Re-recording Mixer
The Edge of Seventeen (2016)
Directed by: Kelly Fremon Craig
Cinematography by: Doug Emmett
Edited by: Tracey Wadmore-Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Boss (2016)
Directed by: Ben Falcone
Cinematography by: Julio Macat
Edited by: Craig Alpert
Cameras: ARRI ALEXA 65 Camera
Lenses: Leitz Summilux-C Series Lenses
Re-recording Mixer
The Wedding Ringer (2015)
Directed by: Jeremy Garelick
Cinematography by: Bradford Lipson
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Re-recording Mixer
Trainwreck (2015)
Directed by: Judd Apatow
Cinematography by: Jody Lee Lipes
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke 5/i Lenses
Re-recording Mixer
Entourage (2015)
Directed by: Doug Ellin
Cinematography by: Steven Fierberg
Edited by: Jeff Groth
Cameras: ARRICAM Lite (LT) Camera
Re-recording Mixer
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Re-recording Mixer
21 Jump Street (2012)
Cinematography by: Barry Peterson
Edited by: Joel Negron
Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera
Re-recording Mixer
The Roommate (2011)
Directed by: Christian E. Christiansen
Cinematography by: Phil Parmet
Edited by: Randy Bricker
Cameras: Panavision Genesis Camera
Re-recording Mixer
She's Out of My League (2010)
Directed by: Jim Field Smith
Cinematography by: Jim Denault
Edited by: Dan Schalk
Re-recording Mixer
Burlesque (2010)
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Re-recording Mixer
Dinner for Schmucks (2010)
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Re-recording Mixer
Halloween II (2009)
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Re-recording Mixer
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Re-recording Mixer
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Re-recording Mixer
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Re-recording Mixer
Welcome Home, Roscoe Jenkins (2008)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Re-recording Mixer
The Comebacks (2007)
Directed by: Tom Brady
Cinematography by: Anthony B. Richmond
Edited by: Alan Edward Bell
Re-recording Mixer
Illegal Tender (2007)
Directed by: Franc. Reyes
Cinematography by: Frank Byers
Edited by: Tony Ciccone
Sound Mixer
The Omen (2006)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: Panavision Cameras
Re-recording Mixer
Accepted (2006)
Directed by: Steve Pink
Cinematography by: Matthew F. Leonetti
Edited by: Scott Hill
Cameras: Moviecam Cameras
Re-recording Mixer
She's the Man (2006)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Re-recording Mixer
Big Momma's House 2 (2006)
Directed by: John Whitesell
Cinematography by: Mark Irwin
Edited by: Priscilla Nedd-Friendly
Re-recording Mixer
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Supervising Sound Mixer
The Pink Panther (2006)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Re-recording Mixer
Payback: Straight Up (2006)
Directed by: Brian Helgeland
Cinematography by: Ericson Core
Edited by: Kevin Stitt
Re-recording Mixer
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Supervising Sound Mixer
Just Like Heaven (2005)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Editing System: Avid Editing System
Re-recording Mixer
The Game of Their Lives (2005)
Directed by: David Anspaugh
Cinematography by: Johnny E. Jensen
Supervising Sound Mixer
Along Came Polly (2004)
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Additional Sound Re-recording Mixer
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Re-recording Mixer
I'll Be There (2003)
Directed by: Craig Ferguson
Cinematography by: Ian Wilson
Edited by: Sheldon Kahn
Re-recording Mixer
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Re-recording Mixer
About a Boy (2002)
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Re-recording Mixer
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Re-recording Mixer
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Re-recording Mixer
Baby Boy (2001)
Directed by: John Singleton
Cinematography by: Charles Mills
Edited by: Bruce Cannon
Re-recording Mixer
Enemy at the Gates (2001)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Re-recording Mixer
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
American Pie 2 (2001)
Directed by: J.B. Rogers
Cinematography by: Mark Irwin
Cameras: Moviecam Compact Camera
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses
Re-recording Mixer
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Re-recording Mixer
Go (1999)
Directed by: Doug Liman
Cinematography by: Doug Liman
Edited by: Stephen Mirrione
Re-recording Mixer
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Re-recording Mixer
The Mummy (1999)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
U.S. Marshals (1998)
Directed by: Stuart Baird
Cinematography by: Andrzej Bartkowiak
Edited by: Terry Rawlings
Re-recording Mixer
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Re-recording Mixer
Psycho (1998)
Directed by: Gus Van Sant
Cinematography by: Christopher Doyle
Edited by: Amy E. Duddleston
Re-recording Mixer
The Edge (1997)
Directed by: Lee Tamahori
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Re-recording Mixer
Anastasia (1997)
Rerecording Mixer: Twentieth Century Fox Sound Services, Chicago Pacific Entertainment
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Re-recording Mixer
Diabolique (1996)
Directed by: Jeremiah S. Chechik
Cinematography by: Peter James
Edited by: Carol Littleton
Re-recording Mixer
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Re-recording Mixer
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Re-recording Mixer
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Re-recording Mixer
That Thing You Do! (1996)
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Re-recording Mixer
French Kiss (1995)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Camera
Additional Sound Re-recording Mixer
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Re-recording Mixer
Waiting to Exhale (1995)
Directed by: Forest Whitaker
Cinematography by: Toyomichi Kurita
Edited by: Richard Chew
Re-recording Mixer
Wild Bill (1995)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Additional Sound Re-recording Mixer
Heat (1995)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Re-recording Mixer
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
Re-recording Mixer
A Walk in the Clouds (1995)
Directed by: Alfonso Arau
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Re-recording Mixer
Airheads (1994)
Directed by: Michael Lehmann
Cinematography by: John Schwartzman
Edited by: Stephen Semel
Re-recording Mixer
Wagons East (1994)
Directed by: Peter Markle
Cinematography by: Frank Tidy
Edited by: Scott Conrad
Cameras: Panavision Cameras
Re-recording Mixer
Immortal Beloved (1994)
Directed by: Bernard Rose
Cinematography by: Peter Suschitzky
Edited by: Dan Rae
Re-recording Mixer
Silent Fall (1994)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Ian Crafford
Re-recording Mixer
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer
Geronimo: An American Legend (1993)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Re-recording Mixer: Skywalker Sound
Sommersby (1993)
Directed by: Jon Amiel
Cinematography by: Philippe Rousselot
Edited by: Peter Boyle
Re-recording Mixer
My Life (1993)
Directed by: Bruce Joel Rubin
Cinematography by: Peter James
Edited by: Richard Chew
Re-recording Mixer
Striking Distance (1993)
Directed by: Rowdy Herrington
Cinematography by: Mac Ahlberg
Re-recording Mixer
Home Alone 2: Lost in New York (1992)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Sleeping with the Enemy (1991)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Re-recording Mixer
Marked for Death (1990)
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: O. Nicholas Brown
Re-recording Mixer
Home Alone (1990)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses: Cooke Speed Panchro Lenses, Zeiss Lenses
Sound Re-recordist
She's Out of Control (1989)
Directed by: Stan Dragoti
Cinematography by: Donald Peterman
Edited by: Dov Hoenig
Re-recording Mixer
Earth Girls Are Easy (1988)
Directed by: Julien Temple
Cinematography by: Oliver Stapleton
Edited by: Richard Halsey
Re-recording Mixer
D.O.A. (1988)
Cinematography by: Yuri Neyman
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer
Dominick and Eugene (1988)
Directed by: Robert M. Young
Cinematography by: Curtis Clark
Edited by: Arthur Coburn
Re-recording Mixer
Two Moon Junction (1988)
Directed by: Zalman King
Cinematography by: Mark Plummer
Edited by: Marc Grossman
Re-recording Mixer
Masters of the Universe (1987)
Directed by: Gary Goddard
Cinematography by: Hanania Baer
Edited by: Anne V. Coates
Sound Effects
Back to School (1986)
Directed by: Alan Metter
Cinematography by: Thomas E. Ackerman
Edited by: David Rawlins
Cameras: Panavision Cameras
Sound Effects Mixer
The Big Easy (1986)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Edited by: Mia Goldman
Re-recording Mixer
The Return of the Living Dead (1985)
Directed by: Dan O'Bannon
Cinematography by: Jules Brenner
Edited by: Robert Gordon
Cameras: Panavision Cameras
Re-recording Mixer
Vision Quest (1985)
Directed by: Harold Becker
Cinematography by: Owen Roizman
Edited by: Maury Winetrobe
Re-recording Mixer
Mask (1985)
Directed by: Peter Bogdanovich
Cinematography by: László Kovács
Edited by: Barbara Ford
Re-recording Mixer
Under the Volcano (1984)
Directed by: John Huston
Cinematography by: Gabriel Figueroa
Edited by: Roberto Silvi
Re-recording Mixer
All of Me (1984)
Directed by: Carl Reiner
Cinematography by: Richard H. Kline
Edited by: Bud Molin
Re-recording Mixer
Racing with the Moon (1984)
Directed by: Richard Benjamin
Cinematography by: John Bailey
Re-recording Mixer
Motel Hell (1980)
Directed by: Kevin Connor
Cinematography by: Thomas Del Ruth
Edited by: Bernard Gribble
Re-recording Mixer
Loving Couples (1980)
Directed by: Jack Smight
Cinematography by: Philip H. Lathrop
Edited by: Frank J. Urioste
Re-recording Mixer
Fatso (1980)
Directed by: Anne Bancroft
Cinematography by: Brianne Murphy
Edited by: Glenn Farr
Cameras: Panavision Cameras
