cooke Panchro/i Classic 27mm T2.2 Lens, Cooke Panchro/i Classic 65mm T2.4 Lens, Zeiss Super Speed Lenses

Star Trek Beyond | ShotOnWhat?

Matte Painter

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Huntsman: Winter's War | ShotOnWhat?

Senior Concept Artist

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Senior Concept Artist Matte Painter

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Bridge of Spies | ShotOnWhat?

Senior Concept Artist Matte Painter

Bridge of Spies (2015)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Senior Concept Artist Matte Painter

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Godzilla | ShotOnWhat?

Senior Matte Painter

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Pacific Rim | ShotOnWhat?

Digital Artist: Industrial Light & Magic

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Sucker Punch | ShotOnWhat?

Matte Painting/concept Artist: Animal Logic

Sucker Punch (2011)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Panavision Cameras

Season of the Witch | ShotOnWhat?

Matte Painter

Season of the Witch (2011)

Directed by: Dominic Sena

Cinematography by: Amir Mokri

Edited by: Bob Ducsay, Mark Helfrich, Dan Zimmerman

The Darkest Hour | ShotOnWhat?

Matte Painter

The Darkest Hour (2011)

Directed by: Chris Gorak

Cinematography by: Scott Kevan

Edited by: Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Alice in Wonderland | ShotOnWhat?

Matte Painter

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Prince of Persia: The Sands of Time | ShotOnWhat?

Matte Painter

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Clash of the Titans | ShotOnWhat?

Matte Painter

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Knowing | ShotOnWhat?

Matte Painter

Knowing (2009)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Australia | ShotOnWhat?

Matte Painter: Animal Logic

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Der rote Baron | ShotOnWhat?

Matte Painter

Der rote Baron (2008)

Directed by: Nikolai Müllerschön

Cinematography by: Klaus Merkel

Edited by: Emmelie Mansee, Olivia Retzer, Adam P. Scott

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