Head Of Compositing: Sony Pictures Imageworks
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Head Of Compositing: Sony Pictures Imageworks
Spider-Man: Across the Spider-Verse (2023)
Edited by: Mike Andrews
Lead Digital Artist: Sony Pictures Imageworks
The Meg (2018)
Directed by: Jon Turteltaub
Cinematography by: Tom Stern
Lead Compositor: Sony Pictures Imageworks / Lead Lighting & Compositing Artist
Spider-Man: Into the Spider-Verse (2018)
Edited by: Robert Fisher Jr.
Lead Compositor: Sony Pictures Imageworks
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Digital Compositor: Industrial Light & Magic
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Lead Compositor: Method Studios
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Senior Compositor: Sony Imageworks
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Senior Compositor: MPC
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Lead Compositor: Method Studios
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Scoundrel
No Good Deed (2014)
Directed by: Sam Miller
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Senior Compositor: MPC
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Visual Effects Supervisor: Scoundrel
Bless Me, Ultima (2013)
Directed by: Carl Franklin
Cinematography by: Paula Huidobro
Lenses: Cooke S4 Lenses
Visual Effects Supervisor: Scoundrel
The Bling Ring (2013)
Directed by: Sofia Coppola
Edited by: Sarah Flack
Cameras: Red Epic Camera
Visual Effects Supervisor: Scoundrel
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Visual Effects Supervisor: Scoundrel
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Visual Effects Supervisor: Scoundrel
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Supervisor: Scoundrel
Larry Crowne (2011)
Directed by: Tom Hanks
Cinematography by: Philippe Rousselot
Edited by: Alan Cody
Visual Effects Supervisor: Scoundrel
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Visual Effects Supervisor: Scoundrel
Arena (2011)
Directed by: Jonah Loop
Cinematography by: Nelson Cragg
Visual Effects Supervisor: Scoundrel
Devil (2010)
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
Visual Effects Supervisor: Scoundrel
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Scoundrel
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Visual Effects Supervisor: Scoundrel
Country Strong (2010)
Directed by: Shana Feste
Cinematography by: John Bailey
Visual Effects Supervisor: Scoundrel
Burlesque (2010)
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Digital Effects Supervisor: Digital Dream
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Supervisor: Digital Dream
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
3D Supervisor: Digital Dream
Ghost Rider (2007)
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Digital Effects Supervisor: Digital Dream
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Digital Effects Supervisor: Digital Dream
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Digital Effects Supervisor: Digital Dream
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Digital Effects Supervisor: Digital Dream
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Digital Effects Supervisor: Digital Dream
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Supervisor: Digital Dream
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Digital Effects Supervisor: Digital Dream
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Digital Effects Supervisor: Digital Dream
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Compositor
Beerfest (2006)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Lee Haxall
Compositor
Must Love Dogs (2005)
Directed by: Gary David Goldberg
Cinematography by: John Bailey
Cameras: Panavision Cameras
Digital Artist
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Lead Compositor
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Lead Compositor: Digital Dream
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Compositing Supervisor
Four Brothers (2005)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
