Digital Editorial Services
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Digital Editorial Services
The Extra Man (2010)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Digital Editorial Services
Skateland (2010)
Directed by: Anthony Burns
Cinematography by: Peter Simonite
Edited by: Robert Hoffman
Digital Editorial Services
Brief Interviews with Hideous Men (2009)
Directed by: John Krasinski
Cinematography by: John Bailey
Cameras: Panavision Panaflex Camera
Digital Editorial Services
Redwoods (2009)
Directed by: David Lewis
Cinematography by: Joe Rivera
Edited by: Mathias Hilger
Digital Editorial Services: Skywalker Sound
Océans (2009)
Cinematography by: Michel Benjamin, Simon Christidis, Luc Drion, Laurent Fleutot, René Heuzey, Valérie Le Gurun, David Reichert, Philippe Ros, Luciano Tovoli
Digital Editorial Services
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Digital Editorial Services
Whip It (2009)
Directed by: Drew Barrymore
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Digital Editorial Services
Leaves of Grass (2009)
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
Digital Editorial Services
Coraline (2009)
Directed by: Henry Selick
Cinematography by: Pete Kozachik
Editing System: Avid Editing System
Digital Support
Ice Age: Dawn of the Dinosaurs (2009)
Digital Editorial Services
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Digital Editorial Services
Two Lovers (2008)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Digital Editorial Services
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Digital Editorial Services
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Digital Editorial Services
The Promotion (2008)
Directed by: Steve Conrad
Cinematography by: Lawrence Sher
Digital Editorial Services
The Kite Runner (2007)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Digital Editorial Services
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Digital Editorial Services
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Editorial Services
Clerks II (2006)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Sound Effects Editor / Supervising Sound Editor
Abominable (2006)
Directed by: Ryan Schifrin
Cinematography by: Neal Fredericks
Edited by: Chris Conlee
Digital Audio Technician
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Digital Editorial Services
Shrek 2 (2004)
Digital Editorial Services
Darkness Falls (2003)
Directed by: Jonathan Liebesman
Cinematography by: Dan Laustsen
Digital Editorial Services: Skywalker Premix Crew
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Digital Editorial Services
Hart's War (2002)
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Digital Editorial Services
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Digital Sound Technician
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Digital Editorial Services
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Digital Support
The Mexican (2001)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Digital Editorial Services
The Grey Zone (2001)
Directed by: Tim Blake Nelson
Cinematography by: Russell Lee Fine
Digital Editorial Services
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Digital Sound Technician
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Skywalker Sound Technical Staff: Digital Editorial Services
Requiem for a Dream (2000)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Cameras: Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Digital Sound Technician
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Video And Audio Mastering Supervised By: THX Digital Works - 2005 DVD
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Digital Editorial Services: US Version
Siu nin Wong Fei Hung chi: Tit ma lau (1993)
Directed by: Woo-Ping Yuen
