Supervisor 3D Modeling And Scanning: Icon Imaging
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Supervisor 3D Modeling And Scanning: Icon Imaging
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Supervisor 3D Modeling And Scanning: Icon Imaging
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Supervisor 3D Modeling And Scanning: Icon Imaging
Entourage (2015)
Directed by: Doug Ellin
Cinematography by: Steven Fierberg
Edited by: Jeff Groth
Cameras: ARRICAM Lite (LT) Camera
Supervisor 3D Modeling And Scanning: Icon Imaging
Gone Girl (2014)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Supervisor 3D Modeling And Scanning: Icon Imaging
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Supervisor 3D Modeling And Scanning: Icon Imaging
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Supervisor 3D Modeling And Scanning: Icon Imaging
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Supervisor 3D Modeling And Scanning: Icon Imaging
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Supervisor 3D Modeling And Scanning: Icon Imaging
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Supervisor 3D Modeling And Scanning: Icon Imaging
Ghost Rider (2007)
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Supervisor 3D Modeling And Scanning: Icon Imaging
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Supervisor 3D Modeling And Scanning: Icon Imaging
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Supervisor 3D Modeling And Scanning: Icon Imaging
Cursed (2005)
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Supervisor 3D Modeling And Scanning: Icon Imaging
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Supervisor 3D Modeling And Scanning: Icon Imaging
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Supervisor 3D Modeling And Scanning: Icon Imaging
The Forgotten (2004)
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Supervisor 3D Modeling And Scanning: Icon Imaging
The Polar Express (2004)
Directed by: Robert Zemeckis
Chief Creative Officer And Studio President: Paraform
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Supervisor 3D Modeling And Scanning: Icon Imaging
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Chief Creative Officer And Studio President: Paraform
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Supervisor 3D Modeling And Scanning: Icon Imaging
'Buffy the Vampire Slayer' Chosen (2003)
Directed by: Joss Whedon
Cinematography by: Raymond Stella
Edited by: Peter Basinski
Chief Creative Officer And Studio President: Paraform
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Chief Creative Officer And Studio President: Paraform
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Chief Creative Officer And Studio President: Paraform
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Chief Creative Officer And Studio President: Paraform
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Supervisor 3D Modeling And Scanning: Icon Imaging - 1 Episode, 2003
Buffy the Vampire Slayer (1997)
Directed by: Joss Whedon, James A. Contner, David Solomon, David Grossman, Michael Gershman, Bruce Seth Green, Nick Marck, James Whitmore Jr., David Greenwalt, David Semel, Michael Lange, Douglas Petrie, John T. Kretchmer, Ellen S. Pressman, Daniel Attias, Marti Noxon, David Fury, Rick Rosenthal, Marita Grabiak, Reza Badiyi, Scott Brazil, Stephen Cragg, Stephen L. Posey, Charles Martin Smith, Deran Sarafian, Tucker Gates, Regis Kimble, Christopher Hibler, Turi Meyer, Alan J. Levi, Bill Norton, Michael Grossman
Cinematography by: Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan
Edited by: Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses: Panavision Lenses
3D Modeling And Scanning
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
