Cecile Peltier

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Compositing Supervisor: RISE Visual Effects Studios London

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Compositor Artist: Rise Visual Effects Studios

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

The Sandman | ShotOnWhat?

Lead Compositor: Framestore - 7 Episodes, 2022

The Sandman (2022)

Television Series

Directed by: Jamie Childs, Andrés Baiz, Louise Hooper, Hisko Hulsing, Mairzee Almas, Mike Barker, Coralie Fargeat

Cinematography by: Will Baldy, Sam Heasman, George Steel

Edited by: Daniel Gabbe, Kelly Stuyvesant, Shoshanah Tanzer, Jamin Bricker, Eva Krispijn

Cameras: Red Monstro 8K Camera

The Matrix Resurrections | ShotOnWhat?

Compositor: Framestore London

The Matrix Resurrections (2021)

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

Christopher Robin | ShotOnWhat?

Lead Compositor: Framestore

Christopher Robin (2018)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Digital Compositor: Framestore

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Paddington 2 | ShotOnWhat?

Lead Compositor: Framestore

Paddington 2 (2017)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Jonathan Amos, Mark Everson

Cameras: ARRI ALEXA Series Cameras

Doctor Strange | ShotOnWhat?

Digital Compositor: Framestore

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Martian | ShotOnWhat?

Digital Compositor: Framestore

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Pan | ShotOnWhat?

Digital Compositor: Framestore

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Avengers: Age of Ultron | ShotOnWhat?

Digital Compositor: Framestore

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Dracula Untold | ShotOnWhat?

Digital Compositor: Framestore

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

RoboCop | ShotOnWhat?

Digital Compositor - Framestore

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

World War Z | ShotOnWhat?

Compositor: Cinesite

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Under the Skin | ShotOnWhat?

Digital Compositor: One Of Us

Under the Skin (2013)

Directed by: Jonathan Glazer

Cinematography by: Daniel Landin

Edited by: Paul Watts

Cameras: ARRI ALEXA Plus Camera, one-cam Camera

Lenses: Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses

The Secret Life of Walter Mitty | ShotOnWhat?

Composite Artist: Framestore

The Secret Life of Walter Mitty (2013)

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Iron Man Three | ShotOnWhat?

Total Recall | ShotOnWhat?

Digital Compositor: The Senate VFX

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

John Carter | ShotOnWhat?

Compositor: Cinesite

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Largo Winch II | ShotOnWhat?

Compositing Lead

Largo Winch II (2011)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Stan Collet

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-5D Mark II Camera

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Digital Compositor: MPC

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

La Rafle | ShotOnWhat?

Digital Compositor: Lead

La Rafle (2010)

Directed by: Rose Bosch

Cinematography by: David Ungaro

Edited by: Aurélien Dupont, Yann Malcor

Underworld: Rise of the Lycans | ShotOnWhat?

Compositing Artist: Duran Duboi Paris

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

Micmacs à tire-larigot | ShotOnWhat?

Digital Compositor

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

Transporter 3 | ShotOnWhat?

Scene Supervisor: Duran Duboi

Transporter 3 (2008)

Directed by: Olivier Megaton

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Camille Delamarre, Carlo Rizzo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Secret défense | ShotOnWhat?

Digital Compositor

Secret défense (2008)

Directed by: Philippe Haïm

Cinematography by: Jérôme Alméras

Edited by: Sylvie Landra

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Astérix aux jeux olympiques | ShotOnWhat?

Senior Compositor

Astérix aux jeux olympiques (2008)

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

The Fall | ShotOnWhat?

Digital Compositor

The Fall (2006)

Directed by: Tarsem Singh

Cinematography by: Colin Watkinson

Edited by: Robert Duffy

A Very Long Engagement | ShotOnWhat?

Digital Compositor

A Very Long Engagement (2004)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

Ils se marièrent et eurent beaucoup d'enfants | ShotOnWhat?

Digital Compositor

Ils se marièrent et eurent beaucoup d'enfants (2004)

Directed by: Yvan Attal

Cinematography by: Rémy Chevrin

Edited by: Jennifer Augé

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Standard Speed Prime Lenses

Alexander | ShotOnWhat?

Digital Compositor

Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

Immortel (ad vitam) | ShotOnWhat?

Digital Compositor

Immortal (2004)

Directed by: Enki Bilal

Cinematography by: Pascal Gennesseaux

Edited by: Véronique Parnet

Nid de guêpes | ShotOnWhat?

Digital Compositor

Nid de guêpes (2002)

Directed by: Florent-Emilio Siri

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Christophe Danilo, Olivier Gajan

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